ART WIKI32.963 en sala
MapaColecciónArtistasMuseosExposicionesRevista
Acceder

ART WIKI

Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

Secciones

  • Mapa
  • Búsqueda
  • Colección
  • Obras maestras
  • Expuestas ahora
  • Artistas

Más

  • Museos y galerías
  • Exposiciones
  • Revista
  • De dónde salen los datos
  • Privacidad y cookies
InicioMapaCatálogo
  1. Colección/
  2. Museo de Victoria y Alberto/
  3. Branch Hill Pond, Hampstead
Branch Hill Pond, Hampstead, John Constable, 1819

Branch Hill Pond, Hampstead

1819 · Oil painting · 25.4 × 30 cm

Sobre el cuadro

Constable moved to Hampstead in the summer of 1819 and Branch Hill Pond became one of his favourite subjects. He based several larger paintings on this sketch.

Museo de Victoria y Alberto

Ficha

1819 · a los 43 años
17761837
Número de inventario
122-1888

Mientras tanto, en la vida de John Constable

La vida entera
  1. 1821

    “The Hay Wain” at the Royal Academy

    The picture, shown as “Landscape: Noon”, found no buyer, but it was seen by the painter Théodore Géricault and the writer Charles Nodier. According to Delacroix, Géricault went back to France quite stunned and invited Constable to Paris, while Nodier urged French artists to look to nature rather than to trips to Rome.

  2. 1821

    “I should paint my own places best”

    In a letter to his friend John Fisher in 1821 Constable wrote that he should paint his own places best, and that painting is but another word for feeling. The Dedham Vale around his home came to be known as “Constable Country”.

  3. 1821

    Son born: Charles Golding Constable

  4. 23 October 1821

    To Fisher: “I have done a good deal of skying”

    Constable wrote to Fisher that he had done a good deal of skying and was determined to conquer all the difficulties that remained. He made cloud studies, noting the weather, direction of light and time of day on the back, and held the sky to be the key note of a landscape, drawing on the meteorologist Luke Howard’s classification of clouds.

Más obras de John Constable

Todas las obras

En la misma sala · Paintings, Room 88, The Edwin and Susan Davies Galleries, Museo de Victoria y Alberto

Página del museo

Sobre el mismo tema · Ponds

Todas las obras sobre el tema
John Constable, retratoJohn ConstableReino Unido, 1776–1837

¿Se puede contemplar?

Sí, recibe visitas

Museo de Victoria y Alberto

Londres, Reino Unido

SalaPaintings, Room 88, The Edwin and Susan Davies Galleries

Expuesta al público. Quién lo avala figura más abajo.

Comprobado
hace 12 días
En este estado desde
25 sept 2026
Fuente
El museo
En el mapaPágina del museo

Lo que muestra

PondsHillsCloudsHampstead

En el catálogo

PinturaÓleoPintura británicaNeoclasicismoRomanticismoSiglo XIXBritish SchoolInglaterra

Fuentes

  • Museo de Victoria y Alberto
  • Imagen: Museo de Victoria y Alberto — © Victoria and Albert Museum, London
Stoke-by-Nayland, John Constable, ca. 1810–11

Stoke-by-Nayland

ca. 1810–11 · Museo Metropolitano de Arte

Wivenhoe Park, Essex, John Constable, 1816

Wivenhoe Park, Essex

1816 · Galería Nacional de Arte

The White Horse, John Constable, 1818-1819

The White Horse

1818-1819 · Galería Nacional de Arte

La baie de Weymouth à l'approche de l'orage, Constable, John, 1e quart du XIXe siècle (1818 - 1819)

La baie de Weymouth à l'approche de l'orage

1e quart du XIXe siècle (1818 - 1819) · Museo del Louvre

Salisbury Cathedral from Lower Marsh Close, John Constable, 1820

Salisbury Cathedral from Lower Marsh Close

1820 · Galería Nacional de Arte

Vue de Salisbury, Constable, John, 1e quart du XIXe siècle (1820)

Vue de Salisbury

1e quart du XIXe siècle (1820) · Museo del Louvre

Vallon à Helmingham [Helmingham Dell], Constable, John, 1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823)

Vallon à Helmingham [Helmingham Dell]

1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823) · Museo del Louvre

Salisbury Cathedral from the Bishop's Grounds, John Constable, ca. 1825

Salisbury Cathedral from the Bishop's Grounds

ca. 1825 · Museo Metropolitano de Arte

Snow scene: the haunted house, Georg Emil Libert, 1848

Georg Emil Libert

Snow scene: the haunted house, 1848

Sunset on a bay, with castle ruins, Georg Emil Libert, 1848

Georg Emil Libert

Sunset on a bay, with castle ruins, 1848

Study of poppies, John Constable, ca. 1832

John Constable

Study of poppies, ca. 1832

Study of Foliage, John Constable, ca. 1828

John Constable

Study of Foliage, ca. 1828

A Donkey with a Foal: Study for <i>The Cornfield</i>, John Constable, ca. 1826

John Constable

A Donkey with a Foal: Study for <i>The Cornfield</i>, ca. 1826

On the edge of a wood, John Constable, ca. 1825

John Constable

On the edge of a wood, ca. 1825

A Windmill near Brighton, John Constable, 3 August 1824

John Constable

A Windmill near Brighton, 3 August 1824

Brighton Beach, with Fishing Boat and Crew, John Constable, 10/06/1824

John Constable

Brighton Beach, with Fishing Boat and Crew, 10/06/1824

Bridge over a Pond of Water Lilies, Claude Monet, 1899

Claude Monet

Bridge over a Pond of Water Lilies, 1899

Museo Metropolitano de Arte

Water Lilies, Claude Monet, 1916–19

Claude Monet

Water Lilies, 1916–19

Museo Metropolitano de Arte

Water Lilies, Claude Monet, 1919

Claude Monet

Water Lilies, 1919

Museo Metropolitano de Arte

[Landscape], Marie-Charles-Isidore Choiselat, 1844

Marie-Charles-Isidore Choiselat

[Landscape], 1844

Museo Metropolitano de Arte

Rimmer's Pond, Ridley, Hennell, ca. 1940

Hennell

Rimmer's Pond, Ridley, ca. 1940

No expuesta · Museo de Victoria y Alberto

The Pond, Ditchling, Charles Knight, ca. 1940

Charles Knight

The Pond, Ditchling, ca. 1940

No expuesta · Museo de Victoria y Alberto

Landscape with pond and trees, 19th century

Landscape with pond and trees, 19th century

No expuesta · Museo de Victoria y Alberto

Pond and Trees, Albion Harris Bicknell

Albion Bicknell

Pond and Trees

Museo Smithsoniano de Arte Americano