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Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  3. Desert Flower
Desert Flower, Ansel Adams, 1937
Ansel Adams, retratoAnsel AdamsEstados Unidos, 1902–1984

Desert Flower

1937 · Photograph

¿Se puede contemplar?

Por ahora no recibe

MoMA

Nueva York, Estados Unidos

Pertenece a la colección, pero ahora mismo no está expuesta.

Comprobado
hace 9 días
Fuente
El museo
En el mapaPágina del museo

Ficha

1937 · a los 35 años
19021984
Número de inventario
350.1938

En el catálogo

FotografíaGelatina de plataModernismoSiglo XX

Fuentes

  • MoMA
  • Imagen: MoMA — © the artist or rights holder

Mientras tanto, en la vida de Ansel Adams

La vida entera
  1. 1930s

    Commercial assignments and U.S. Camera & Travel

    In the 1930s Adams takes on many commercial assignments to supplement the income of the struggling Best's Studio; his clients include Kodak, Fortune magazine, Pacific Gas and Electric, AT&T and the American Trust Company, and he will depend on such work financially until the 1970s. In 1939 he is named an editor of U.S. Camera & Travel, then the most popular photography magazine.

  2. 1936

    Solo show at Stieglitz's gallery in New York

    Gathering his recent work, Adams holds a solo show in 1936 at Stieglitz's New York gallery “An American Place.” The exhibition proves successful with both critics and the buying public, and the revered Stieglitz himself praises Adams warmly.

  3. 1937

    A month in Arizona with Georgia O'Keeffe

    In 1937 Adams, O'Keeffe and friends organize a month-long camping trip in Arizona, guided by Orville Cox, head wrangler at Ghost Ranch. Both artists create new work, and Adams makes a candid portrait of O'Keeffe with Cox on the rim of Canyon de Chelly, where, he later remarked, some of his best photographs were made.

  4. 1937

    Fire in the Yosemite darkroom

    In 1937 the darkroom in Yosemite catches fire; with the help of Edward Weston and Charis Wilson, Adams puts it out, but thousands of negatives are lost, including hundreds that had never been printed. The negative of “Clearing Winter Storm” is almost destroyed.

  5. 1938

    “Sierra Nevada: The John Muir Trail”

    In 1938 Adams creates the limited-edition book “Sierra Nevada: The John Muir Trail,” part of the Sierra Club's effort to secure national-park status for Kings Canyon. The book and his testimony before Congress play a vital role in the success of that campaign.

  6. 1939–1942

    The Zone System, with Fred Archer

    While teaching at the Art Center School in Los Angeles, Adams and the portrait photographer Fred Archer develop the Zone System — a calibrated scale of brightness, based on sensitometry, from Zone 0 (black) to Zone X (white) that lets the photographer determine in advance how the film must be exposed, developed and printed. The date is given variously as around 1939–1940 or as 1942.

Más obras de Ansel Adams

Todas las obras
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Rock, Bakers Beach, San Francisco, California

c. 1931 · MoMA

Bridgeport Valley, Flooded Meadow, Ansel Adams, n.d.

Bridgeport Valley, Flooded Meadow

n.d. · No expuesta · MoMA

Leaves, near Bishop, California, Ansel Adams, n.d.

Leaves, near Bishop, California

n.d. · No expuesta · MoMA

From Glacier Point, Yosemite, Ansel Adams, n.d.

From Glacier Point, Yosemite

n.d. · No expuesta · MoMA

Cliffs in Paradise Valley, Ansel Adams, n.d.

Cliffs in Paradise Valley

n.d. · No expuesta · MoMA

Sierra Juniper, Ansel Adams, n.d.

Sierra Juniper

n.d. · No expuesta · MoMA

Door, Abandoned Church, Sierra Foothills, Ansel Adams, n.d.

Door, Abandoned Church, Sierra Foothills

n.d. · No expuesta · MoMA

Rocks, Sierra Foothills, California, Ansel Adams, n.d.

Rocks, Sierra Foothills, California

n.d. · No expuesta · MoMA

Bajo el mismo techo: MoMA

Página del museo
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

La noche estrellada, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950