Composition with Red, Yellow, and Blue, Piet Mondrian, 1927
Piet Mondrian, retratoPiet MondrianPaíses Bajos, 1872–1944

Composition with Red, Yellow, and Blue

1927 · Painting

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¿Dónde está «Composition with Red, Yellow, and Blue» hoy? Museo de Arte de Cleveland, 223 20th Century Avant-Garde, Cleveland. Sí, expuesta ahora. Comprobado 29 de septiembre de 2026.

Museo de Arte de Cleveland

Cleveland, Estados Unidos

Sala223 20th Century Avant-Garde

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Sobre el cuadro

During the 1910s, Piet Mondrian’s art progressed from Cubism to an increasingly abstract style based on the form of a grid. He completely abandoned the representation of natural appearances, limiting himself to horizontal and vertical rectangles and three primary colors (red, yellow, and blue) along with black and white. Intensely intellectual and deeply philosophical, Mondrian believed that following the devastation of World War I, such abstract compositions could contribute to a more harmonious society by communicating in a universal, visual language.

Museo de Arte de Cleveland

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Número de inventario
1967.215

En el catálogo

Fuentes

En la vida de Piet Mondrian

La vida entera
  1. 1919–1938

    Return to Paris

    In 1919 Mondrian left the Netherlands for Paris for the second and last time and at once turned to his studio: to hide its flaws he tacked large single-colour placards to the walls, accented by compositions of smaller coloured paper rectangles. From then on, periods of painting alternated with experiments in regrouping the papers on the walls.

  2. 1926

    Katherine Dreier buys “Painting I”

    Katherine Dreier, co-founder of the Society of Independent Artists, visited Mondrian's Paris studio and acquired the diamond composition “Painting I”, shown afterwards at the Brooklyn Museum in the first major exhibition of modern art in America since the Armory Show; in the catalogue she called Mondrian the third great Dutch painter after Rembrandt and Van Gogh.

  3. 1926

    André Kertész photographs Mondrian's Paris flat

    Mondrian's Paris apartment, his pipe and his glasses were captured in minimalist photographs by André Kertész that became emblematic of modern photography.

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En la misma sala · 223 20th Century Avant-Garde, Museo de Arte de Cleveland

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