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Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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Galería Nacional de Arte
Cord in Harlem

Cord in Harlem, John Gutmann, 1936, printed 1980s

Cord in Harlem

1936, printed 1980s · Photograph

Ficha

1936, printed 1980s · a los 31 años

19051998

Número de inventario: 2001.67.89

Más obras de John Gutmann

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Bajo el mismo techo: Galería Nacional de Arte

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Sobre el mismo tema · Travel

Todas las obras sobre el tema

JJohn GutmannEstados Unidos, 1905–1998

¿Se puede contemplar?

Por ahora no recibe

Galería Nacional de Arte

Washington D. C., Estados Unidos

Pertenece a la colección, pero ahora mismo no está expuesta.

Comprobado: hace 3 días
En este estado desde: 19 ago 2026
Fuente: El museo

En el mapa Página del museo

Lo que muestra

Travel Automobile

En el catálogo

Fotografía Gelatina de plata Modernismo Siglo XX American

Fuentes

Galería Nacional de Arte
Imagen: Galería Nacional de Arte — © the artist or rights holder

The Fleet Is In, San Francisco, John Gutmann, 1934, printed 1982

The Fleet Is In, San Francisco

1934, printed 1982 · No expuesta · Galería Nacional de Arte

Twist Dive, John Gutmann, 1934

Twist Dive

1934 · No expuesta · Galería Nacional de Arte

Lunch Hour, San Francisco, John Gutmann, 1934

Lunch Hour, San Francisco

1934 · No expuesta · Galería Nacional de Arte

Watching the Game, John Gutmann, 1934

Watching the Game

1934 · No expuesta · MoMA

The Decal, John Gutmann, 1935

The Decal

1935 · No expuesta · MoMA

Class, John Gutmann, 1935

Class

1935 · No expuesta · MoMA

Shrug of the Shoulder, John Gutmann, 1935

Shrug of the Shoulder

1935 · No expuesta · MoMA

Elevator Garage, Chicago, John Gutmann, 1936, printed 1982

Elevator Garage, Chicago

1936, printed 1982 · No expuesta · Galería Nacional de Arte

Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Retrato de Ginebra de Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Chica en blanco, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Granja en Provenza, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

"Neige" (Snow); Itinerary [recto], Paul Gauguin, 1884-1888

Paul Gauguin

"Neige" (Snow); Itinerary [recto], 1884-1888

No expuesta · Galería Nacional de Arte

Country Outing (Partie de campagne), Henri de Toulouse-Lautrec, 1897

Henri de Toulouse-Lautrec

Country Outing (Partie de campagne), 1897

No expuesta · Galería Nacional de Arte

Lorenzo & Larry Ferlinghetti, stopover in Fiji on way to Adelaide Arts Festival, Australia March 72, Allen Ginsberg, 1972, printed later

Allen Ginsberg

Lorenzo & Larry Ferlinghetti, stopover in Fiji on way to Adelaide Arts Festival, Australia March 72, 1972, printed later

No expuesta · Galería Nacional de Arte

Joe Richey and New York ladies on Roland Leggiardi-Laura's film crew, waiting at Ministerio de Cultura door, outside Managua, January 23, 1986, Allen Ginsberg, 1986

Allen Ginsberg

Joe Richey and New York ladies on Roland Leggiardi-Laura's film crew, waiting at Ministerio de Cultura door, outside Managua, January 23, 1986, 1986

No expuesta · Galería Nacional de Arte

Allen Ginsberg, utility man S.S. John Blair first back from Galveston-Dakar Doldrums trip, I handed my camera to the radio-man on the ship's fantail, smoking what? In New York harbor, circa October 30, 1947., Allen Ginsberg, 1947, printed 1990

Allen Ginsberg

Allen Ginsberg, utility man S.S. John Blair first back from Galveston-Dakar Doldrums trip, I handed my camera to the radio-man on the ship's fantail, smoking what? In New York harbor, circa October 30, 1947., 1947, printed 1990

No expuesta · Galería Nacional de Arte

Allen Ginsberg

Korean War Vet Ken Babbs, Captain of Ken Kesey's "Trips Festival" bus, co piloting Neal Cassady on Amphetamine at wheel rolling up highway to Millbrook estate near Poughkeepsie N.Y. where Dr. Tim O'Leary's Castalia Foundation was then experimenting with D.M.T. on half hour psychedelic trip useful for psychiatric sessions. Burglar Gordon Liddy, then assistant D.A. in Poughkeepsie raided the Foundation a number of times illegally lacking search warrants during that season, so Castalia folk were jittery on arrival of honking Day-Glo graffit'd "Merry Prankster" Further bus which'd been driven cross-country S.F to N.Y. via Texas before Fall 1964 Presidentiad, "A Vote for Goldwater is a Vote for Fun" logo painted above bus side windows, L.S.D. Kool-Aid in pitcher in icebox. Kesey & Pranksters had met with Jack Kerouac a day before . . ., 1964, printed 1995

No expuesta · Galería Nacional de Arte

Harry Smith talking to Scotch folk-singer English Professor at University of Mississippi who drove me to visit Ike's Barber Shop in Clarksdale-- Ike had played in Black rhythm & Blues bands around the 40's Country & his shop was legendary social center after he'd returned to his home town-- Harry came to record the rhythm of his barber scissors & razor strapping as we spent the afternoon hanging out & listening to the jukebox by the bar, back of the Barbershop. Later we drove across the Mississippi River & returned to "ole' Miss" at Oxford by midnight, April 19, 1987., Allen Ginsberg, 1987

Allen Ginsberg

Harry Smith talking to Scotch folk-singer English Professor at University of Mississippi who drove me to visit Ike's Barber Shop in Clarksdale-- Ike had played in Black rhythm & Blues bands around the 40's Country & his shop was legendary social center after he'd returned to his home town-- Harry came to record the rhythm of his barber scissors & razor strapping as we spent the afternoon hanging out & listening to the jukebox by the bar, back of the Barbershop. Later we drove across the Mississippi River & returned to "ole' Miss" at Oxford by midnight, April 19, 1987., 1987

No expuesta · Galería Nacional de Arte

Allen Ginsberg

Ken Kesey—Merry Pranksters’ day-glo painted “Further” cross-country bus Neal Cassady’d driven S.F. to Manhattan, L.S.D. cool-aid pitcher in icebox for local hitchhikers and Police, here stopped for gas lunch upstate on trip to Timothy Leary’s Millbrook n.y. psychedelic research commune just before election time, “A Vote For Barry Is A Vote for Fun” logo painted large across bustop side, Goldwater the libertarian Republican would-be Presidential candidate Hawk during Vietnam War, summer 1964., 1964, printed 1995

No expuesta · Galería Nacional de Arte