Abraham et Melchisédech, Rubens, Petrus Paulus, 1e quart du XVIIe siècle (1600 - 1625)
Peter Paul Rubens, retratoPeter Paul RubensFlandes, 1577–1640

Abraham et Melchisédech

1e quart du XVIIe siècle (1600 - 1625) · Peintures

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¿Dónde está «Abraham et Melchisédech» hoy? Museo del Louvre, Salle 856, Aile Richelieu, Niveau 2, París. Sí, expuesta ahora. Comprobado 26 de septiembre de 2026.

Museo del Louvre

París, Francia

Sala856, Aile Richelieu, Niveau 2

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Número de inventario
MI 963

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  • Museo del Louvre
  • Imagen: Museo del Louvre — © 2024 GrandPalaisRmn (musée du Louvre) / Gabriel de Carvalho

En la vida de Peter Paul Rubens

La vida entera
  1. 1600

    Entering the Service of the Duke of Mantua

    Almost immediately upon arriving in Italy, the 23-year-old Rubens was presented in Venice to Duke Vincenzo I Gonzaga and entered the service of the Mantuan court, gaining a patron, a salary, and high standing.

  2. 5 March 1603

    Diplomatic Mission to Spain

    On behalf of Duke Gonzaga, Rubens traveled to Spain to deliver gifts to King Philip III; the paintings were damaged by rainstorms en route, and the artist restored them himself in Valladolid. This was the first of his journeys combining art and diplomacy.

  3. 28 October 1608

    Departure from Italy Forever

    Having finished the commission for the Oratorians, Rubens left Rome without permission on 28 October 1608, hurrying to his ailing mother; despite promises to return to Mantua, he never went back to Italy.

  4. 3 de octubre de 1609

    Married: Isabella Brant

  5. 9 January 1610

    Court Painter to the Archducal Couple

    After being presented at court in August 1609, Rubens received his patent as court painter to Archduke Albert and the Infanta Isabella; at the same time he secured the right to remain working in Antwerp rather than Brussels, and to be paid a fee for each painting.

  6. 1621

    Marie de' Medici's Commission for the Luxembourg Palace Cycles

    The Queen Mother of France, Marie de' Medici, commissioned from Rubens two large allegorical cycles for the Luxembourg Palace — one on her own life and one on the life of the late Henry IV; the second series was never completed.

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En la misma sala · Salle 856, Aile Richelieu, Niveau 2, Museo del Louvre

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