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Boston, Betsy Karel, 1999
BBetsy KarelEstados Unidos, 1946

Boston

1999 · Photograph

Ficha

1999 · a los 53 años
1946hoy
Número de inventario
2015.19.5101

Más obras de Betsy Karel

Todas las obras

Bajo el mismo techo: Galería Nacional de Arte

Página del museo

Sobre el mismo tema · Massachusetts

Todas las obras sobre el tema

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Por ahora no recibe

Galería Nacional de Arte

Washington D. C., Estados Unidos

Pertenece a la colección, pero ahora mismo no está expuesta.

Comprobado
hace 3 días
En este estado desde
19 ago 2026
Fuente
El museo
En el mapaPágina del museo

Lo que muestra

MassachusettsVarónCoffee cupHomelessness

En el catálogo

FotografíaGelatina de plataArte contemporáneoSiglo XXAmerican

Fuentes

  • Galería Nacional de Arte
  • Imagen: Galería Nacional de Arte — © the artist or rights holder
Boston (Night at an ATM kiosk.), Betsy Karel, 1999

Boston (Night at an ATM kiosk.)

1999 · No expuesta · Galería Nacional de Arte

Boston, Betsy Karel, 1999

Boston

1999 · No expuesta · Galería Nacional de Arte

Boston (When the lights go out in this small Boston shelter, men sleep on cots on one side of the room, women on the other. Tammy and Rodney try to share a tender moment, but privacy does not exist in this crowded environment.), Betsy Karel, 1999

Boston (When the lights go out in this small Boston shelter, men sleep on cots on one side of the room, women on the other. Tammy and Rodney try to share a tender moment, but privacy does not exist in this crowded environment.)

1999 · No expuesta · Galería Nacional de Arte

Boston (One way in which the staff at the Pine Street Inn tries to establish relationships of trust with their homeless clientele is by encouraging them to have foot soaks at the end of the day. Afterwards, they are given clean socks and, if necessary, new shoes. The nurses have often found that over a period of time, their guests relax enough during these sessions to tell them what is on their minds.), Betsy Karel, 1999

Boston (One way in which the staff at the Pine Street Inn tries to establish relationships of trust with their homeless clientele is by encouraging them to have foot soaks at the end of the day. Afterwards, they are given clean socks and, if necessary, new shoes. The nurses have often found that over a period of time, their guests relax enough during these sessions to tell them what is on their minds.)

1999 · No expuesta · Galería Nacional de Arte

Boston (Darrel and Barbara met a year ago when Darrel saw Barbara sitting on a wall. "We talked and decided to pool our money to buy a half-pint," he says. "We've been together ever since." On frigid weekends, especially after the sun sets and before the shelter opens, they ride the subway to keep warm. "Riding the train gives us some peace, some space away from the rest of them."), Betsy Karel, 1999

Boston (Darrel and Barbara met a year ago when Darrel saw Barbara sitting on a wall. "We talked and decided to pool our money to buy a half-pint," he says. "We've been together ever since." On frigid weekends, especially after the sun sets and before the shelter opens, they ride the subway to keep warm. "Riding the train gives us some peace, some space away from the rest of them.")

1999 · No expuesta · Galería Nacional de Arte

Boston (Alcoholism is only one of the many health problems on the street. Every night in Boston, two mobile units, each with at least one medical person and two outreach workers, patrol the streets and back alleys of the city. They bring hot food, blankets, clothing, and most important, a sympathetic ear.), Betsy Karel, 1999

Boston (Alcoholism is only one of the many health problems on the street. Every night in Boston, two mobile units, each with at least one medical person and two outreach workers, patrol the streets and back alleys of the city. They bring hot food, blankets, clothing, and most important, a sympathetic ear.)

1999 · No expuesta · Galería Nacional de Arte

Boston (At the Boston Night Center, Toni Abraham, a nurse practitioner from the Boston Health Care for the Homeless program, supervises while nurse Jack Castro and Mark Lepore, a student from Boston University Medical School, bandage the badly infected foot of a homeless man. Often, homeless people will first present themselves to health personnel when they have serious problems with their feet. Swelling of the feet and legs, cellulitis, and skin ulcerations are common among people living on the street. Inadequate opportunities to bathe, ill-fitting and wet shoes, and exposure to the elements all contribute to medical problems. "When your feet don't work, you can’t do the things that you need to do," says one.), Betsy Karel, 1999

Boston (At the Boston Night Center, Toni Abraham, a nurse practitioner from the Boston Health Care for the Homeless program, supervises while nurse Jack Castro and Mark Lepore, a student from Boston University Medical School, bandage the badly infected foot of a homeless man. Often, homeless people will first present themselves to health personnel when they have serious problems with their feet. Swelling of the feet and legs, cellulitis, and skin ulcerations are common among people living on the street. Inadequate opportunities to bathe, ill-fitting and wet shoes, and exposure to the elements all contribute to medical problems. "When your feet don't work, you can’t do the things that you need to do," says one.)

1999 · No expuesta · Galería Nacional de Arte

Boston (Sharon Morrison, a nurse with the Family Team at Boston Health Care for the Homeless Program, has a special fondness and respect for this young mother and her daughter. She marvels at the calm and loving manner of the mother and the corresponding spirit of joy and playfulness in her child. The little girl is about to undergo emergency brain surgery to replace a shunt.), Betsy Karel, 1999

Boston (Sharon Morrison, a nurse with the Family Team at Boston Health Care for the Homeless Program, has a special fondness and respect for this young mother and her daughter. She marvels at the calm and loving manner of the mother and the corresponding spirit of joy and playfulness in her child. The little girl is about to undergo emergency brain surgery to replace a shunt.)

1999 · No expuesta · Galería Nacional de Arte

Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Retrato de Ginebra de Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Chica en blanco, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Granja en Provenza, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Edward Kennedy, Andy Warhol, 1979

Andy Warhol

Edward Kennedy, 1979

No expuesta · Galería Nacional de Arte

Ellie Dorfman in her big breakfast room, holding up a Xerox copy of N.Y. Times _White Shroud Poem_, January 1985. _Elsa's House Book_ photos fixed many Cambridge Poetry visitors., Allen Ginsberg, 1985

Allen Ginsberg

Ellie Dorfman in her big breakfast room, holding up a Xerox copy of N.Y. Times _White Shroud Poem_, January 1985. _Elsa's House Book_ photos fixed many Cambridge Poetry visitors., 1985

No expuesta · Galería Nacional de Arte

Elsa Dorfman, Harvey Silverglate, their son Isaac & late beloved brindled Greyhound "Moozer" on J.F.K. Street Cambridge, we came out for breakfast croissants right across the street, November 8, 1986., Allen Ginsberg, 1986

Allen Ginsberg

Elsa Dorfman, Harvey Silverglate, their son Isaac & late beloved brindled Greyhound "Moozer" on J.F.K. Street Cambridge, we came out for breakfast croissants right across the street, November 8, 1986., 1986

No expuesta · Galería Nacional de Arte

Patrick Warner, Northampton student, in basement of Ellie Dorfman's house, Cambridge Mass. January 1985, desk lamp reflected in his eyes., Allen Ginsberg, 1985

Allen Ginsberg

Patrick Warner, Northampton student, in basement of Ellie Dorfman's house, Cambridge Mass. January 1985, desk lamp reflected in his eyes., 1985

No expuesta · Galería Nacional de Arte

Peter Wolf, musician-singer at Ellie Dorfman's living room table February 1, 1985 -- Cambridge, Franklin Street., Allen Ginsberg, 1985

Allen Ginsberg

Peter Wolf, musician-singer at Ellie Dorfman's living room table February 1, 1985 -- Cambridge, Franklin Street., 1985

No expuesta · Galería Nacional de Arte

Dorothy Norman, Alfred Stieglitz, 1936

Alfred Stieglitz

Dorothy Norman, 1936

No expuesta · Galería Nacional de Arte

Dorothy Norman, Alfred Stieglitz, 1936

Alfred Stieglitz

Dorothy Norman, 1936

No expuesta · Galería Nacional de Arte

Woods Hole House, Alfred Stieglitz, July 1931

Alfred Stieglitz

Woods Hole House, July 1931

No expuesta · Galería Nacional de Arte