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Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  1. Colección/
  2. Museo de Arte de Cleveland/
  3. Christ on the Cross
Christ on the Cross, El Greco, c. 1600–1610
El Greco, retratoEl GrecoGrecia, 1541–1614

Christ on the Cross

c. 1600–1610 · Painting

¿Se puede contemplar?

Sí, recibe visitas

Museo de Arte de Cleveland

Cleveland, Estados Unidos

Sala212 Baroque Painting and Sculpture

Expuesta al público. Quién lo avala figura más abajo.

Comprobado
anteayer
En este estado desde
19 ago 2026
Fuente
El museo
En el mapaPágina del museo

Sobre el cuadro

El Greco (Spanish for "the Greek") was trained on his native island, Crete, as a painter of small-scale devotional images (icons). In the late 1560s he moved first to Venice, where he may have worked with Tintoretto (1518-1594), and then to Rome. Finally, he settled in Toledo, Spain. Tintoretto's influence is visible here in the colors and in the elongated figural proportions. The graphic depiction of blood, however, may reflect the Spanish interest in Christ's sufferings as a subject for meditation.

Museo de Arte de Cleveland

Ficha

c. 1600–1610
15411614
Número de inventario
1952.222

En el catálogo

PinturaÓleoPintura venecianaBarrocoSiglo XVIIEspaña

Fuentes

  • Museo de Arte de Cleveland
  • Imagen: Museo de Arte de Cleveland — Museum open access

Mientras tanto, en la vida de El Greco

La vida entera
  1. 1597–1607

    A decade of intense activity

    The decade from 1597 to 1607 was a period of intense activity for El Greco: his workshop made pictorial and sculptural ensembles for religious institutions — three altars for the Chapel of San José in Toledo (1597–99), three paintings for the Colegio de Doña María de Aragón in Madrid (1596–1600), and the high altar, four lateral altars and St Ildefonso for the Hospital of Charity at Illescas (1603–05).

  2. 1604

    Birth of his grandson Gabriel

    In 1604 El Greco's son Jorge Manuel and Alfonsa de los Morales had a son, Gabriel; his godfather was Gregorio Angulo, governor of Toledo and a personal friend of the artist.

  3. 13 December 1604

    Death of his brother Manoússos

    El Greco's elder brother Manoússos, a wealthy merchant, spent the last years of his life (1603–04) in the painter's Toledo home and died on 13 December 1604.

  4. 1607–1608

    The lawsuit with the hospital at Illescas

    In 1607–08 El Greco was involved in a protracted legal dispute with the Hospital of Charity at Illescas over payment for his work, which included painting, sculpture and architecture. This and other disputes contributed to the economic difficulties of his last years.

  5. 1608

    His last major commission: the Hospital of Saint John the Baptist

    In 1608 El Greco received his last major commission, for the Hospital of Saint John the Baptist in Toledo.

  6. 1611

    A visit from Francisco Pacheco

    The painter and theorist Francisco Pacheco, who visited El Greco in 1611, condemned his idea of the primacy of colour over form and his broad-brush manner, yet called the master “a writer of painting, sculpture and architecture”.

Más obras de El Greco

Todas las obras
Christ Driving the Money Changers from the Temple, El Greco, c. 1570–75

Christ Driving the Money Changers from the Temple

c. 1570–75 · Instituto de Artes de Mineápolis

Christ Carrying the Cross, El Greco, ca. 1577–87

Christ Carrying the Cross

ca. 1577–87 · Museo Metropolitano de Arte

Cardinal Fernando Niño de Guevara (1541–1609), El Greco, ca. 1600

Cardinal Fernando Niño de Guevara (1541–1609)

ca. 1600 · Museo Metropolitano de Arte

Saint Jerome as Scholar, El Greco, ca. 1610

Saint Jerome as Scholar

ca. 1610 · Museo Metropolitano de Arte

Christ Cleansing the Temple, El Greco, probably before 1570

Christ Cleansing the Temple

probably before 1570 · Galería Nacional de Arte

Portrait of the Poet Alonso Ercilla y Zuniga, El Greco, 1570s

Portrait of the Poet Alonso Ercilla y Zuniga

1570s · Museo del Hermitage

Christ Healing the Blind, El Greco, ca. 1570

Christ Healing the Blind

ca. 1570 · Museo Metropolitano de Arte

Saint Bernard, El Greco, c. 1577

Saint Bernard

c. 1577 · Museo del Hermitage

Bajo el mismo techo: Museo de Arte de Cleveland

Página del museo
The Red Kerchief, Claude Monet, c. 1868–73

Claude Monet

The Red Kerchief, c. 1868–73

Melencolia I, Albrecht Dürer, 1514

Albrecht Dürer

Melancolía I, 1514

The Virgin and Child with the Pear, Albrecht Dürer, 1511

Albrecht Dürer

The Virgin and Child with the Pear, 1511

The Nativity, Albrecht Dürer, probably c. 1509/1510

Albrecht Dürer

The Nativity, probably c. 1509/1510

The Virgin and Child on a Crescent with a Starry Crown, Albrecht Dürer, 1508

Albrecht Dürer

The Virgin and Child on a Crescent with a Starry Crown, 1508

The Lamentation, Albrecht Dürer, 1507

Albrecht Dürer

The Lamentation, 1507

Large Horse, Albrecht Dürer, 1505

Albrecht Dürer

Large Horse, 1505

Nemesis (The Great Fortune), Albrecht Dürer, c. 1501/1502

Albrecht Dürer

Nemesis (The Great Fortune), c. 1501/1502