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Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  1. Colección/
  2. Museo Herzog Anton Ulrich/
  3. Der Engelkampf
Der Engelkampf, Albrecht Dürer, 1496
Albrecht Dürer, retratoAlbrecht DürerAlemania, 1471–1528

Der Engelkampf

1496 · Print

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Se desconoce

Museo Herzog Anton Ulrich

Brunswick, Alemania

Se conoce el propietario; no se sabe si hoy está expuesta.

En este estado desde
27 sept 2026
Fuente
El museo
En el mapaPágina del museo

Ficha

1496 · a los 25 años
14711528

Lo que muestra

Der sechste der sieben Engel stößt in die Tompete (Posaune): die vier Todesengel werden losgelassenAltarApokalypseAngelGottvaterKampfOffenbarung

En el catálogo

EstampasRenacimientoSiglo XV

Fuentes

  • Museo Herzog Anton Ulrich
  • Imagen: Museo Herzog Anton Ulrich — CC BY-NC-SA 4.0

Mientras tanto, en la vida de Albrecht Dürer

La vida entera
  1. c. 1492 – 1494

    Basel: woodcuts for the printers

    In Basel, a centre of printing, Dürer stayed with Georg Schongauer. A woodblock for the title page of the Letters of St Jerome (1492), signed with his name on the back, led to the works of the “Master of the Bergmann Press” being attributed to him; he may also have worked on the woodcuts for Sebastian Brant's Ship of Fools.

  2. July 1494

    Marries Agnes Frey

    Soon after returning to Nuremberg the 23-year-old Dürer married Agnes Frey, daughter of a prominent brass worker and amateur harpist; the match had been arranged in his absence, and marriage was required to open a workshop of his own. They had no children, and his letters suggest the marriage was not a happy one.

  3. 7 de julio de 1494

    Married: Agnes Dürer

  4. 1494–1495

    First journey to Italy

    Within three months of the wedding Dürer left alone for Italy, perhaps fleeing an outbreak of plague in Nuremberg. Crossing the Alps he made watercolour landscapes; in Venice he studied its art and judged Giovanni Bellini the best of its painters; Mantegna and Pollaiuolo left their mark on him.

  5. 1495

    Opens his own workshop

    Dürer opened his own workshop in Nuremberg, where over the next ten years he created much of his printmaking. His godfather, the publisher Anton Koberger, helped issue the first series; the city's crafts were governed by the Council rather than guilds, leaving him free to try new techniques and sell his own impressions.

Más obras de Albrecht Dürer

Todas las obras
Virgin and Child with Saint Anne, Albrecht Dürer, probably 1519

Virgin and Child with Saint Anne

probably 1519 · Museo Metropolitano de Arte

Female Nude Seen from Behind, Albrecht Dürer, early 17th century

Female Nude Seen from Behind

early 17th century · Museo Metropolitano de Arte

Madonna and Child [obverse], Albrecht Dürer, c. 1496/1499

La Virgen con el Niño.

c. 1496/1499 · Galería Nacional de Arte

Lot and His Daughters [reverse], Albrecht Dürer, c. 1496/1499

Lot and His Daughters [reverse]

c. 1496/1499 · Galería Nacional de Arte

The Martyrdom of Saint Catherine, Albrecht Dürer, ca. 1498

The Martyrdom of Saint Catherine

ca. 1498 · Museo Metropolitano de Arte

Nemesis (The Great Fortune), Albrecht Dürer, c. 1501/1502

Nemesis (The Great Fortune)

c. 1501/1502 · Museo de Arte de Cleveland

Large Horse, Albrecht Dürer, 1505

Large Horse

1505 · Museo de Arte de Cleveland

The Lamentation, Albrecht Dürer, 1507

The Lamentation

1507 · Museo de Arte de Cleveland

De la colección: Museo Herzog Anton Ulrich

Página del museo
Portrait d'Adolphe de Vignacourt Grand Maître de Malthe, Caravaggio, 1704–1755

Caravaggio

Portrait d'Adolphe de Vignacourt Grand Maître de Malthe, 1704–1755

Ecce Homo, Caravaggio, 1674–1684

Caravaggio

Ecce Homo, 1674–1684

Heiliger Hieronymus, Caravaggio

Caravaggio

Heiliger Hieronymus

Bildnis eines Mannes, Rembrandt, 1839–1850

Rembrandt van Rijn

Bildnis eines Mannes, 1839–1850

Bildnis einer Frau, Rembrandt, 1839–1850

Rembrandt van Rijn

Bildnis einer Frau, 1839–1850

Tobias und seine Frau, Rembrandt, 1773

Rembrandt van Rijn

Tobias und seine Frau, 1773

Tobias und seine Frau, Rembrandt, 1773

Rembrandt van Rijn

Tobias und seine Frau, 1773

Lot mit seinen Töchtern, Rembrandt, 1771

Rembrandt van Rijn

Lot mit seinen Töchtern, 1771