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Avenue Bridge, Baltimore, Gabrielle de Veaux Clements, 1927
Gabrielle de Veaux Clements, retratoGabrielle de Veaux ClementsEstados Unidos, 1858–1948

Avenue Bridge, Baltimore

1927 · Graphic Arts-Print · 27.7 × 43.5 cm

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¿Dónde está «Avenue Bridge, Baltimore» hoy? Colección: Museo Smithsoniano de Arte Americano, Washington D. C. Se desconoce.

Museo Smithsoniano de Arte Americano

Washington D. C., Estados Unidos

Se conoce el propietario; no se sabe si hoy está expuesta.

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Número de inventario
1935.13.60

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TrainAnimalArquitecturaFigure groupCaballoCityscapeAutomobilesVehicles

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EstampasAguafuerteArte modernoSiglo XX

Fuentes

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The Vesper Hour, James S. King, 1884

The Vesper Hour

1884 · No expuesta · Galería Nacional de Arte

The Shot Tower, Gabrielle De Veaux Clements, 1926

The Shot Tower

1926 · No expuesta · Galería Nacional de Arte

Loading Lemons, Palermo, Gabrielle de Veaux Clements, n.d.

Loading Lemons, Palermo

n.d. · Museo Smithsoniano de Arte Americano

The Way of St. Francis, Chartres, Gabrielle de Veaux Clements, 1885

The Way of St. Francis, Chartres

1885 · Museo Smithsoniano de Arte Americano

También en sala: Museo Smithsoniano de Arte Americano

Página del museo
Muskrat, Unidentified, before 1997

Unidentified

Muskrat, before 1997

Cane with Boot-Shaped Handle, Unidentified, late 19th-early 20th century

Unidentified

Cane with Boot-Shaped Handle, late 19th-early 20th century

San Jose, Arce group, late 19th-early 20th century

Arce group

San Jose, late 19th-early 20th century

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Rivera group

Nuestra Senora del Carmen, ca. late 19th-early 20th century

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Genaro Rivera Aviles

San Rafael, late 19th-early 20th century

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Unidentified

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Bright Light at Russell's Corners, George Ault, 1946

George Ault

Bright Light at Russell's Corners, 1946

Fish Decoy, Unidentified, ca. 1940s

Unidentified

Fish Decoy, ca. 1940s

Sobre el mismo tema · Train

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The Third-Class Carriage, Honoré Daumier, 1864

Honoré Daumier

The Third-Class Carriage, 1864

Museo Metropolitano de Arte

“…Hundreds gathered for trip in white dresses carrying cloth bags, pails, candles—going to inaccessible & most venerable religious festival of Tres Reyes…Train started 7 A.M. with a hundred in a box car, people hanging on steps of platform even—engine went off tracks like some great sad silent dead horse of iron at noon, usual occurrence.” (See _Journals Early ‘Fifties Early ‘Sixties_ , N.Y., Grove, 1977, 1992, P.37.) Narrow-gauge railroad, Merida to Valladolid, Quintana Roo, Mexico, January 1954., Allen Ginsberg, 1954, printed later

Allen Ginsberg

“…Hundreds gathered for trip in white dresses carrying cloth bags, pails, candles—going to inaccessible & most venerable religious festival of Tres Reyes…Train started 7 A.M. with a hundred in a box car, people hanging on steps of platform even—engine went off tracks like some great sad silent dead horse of iron at noon, usual occurrence.” (See _Journals Early ‘Fifties Early ‘Sixties_ , N.Y., Grove, 1977, 1992, P.37.) Narrow-gauge railroad, Merida to Valladolid, Quintana Roo, Mexico, January 1954., 1954, printed later

No expuesta · Galería Nacional de Arte

The Locomotive, Edward Hopper, 1923

Edward Hopper

The Locomotive, 1923

No expuesta · Galería Nacional de Arte

La durée poignardée (Time Transfixed), René Magritte, 1938

René Magritte

La durée poignardée (Time Transfixed), 1938

Instituto de Arte de Chicago

Church Gate Station, Bombay, India, 1995, Sebastião Salgado, 1995

Sebastião Salgado

Church Gate Station, Bombay, India, 1995, 1995

No expuesta · Galería Nacional de Arte

In the New York Central Yards, Alfred Stieglitz (editor/publisher) after Various Artists, 1903, printed 1911

Alfred Stieglitz

In the New York Central Yards, 1903, printed 1911

No expuesta · Galería Nacional de Arte

The Hand of Man, Alfred Stieglitz, 1902, printed 1929/1937

Alfred Stieglitz

The Hand of Man, 1902, printed 1929/1937

No expuesta · Galería Nacional de Arte

The Hand of Man, Alfred Stieglitz (editor/publisher) after Various Artists, 1902, printed 1903

Alfred Stieglitz

The Hand of Man, 1902, printed 1903

No expuesta · Galería Nacional de Arte