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Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  3. Apparition
Apparition, Odilon Redon, about 1880–1890
Odilon Redon, retratoOdilon RedonFrancia, 1840–1916

Apparition

about 1880–1890 · Drawing · 52.5 × 37.3 cm

¿Se puede contemplar?

Sí, recibe visitas

MJP
Museo J. Paul Getty

Los Ángeles, Estados Unidos

SalaMuseum West Pavilion, Gallery W106

Expuesta al público. Quién lo avala figura más abajo.

Comprobado
anteayer
En este estado desde
5 oct 2026
Fuente
El museo
En el mapaPágina del museo

Sobre la obra

This is one of Odilon Redon's *noirs*, charcoal drawings that he made over several decades in the late 1800s and so named for their dark tones and mysterious, often nightmarish, imagery. Here, strong black strokes of charcoal cover much of the warm-toned paper, creating an atmosphere of primordial gloom. From this dark void the capped head of a bearded figure appears. A strong, supernatural light emanates from him, and yet his eyes are cast in mysterious shadow. He smiles slightly. Rays of light shine down from an orb above the figure's head; the orb is shaped like a thought-bubble that seems to connote thoughts or imagination--or put more abstractly, the cerebral act that precedes creation. And perhaps creation is what the artist has implied here: the first passages in the book of Genesis that describe God's creation of heaven and earth and the division of day from night. On the other hand, the drawing's imagery is subtle and obtuse. Like a dream, the elements cannot add up to a purely rationalized experience.

MJPMuseo J. Paul Getty

Ficha

about 1880–1890
18401916
Número de inventario
2013.38

En el catálogo

Dibujos y acuarelasCarboncilloImpresionismoSiglo XIXFrancia

Fuentes

  • Museo J. Paul Getty
  • Imagen: Museo J. Paul Getty — Open Content

Mientras tanto, en la vida de Odilon Redon

La vida entera
  1. 1878 · Lugar de trabajo

    Amsterdam

  2. 1878 · Lugar de trabajo

    Rotterdam

  3. 1880

    Married: Camille Redon

  4. 1884

    Huysmans’s novel “Against Nature” makes him known

    After the publication of Joris-Karl Huysmans’s novel “À rebours” in 1884 the public began to take an interest in Redon: the book’s hero assembled a collection of art that included Redon’s drawings.

  5. 1886

    The eighth Impressionist exhibition

    Redon took part in the eighth and last Impressionist exhibition.

  6. from 1890

    The turn from “noirs” to colour

    From 1890 Redon turned more and more to oil and pastel and gave up his “black” works; after 1900 he made no more noirs. He explained the change by saying he had realised that the unwinding ribbon of life brings not only sorrow but joy.

Más obras de Odilon Redon

Todas las obras
Village by the Sea in Brittany, Odilon Redon, c. 1880

Village by the Sea in Brittany

c. 1880 · Galería Nacional de Arte

Breton Village, Odilon Redon, c. 1890

Breton Village

c. 1890 · Galería Nacional de Arte

Les Anemones (Still Life with Anemones), Odilon Redon, c. 1900–10

Les Anemones (Still Life with Anemones)

c. 1900–10 · Instituto de Artes de Mineápolis

Bouquet of Flowers, Odilon Redon, ca. 1900–1905

Bouquet of Flowers

ca. 1900–1905 · Museo Metropolitano de Arte

Baronne de Domecy, Odilon Redon, about 1900

Baronne de Domecy

about 1900 · Museo J. Paul Getty

Madame Arthur Fontaine (Marie Escudier, 1865–1946), Odilon Redon, 1901

Madame Arthur Fontaine (Marie Escudier, 1865–1946)

1901 · Museo Metropolitano de Arte

Vase of Flowers (Pink Background), Odilon Redon, ca. 1906

Vase of Flowers (Pink Background)

ca. 1906 · Museo Metropolitano de Arte

Evocation of Roussel, Odilon Redon, c. 1912

Evocation of Roussel

c. 1912 · Galería Nacional de Arte

Bajo el mismo techo: Museo J. Paul Getty

Página del museo
Irises, Vincent van Gogh, 1889

Vincent van Gogh

Lirios, 1889

The Portal of Rouen Cathedral in Morning Light, Claude Monet, 1894

Claude Monet

The Portal of Rouen Cathedral in Morning Light, 1894

Wheatstacks, Snow Effect, Morning (Meules, Effet de Neige, Le Matin), Claude Monet, 1891

Claude Monet

Wheatstacks, Snow Effect, Morning (Meules, Effet de Neige, Le Matin), 1891

Sunrise (Marine), Claude Monet, 1872 or 1873

Claude Monet

Sunrise (Marine), 1872 or 1873

Still Life with Flowers and Fruit, Claude Monet, 1869

Claude Monet

Still Life with Flowers and Fruit, 1869

Saint Bartholomew, Rembrandt Harmensz. van Rijn, 1661

Rembrandt van Rijn

Saint Bartholomew, 1661

Daniel and Cyrus Before the Idol Bel, Rembrandt Harmensz. van Rijn, 1633

Rembrandt van Rijn

Daniel and Cyrus Before the Idol Bel, 1633

The Abduction of Europa, Rembrandt Harmensz. van Rijn, 1632

Rembrandt van Rijn

El rapto de Europa, 1632