ART WIKI33.040 en sala
MapaColecciónArtistasMuseosExposicionesRevista
Acceder

ART WIKI

Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

Secciones

  • Mapa
  • Búsqueda
  • Colección
  • Obras maestras
  • Expuestas ahora
  • Artistas

Más

  • Museos y galerías
  • Exposiciones
  • Revista
  • De dónde salen los datos
  • Privacidad y cookies
InicioMapaCatálogo
  1. Colección/
  2. Museo de Victoria y Alberto/
  3. Cherub head
Cherub head, Alfred George Stevens, ca. 1860 - ca. 1870
Alfred Stevens, retratoAlfred StevensReino Unido, 1817–1875

Cherub head

ca. 1860 - ca. 1870 · Model · 53 × 36.6 cm

Sobre la escultura

This is the original model by Alfred Stevens for the bronze cherubs in the soffit of the Wellington monument in St. Paul's Cathedral north aisle, where Wellington is buried. It depicts a six-winged cherub within a hollow Greek cross of slightly concave form.

A sculptor, designer and painter, Alfred Stevens (1817/18-1875) rejected contemporary distinctions between fine art and design. From 1850 to 1857 he was chief designer to Hoole & Co., Sheffield, where he produced award-winning designs for metalwork, majolica, terracotta ornaments and chimney-pieces.

Seguir leyendo

Perhaps his two greatest works were the decorations for the dining-room at Dorchester House, London (about 1856), for which he made countless drawings inspired by the Italian High Renaissance style, in particular the work of Michelangelo and the monument to the Duke of Wellington for St Paul's Cathedral, London, which was completed after his death. The two allegorical groups from this monument made a lasting impact on the New Sculpture movement. The influence of the Italian Renaissance is evident in much of Steven's work, and is perhaps best reflected in the Wellington monument.

Born in Dublin, 1st May 1769, died at Walmer Castle, Kent, 14th September 1852, Arthur Wellesley, later the 1st Duke of Wellington, was Britain's greatest military commander. His brilliant tactics and leadership brought about major victories over the French in the Peninsular War of 1808-1814 and, most famously, at Waterloo on 18 June 1815. The Duke then became a politician (Prime Minister from 1828-1830) and distinguished elder statesman.

Museo de Victoria y Alberto

Ficha

ca. 1860 - ca. 1870
18171875
Número de inventario
955-1903

Más obras de Alfred Stevens

Todas las obras

Bajo el mismo techo: Museo de Victoria y Alberto

Página del museo

Sobre el mismo tema · Cherubs

Todas las obras sobre el tema

¿Se puede contemplar?

Por ahora no recibe

Museo de Victoria y Alberto

Londres, Reino Unido

Pertenece a la colección, pero ahora mismo no está expuesta.

Comprobado
hace 13 días
En este estado desde
25 sept 2026
Fuente
El museo
En el mapaPágina del museo

Lo que muestra

Cherubs

En el catálogo

EsculturaYesoRealismoImpresionismoSiglo XIXInglaterra

Fuentes

  • Museo de Victoria y Alberto
  • Imagen: Museo de Victoria y Alberto — © Victoria and Albert Museum, London
Model for the Wellington Monument in St Paul's Cathedral, Alfred George Stevens, 1857

Model for the Wellington Monument in St Paul's Cathedral

1857 · Museo de Victoria y Alberto

Valour and Cowardice, Alfred George Stevens, 1866

Valour and Cowardice

1866 · Museo de Victoria y Alberto

Model for Wellington Monument: Truth and Falsehood, Alfred George Stevens, 1867-8

Model for Wellington Monument: Truth and Falsehood

1867-8 · Museo de Victoria y Alberto

William Blundell Spence, Alfred Stevens, 1851

William Blundell Spence

1851 · National Gallery

Woman with Book (recto); Sketches of Male Figure (verso), Alfred George Stevens, n.d.

Woman with Book (recto); Sketches of Male Figure (verso)

n.d. · No expuesta · Instituto de Arte de Chicago

Decorative Design with Putti and Griffins, Alfred George Stevens, n.d.

Decorative Design with Putti and Griffins

n.d. · No expuesta · Instituto de Arte de Chicago

Drawing, Alfred George Stevens

Drawing

No expuesta · Museo de Victoria y Alberto

Drawing, Alfred George Stevens

Drawing

No expuesta · Museo de Victoria y Alberto

Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

The Assumption of the Virgin, Domenico Theotokópoulos, called El Greco, 1577–79

Domenico Theotokópoulos, called El Greco

The Assumption of the Virgin, 1577–79

Instituto de Arte de Chicago

Armida Encounters the Sleeping Rinaldo, Giovanni Battista Tiepolo, 1742/45

Giovanni Battista Tiepolo

Armida Encounters the Sleeping Rinaldo, 1742/45

Instituto de Arte de Chicago

Allegory of Spring, English, 1800/25

English

Allegory of Spring, 1800/25

No expuesta · Instituto de Arte de Chicago

The Death of St. Francis Xavier, Veronica Stern, c. 1750

Veronica Stern

The Death of St. Francis Xavier, c. 1750

No expuesta · Instituto de Arte de Chicago

The Apotheosis of the Hero, Follower of Peter Paul Rubens, 1630/40

Follower of Peter Paul Rubens

The Apotheosis of the Hero, 1630/40

No expuesta · Instituto de Arte de Chicago

Pietà, Filippo Parodi, c. 1686

Filippo Parodi

Pietà, c. 1686

Instituto de Arte de Chicago

Crèche, Neapolitan, 1725–75, with later additions

Neapolitan

Crèche, 1725–75, with later additions

No expuesta · Instituto de Arte de Chicago

The Vision of Saint Francis, Lodovico Carracci, c. 1602

Ludovico Carracci

The Vision of Saint Francis, c. 1602

Instituto de Arte de Chicago