Frank StellaEstados Unidos, 1936–2024A through L Colored Maze
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Galería Nacional de Arte
Washington D. C., Estados Unidos
Pertenece a la colección, pero ahora mismo no está expuesta.
- Comprobado
- En este estado desde
- Fuente
- El museo
Ficha
- Número de inventario
- 2014.136.231
Lo que muestra
En el catálogo
Fuentes
- Galería Nacional de Arte
- Imagen: Galería Nacional de Arte — © the artist or rights holder
Mientras tanto, en la vida de Frank Stella
La vida entera1960s
Travels in the Middle East
He visits circular-plan cities in the Middle East and is especially intrigued by the arches and decorative patterns he sees in the architecture and art of Iran; these cities will later give their names to works of the Protractor series.
1964
Radio discussion with Judd and Flavin
In a radio discussion of contemporary art with fellow artists Donald Judd and Dan Flavin, Stella sums up his approach: only what can be seen is there — “What you see is what you see.” The tautology later became known as the unofficial motto of minimalism.
mid-1960s
Begins working with master printer Kenneth Tyler
In the mid-1960s he begins his long involvement with printmaking, first working with the master printer Kenneth Tyler at Gemini G.E.L.
1965–1966
Guggenheim: “The Shaped Canvas” and “Systemic Painting”
His work is included in two exhibitions at the Solomon R. Guggenheim Museum: The Shaped Canvas (1965) and Systemic Painting (1966).
1967
Sets and costumes for Merce Cunningham
Designs the set and costumes for Merce Cunningham's dance piece Scramble.
27 de junio de 1968 – 6 de octubre de 1968
Exhibition: 4. documenta
![Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478](https://api.nga.gov/iiif/8f29e3c9-a289-4d53-abf0-31a66e9e98fa/full/!2400,2400/0/default.jpg)
![Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478](https://api.nga.gov/iiif/ff62e8d0-45c4-498f-ad36-6358de827e04/full/!2400,2400/0/default.jpg)
