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Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  1. Colección/
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  3. Baroque Centaur (Barocker Kentaur)
Baroque Centaur (Barocker Kentaur), Paul Klee, 1939

Baroque Centaur (Barocker Kentaur)

1939 · Drawing

Ficha

1939 · a los 60 años
18791940
Número de inventario
2004.140.11

Mientras tanto, en la vida de Paul Klee

La vida entera
  1. 1936–1939

    From 25 works in 1936 to 1,254 in 1939

    After falling ill Klee turned to simpler, larger designs with heavier lines, geometric forms and fewer, larger blocks of colour, and his output rose: about 25 works in 1936, 264 in 1937, 489 in 1938 and 1,254 in 1939, a career high. His health recovered somewhat and he was encouraged by a visit from Kandinsky and Picasso.

  2. 1937

    Seventeen works in the “Degenerate Art” show

    The Nazis included 17 of Klee’s pictures in the propaganda exhibition “Degenerate Art” in Munich and seized 102 of his works from German public collections. Material from Prinzhorn’s anthology on the art of the mentally ill was also presented at the exhibition, to defame Kirchner, Klee, Nolde and others by likening their work to that of the insane.

  3. 1939

    “Twittering Machine” goes to MoMA

    The painting “Twittering Machine”, removed from the National Gallery and vilified at the Munich “Degenerate Art” exhibition, was bought by the Buchholz Gallery in New York; in 1939 it passed to the Museum of Modern Art.

  4. 1940

    The last large exhibition in his lifetime

    In 1940 Zurich hosted the last large exhibition of Klee’s work in his lifetime.

  5. 29 June 1940

    Death in Muralto: illness and citizenship

    Klee died in Muralto, near Locarno, of scleroderma, without having received Swiss citizenship despite being born in Switzerland: the authorities thought his art too revolutionary, even degenerate, and granted his request only six days after his death.

Más obras de Paul Klee

Todas las obras

Bajo el mismo techo: Galería Nacional de Arte

Página del museo

Sobre el mismo tema · Mythology

Todas las obras sobre el tema
  • 29 de junio de 1940

    Died

  • Paul Klee, retratoPaul KleeAlemania, 1879–1940

    ¿Se puede contemplar?

    Por ahora no recibe

    Galería Nacional de Arte

    Washington D. C., Estados Unidos

    Pertenece a la colección, pero ahora mismo no está expuesta.

    Comprobado
    hace 3 días
    En este estado desde
    19 ago 2026
    Fuente
    El museo
    En el mapaPágina del museo

    Lo que muestra

    Mythology

    En el catálogo

    Dibujos y acuarelasGouacheModernismoSiglo XXSwiss

    Fuentes

    • Galería Nacional de Arte
    • Imagen: Galería Nacional de Arte — © the artist or rights holder
    New House in the Suburbs, Paul Klee, 1924

    New House in the Suburbs

    1924 · Galería Nacional de Arte

    May Picture, Paul Klee, 1925

    May Picture

    1925 · Museo Metropolitano de Arte

    Howling Dog, Paul Klee, 1928

    Howling Dog

    1928 · Instituto de Artes de Mineápolis

    Hardy Plants, Paul Klee, 1934

    Hardy Plants

    1934 · Instituto de Artes de Mineápolis

    Stakim, Paul Klee, c. 1928

    Stakim

    c. 1928 · Instituto de Arte de Chicago

    Fleeing Ghost, Paul Klee, 1929

    Fleeing Ghost

    1929 · Instituto de Arte de Chicago

    In the Magic Mirror, Paul Klee, 1934

    In the Magic Mirror

    1934 · Instituto de Arte de Chicago

    Auslöschendes Licht, Paul Klee

    Auslöschendes Licht

    Albertina

    Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

    Leonardo da Vinci

    Retrato de Ginebra de Benci, c. 1474/1478

    Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

    Leonardo da Vinci

    Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

    Green Wheat Fields, Auvers, Vincent van Gogh, 1890

    Vincent van Gogh

    Green Wheat Fields, Auvers, 1890

    Girl in White, Vincent van Gogh, 1890

    Vincent van Gogh

    Chica en blanco, 1890

    Roses, Vincent van Gogh, 1890

    Vincent van Gogh

    Roses, 1890

    Self-Portrait, Vincent van Gogh, 1889

    Vincent van Gogh

    Self-Portrait, 1889

    Farmhouse in Provence, Vincent van Gogh, 1888

    Vincent van Gogh

    Granja en Provenza, 1888

    La Mousmé, Vincent van Gogh, 1888

    Vincent van Gogh

    La Mousmé, 1888

    Sculptor, Reclining Model, and Self-Portrait in the Form of a Sculpted Hercules (Sculpteur, modèle couché et autoportrait en Hercule sculpté), Pablo Picasso, 1933

    Pablo Picasso

    Sculptor, Reclining Model, and Self-Portrait in the Form of a Sculpted Hercules (Sculpteur, modèle couché et autoportrait en Hercule sculpté), 1933

    No expuesta · Galería Nacional de Arte

    Lucretia, Rembrandt van Rijn, 1664

    Rembrandt van Rijn

    Lucretia, 1664

    Galería Nacional de Arte

    Los and His Spectre [verso], William Blake, c. 1804/1807

    William Blake

    Los and His Spectre [verso], c. 1804/1807

    No expuesta · Galería Nacional de Arte

    Mythological Scene (Sword Fight between a Woman and a Man), Mark Rothko

    Mark Rothko

    Mythological Scene (Sword Fight between a Woman and a Man)

    No expuesta · Galería Nacional de Arte

    Study for "Apollo and the Muses", John Singer Sargent, c. 1921

    John Singer Sargent

    Study for "Apollo and the Muses", c. 1921

    No expuesta · Galería Nacional de Arte

    Study of Apollo for "Apollo and the Muses", John Singer Sargent, c. 1921

    John Singer Sargent

    Study of Apollo for "Apollo and the Muses", c. 1921

    No expuesta · Galería Nacional de Arte

    Study for "Classic and Romantic Art", John Singer Sargent, c. 1921

    John Singer Sargent

    Study for "Classic and Romantic Art", c. 1921

    No expuesta · Galería Nacional de Arte

    Study for "Phaethon", John Singer Sargent, 1922-1925

    John Singer Sargent

    Study for "Phaethon", 1922-1925

    No expuesta · Galería Nacional de Arte