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Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  1. Colección/
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  3. Cupids as Caryatids
Cupids as Caryatids, possibly John Michael Rysbrack, ca. 1730

Cupids as Caryatids

ca. 1730 · Relief

Sobre la escultura

This terracotta group in high relief is perhaps made by John Michael Rysbrack in ca. 1730 in England.

This terracotta relief - together with its pendant Mus. no. 7718-1863 - were made as sketch models for a larger composition in marble, probably used on the entablature of a doorway or chimneypiece; they may also have formed part of the pediment of a monument.

Rysbrack (1694-1770) was born in Antwerp, and trained in the Netherlands, but spent his working life in Britain. He was one of the most important sculptors active in this country in the first half of the 18th century, and specialised in portrait busts and funerary monuments. Although he never visited Italy, many of his works are clearly indebted to classical archetypes. His terracotta models are particularly fine, and are often virtually finished pieces in their own right.

Museo de Victoria y Alberto

Ficha

Número de inventario
7717-1863

Más obras de possibly John Michael Rysbrack

Todas las obras

En la misma sala · Sculpture, Room 22, The Dorothy and Michael Hintze Galleries, Museo de Victoria y Alberto

Página del museo

Sobre el mismo tema · Putti

Todas las obras sobre el tema
Ppossibly John Michael Rysbrack

¿Se puede contemplar?

Sí, recibe visitas

Museo de Victoria y Alberto

Londres, Reino Unido

SalaSculpture, Room 22, The Dorothy and Michael Hintze Galleries

Expuesta al público. Quién lo avala figura más abajo.

Comprobado
hace 12 días
En este estado desde
25 sept 2026
Fuente
El museo
En el mapaPágina del museo

Lo que muestra

Putti

En el catálogo

EsculturaTerracota y cerámicaRococóSiglo XVIIIInglaterra

Fuentes

  • Museo de Victoria y Alberto
  • Imagen: Museo de Victoria y Alberto — © Victoria and Albert Museum, London
Cupids as Caryatids, possibly John Michael Rysbrack, ca. 1730

Cupids as Caryatids

ca. 1730 · Museo de Victoria y Alberto

Two Putti supporting and Architrave, possibly John Michael Rysbrack, ca. 1730

Two Putti supporting and Architrave

ca. 1730 · Museo de Victoria y Alberto

Model for Wellington Monument: Truth and Falsehood, Alfred George Stevens, 1867-8

Alfred Stevens

Model for Wellington Monument: Truth and Falsehood, 1867-8

Valour and Cowardice, Alfred George Stevens, 1866

Alfred Stevens

Valour and Cowardice, 1866

Pandora, John Gibson, 1856

John Gibson

Pandora, 1856

Eve listening to the voice, Edward Hodges Baily, 1842

Edward Hodges Baily

Eve listening to the voice, 1842

Maternal Affection, Edward Hodges Baily, 1837

Edward Hodges Baily

Maternal Affection, 1837

Catherine, Lady Stepney (d. 1845) as Cleopatra, Richard Cockle Lucas, ca. 1836

Richard Cockle Lucas

Catherine, Lady Stepney (d. 1845) as Cleopatra, ca. 1836

Nicolò Paganini, Henry Westmacott, 1832

Henry Westmacott

Nicolò Paganini, 1832

Cupid kindling the torch of Hymen, George Rennie, ca. 1831

George Rennie

Cupid kindling the torch of Hymen, ca. 1831

Bacchanal: A Faun Teased by Children, Gian Lorenzo Bernini, ca. 1616–17

Gian Lorenzo Bernini

Fauno entretenido por cupidos, ca. 1616–17

Museo Metropolitano de Arte

Page from the Collection of Niccolò Gaddi (So-Called "Vasari Page"), Florentine 16th century, The "Chief Framer", Raffaellino del Garbo, and Sandro Botticelli, and Filippino Lippi, Sheets probably 1480-1504; mounting & framework c. 1575/1590

Sandro Botticelli

Page from the Collection of Niccolò Gaddi (So-Called "Vasari Page"), Sheets probably 1480-1504; mounting & framework c. 1575/1590

No expuesta · Galería Nacional de Arte

The Temptation of the Idler (The Dream of the Doctor), Albrecht Dürer, c. 1498

Albrecht Dürer

The Temptation of the Idler (The Dream of the Doctor), c. 1498

No expuesta · Instituto de Arte de Chicago

The Dream of the Doctor (Temptation of the Idler), Albrecht Dürer, 1498/1499

Albrecht Dürer

The Dream of the Doctor (Temptation of the Idler), 1498/1499

No expuesta · Galería Nacional de Arte

Die Hexe - Witch Riding on a Goat, Albrecht Dürer, c. 1500

Albrecht Dürer

Die Hexe - Witch Riding on a Goat, c. 1500

No expuesta · Instituto de Artes de Mineápolis

Putti Testing a Man's Perception of Depth, Sir Peter Paul Rubens, c. 1613

Peter Paul Rubens

Putti Testing a Man's Perception of Depth, c. 1613

No expuesta · Galería Nacional de Arte

Hercules Fighting the Fury and the Discord, Christoffel Jegher after Sir Peter Paul Rubens, 1630

Peter Paul Rubens

Hercules Fighting the Fury and the Discord, 1630

No expuesta · Galería Nacional de Arte

Elderly Man Watching Putti Dissect an Eye, Sir Peter Paul Rubens, c. 1613

Peter Paul Rubens

Elderly Man Watching Putti Dissect an Eye, c. 1613

No expuesta · Galería Nacional de Arte