De gevangenneming

1508 · Print

¿Se puede contemplar?

Se desconoce: el museo guarda silencio

Rijksmuseum

Amsterdam, Países Bajos

Se sabe quién es el propietario. Si hoy está expuesta, el museo no lo dice, y a adivinar no nos enseñaron.

Fuente: Los datos de colección del propio museo

En el mapa Página del museo

Sobre la obra

In the museum's own words — the original

Christus wordt door Judas met een kus verraden. Soldaten staan achter Christus klaar om hem mee te voeren. Deze prent is onderdeel van een serie van 16 prenten met scènes uit het Lijdensverhaal.

Rijksmuseum

Ficha

Número de inventario: RP-P-OB-1161

What it shows

Peter draws his sword and cuts off Malchus' ear The kiss of Judas: accompanied by soldiers with torches and lanterns, he kisses Christ

Fuentes

Rijksmuseum: the museum's own open data · obtenido hace 6 días
Imagen: Rijksmuseum — public domain

Mientras tanto, en la vida de Albrecht Dürer

La vida entera

1505–1507
To Bologna for the secrets of perspective
Dürer travelled to the university city of Bologna, hoping to learn the secrets of geometric perspective from its scholars. He then meant to visit Mantegna in Padua but received news of his death, which he greatly regretted afterwards.
1505–1507
Friendship with Giovanni Bellini
Dürer considered Giovanni Bellini “the best in painting”, the only Venetian master with whom he became friends. The Madonna of the Siskin may have been painted at Bellini's request.
1505–1507 · Lugar de trabajo
Venice
1507
Leaving Venice: “Here I am a gentleman”
Dürer left Italy, apparently reluctantly: in one of his last letters to Pirckheimer he remarked, “Here I am a gentleman, while at home I am only a parasite.”
1507–1528 · Lugar de trabajo
Nuremberg
1509
Elected to Nuremberg's Greater Council
Dürer was elected a nominated member of Nuremberg's Greater Council; in that role he may have taken part in the city's artistic projects.