ART WIKI32.963 en sala
MapaColecciónArtistasMuseosExposicionesRevista
Acceder

ART WIKI

Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

Secciones

  • Mapa
  • Búsqueda
  • Colección
  • Obras maestras
  • Expuestas ahora
  • Artistas

Más

  • Museos y galerías
  • Exposiciones
  • Revista
  • De dónde salen los datos
  • Privacidad y cookies
InicioMapaCatálogo
  1. Colección/
  2. Museo de Victoria y Alberto/
  3. A View at Hampstead with Trees and Figures
A View at Hampstead with Trees and Figures, John Constable, 1822

A View at Hampstead with Trees and Figures

1822 · Oil painting · 24.2 × 29.8 cm

Ficha

1822 · a los 46 años
17761837
Número de inventario
165-1888

Mientras tanto, en la vida de John Constable

La vida entera
  1. 1821

    “The Hay Wain” at the Royal Academy

    The picture, shown as “Landscape: Noon”, found no buyer, but it was seen by the painter Théodore Géricault and the writer Charles Nodier. According to Delacroix, Géricault went back to France quite stunned and invited Constable to Paris, while Nodier urged French artists to look to nature rather than to trips to Rome.

  2. 1821

    “I should paint my own places best”

    In a letter to his friend John Fisher in 1821 Constable wrote that he should paint his own places best, and that painting is but another word for feeling. The Dedham Vale around his home came to be known as “Constable Country”.

  3. 1821

    Son born: Charles Golding Constable

  4. 1824

    The Paris Salon: a gold medal

    The Anglo-French dealer John Arrowsmith bought The Hay Wain and other works, and in 1824 they were shown at the Paris Salon, where they caused a sensation. The Hay Wain was awarded a gold medal by Charles X.

  5. 1824

    Delacroix repaints the background of “The Massacre at Chios”

    After seeing Constable’s pictures at Arrowsmith’s gallery, Delacroix repainted the background of his Massacre at Chios, saying the paintings had done him a great deal of good. In his journal he noted that Constable’s meadow greens are a combination of many different shades.

Más obras de John Constable

Todas las obras

En la misma sala · Paintings, Room 88, The Edwin and Susan Davies Galleries, Museo de Victoria y Alberto

Página del museo

Sobre el mismo tema · Hampstead

Todas las obras sobre el tema

1824–1828

The family in Brighton for Maria’s health

When Maria began to show symptoms of tuberculosis, Constable took lodgings for the family in Brighton in the hope that sea air would restore her health, dividing his time between Brighton and Charlotte Street in London. He was unsure at first that Brighton suited painting, and complained to Fisher that the beach was only Piccadilly by the sea.

John Constable, retratoJohn ConstableReino Unido, 1776–1837

¿Se puede contemplar?

Sí, recibe visitas

Museo de Victoria y Alberto

Londres, Reino Unido

SalaPaintings, Room 88, The Edwin and Susan Davies Galleries

Expuesta al público. Quién lo avala figura más abajo.

Comprobado
hace 12 días
En este estado desde
25 sept 2026
Fuente
El museo
En el mapaPágina del museo

Lo que muestra

Hampstead

En el catálogo

PinturaÓleoPintura británicaNeoclasicismoRomanticismoSiglo XIXBritish School

Fuentes

  • Museo de Victoria y Alberto
  • Imagen: Museo de Victoria y Alberto — © Victoria and Albert Museum, London
Stoke-by-Nayland, John Constable, ca. 1810–11

Stoke-by-Nayland

ca. 1810–11 · Museo Metropolitano de Arte

Wivenhoe Park, Essex, John Constable, 1816

Wivenhoe Park, Essex

1816 · Galería Nacional de Arte

The White Horse, John Constable, 1818-1819

The White Horse

1818-1819 · Galería Nacional de Arte

La baie de Weymouth à l'approche de l'orage, Constable, John, 1e quart du XIXe siècle (1818 - 1819)

La baie de Weymouth à l'approche de l'orage

1e quart du XIXe siècle (1818 - 1819) · Museo del Louvre

Salisbury Cathedral from Lower Marsh Close, John Constable, 1820

Salisbury Cathedral from Lower Marsh Close

1820 · Galería Nacional de Arte

Vue de Salisbury, Constable, John, 1e quart du XIXe siècle (1820)

Vue de Salisbury

1e quart du XIXe siècle (1820) · Museo del Louvre

Vallon à Helmingham [Helmingham Dell], Constable, John, 1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823)

Vallon à Helmingham [Helmingham Dell]

1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823) · Museo del Louvre

Salisbury Cathedral from the Bishop's Grounds, John Constable, ca. 1825

Salisbury Cathedral from the Bishop's Grounds

ca. 1825 · Museo Metropolitano de Arte

Snow scene: the haunted house, Georg Emil Libert, 1848

Georg Emil Libert

Snow scene: the haunted house, 1848

Sunset on a bay, with castle ruins, Georg Emil Libert, 1848

Georg Emil Libert

Sunset on a bay, with castle ruins, 1848

Study of poppies, John Constable, ca. 1832

John Constable

Study of poppies, ca. 1832

Study of Foliage, John Constable, ca. 1828

John Constable

Study of Foliage, ca. 1828

A Donkey with a Foal: Study for <i>The Cornfield</i>, John Constable, ca. 1826

John Constable

A Donkey with a Foal: Study for <i>The Cornfield</i>, ca. 1826

On the edge of a wood, John Constable, ca. 1825

John Constable

On the edge of a wood, ca. 1825

A Windmill near Brighton, John Constable, 3 August 1824

John Constable

A Windmill near Brighton, 3 August 1824

Brighton Beach, with Fishing Boat and Crew, John Constable, 10/06/1824

John Constable

Brighton Beach, with Fishing Boat and Crew, 10/06/1824

Entrance to Cannon Hall, Squire's Mount, Hampstead, Bayes, ca. 1940

Bayes

Entrance to Cannon Hall, Squire's Mount, Hampstead, ca. 1940

No expuesta · Museo de Victoria y Alberto

Keats House, Hampstead, Ina Sheldon Williams, ca. 1940

Ina Sheldon Williams

Keats House, Hampstead, ca. 1940

No expuesta · Museo de Victoria y Alberto

Buildings on rising ground near Hampstead, John Constable, 13 October 1821

John Constable

Buildings on rising ground near Hampstead, 13 October 1821

Museo de Victoria y Alberto

View at Hampstead, Richard Corbould, 1806

Richard Corbould

View at Hampstead, 1806

No expuesta · Museo de Victoria y Alberto

Trees in West End Fields, Hampstead, John Constable, 5 July 1833

John Constable

Trees in West End Fields, Hampstead, 5 July 1833

No expuesta · Museo de Victoria y Alberto

Houses in Hampstead, Bevan, late 19th century to early 20th century

Bevan

Houses in Hampstead, late 19th century to early 20th century

No expuesta · Museo de Victoria y Alberto

Study of cows at Hampstead, John Constable, April 1834

John Constable

Study of cows at Hampstead, April 1834

No expuesta · Museo de Victoria y Alberto

Pond at Hampstead, Thomas Frederick Collier, ca. 1855

Thomas Frederick Collier

Pond at Hampstead, ca. 1855

No expuesta · Museo de Victoria y Alberto