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Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  1. Colección/
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  3. A Midsummer Night's Dream
A Midsummer Night's Dream, Arthur Rackham, 1908

A Midsummer Night's Dream

1908 · Painting · 38.2 × 26.6 cm

Sobre el cuadro

Arthur Rackham produced this illustration for an edition of William Shakespeare’s play ‘A Midsummer Night’s Dream’, published in 1908 by Heinemann. From Act II, Scene 1, the drawing depicts a mermaid sitting on the back of a dolphin. It illustrates a memory that Oberon, the king of the Faeries, recounts to the character of Puck;

My gentle Puck, come hither. Thou rememberest

Since once I sat upon a promontory,

And heard a mermaid on a dolphin's back

Uttering such dulcet and harmonious breath

That the rude sea grew civil at her song

And certain stars shot madly from their spheres,

To hear the sea-maid's music.

Museo de Victoria y Alberto

Ficha

1908 · a los 41 años
18671939
Número de inventario
P.34-1917

Mientras tanto, en la vida de Arthur Rackham

La vida entera
  1. 1906

    Gold medal at the Milan International Exhibition

    He wins a gold medal at the Milan International Exhibition; he will win another at the Barcelona International Exposition in 1912.

  2. 1906

    Moves to Chalcot Gardens

    From 1906 the family lives at Chalcot Gardens, near Haverstock Hill, until leaving London in 1920.

  3. 1908

    Birth of his daughter Barbara

    Four years after the miscarriage, Barbara is born to Rackham and Edyth, the couple's only daughter.

Más obras de Arthur Rackham

Todas las obras

Bajo el mismo techo: Museo de Victoria y Alberto

Página del museo

Sobre el mismo tema · Mermaid

Todas las obras sobre el tema
Arthur Rackham, retratoArthur RackhamReino Unido, 1867–1939

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Museo de Victoria y Alberto

Londres, Reino Unido

Pertenece a la colección, pero ahora mismo no está expuesta.

Comprobado
hace 12 días
En este estado desde
25 sept 2026
Fuente
El museo
En el mapaPágina del museo

Lo que muestra

MermaidFishWaveDolphinMythFantasyTheatreElizabeth I

En el catálogo

PinturaAcuarelaPintura británicaModernismoSiglo XXGran Bretaña

Fuentes

  • Museo de Victoria y Alberto
  • Imagen: Museo de Victoria y Alberto — © Victoria and Albert Museum, London
Sketch of trees by a river, Arthur Rackham, c. 1880 - 1939

Sketch of trees by a river

c. 1880 - 1939 · No expuesta · Museo de Victoria y Alberto

Drawing, Arthur Rackham, c. 1880 - 1939

Drawing

c. 1880 - 1939 · No expuesta · Museo de Victoria y Alberto

Drawing, Arthur Rackham, c. 1899

Drawing

c. 1899 · No expuesta · Museo de Victoria y Alberto

Watercolour, Arthur Rackham, ca. 1900

Watercolour

ca. 1900 · No expuesta · Museo de Victoria y Alberto

Watercolour, Arthur Rackham, ca. 1900

Watercolour

ca. 1900 · No expuesta · Museo de Victoria y Alberto

The Wren and the Bear, Arthur Rackham, 1902

The Wren and the Bear

1902 · No expuesta · Museo de Arte de Cleveland

Drawing, Arthur Rackham, 1904

Drawing

1904 · No expuesta · Museo de Victoria y Alberto

The Parrot and the Cat (Sketch for "Good-Night" by Eleanor Gates), Arthur Rackham, c. 1905

The Parrot and the Cat (Sketch for "Good-Night" by Eleanor Gates)

c. 1905 · No expuesta · Museo de Arte de Cleveland

Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

Capricorn, Max Ernst, model 1947, cast 1975

Max Ernst

Capricorn, model 1947, cast 1975

No expuesta · Galería Nacional de Arte

The Mermaid, Frederick Stuart Church, 1881

Frederic Stuart Church

The Mermaid, 1881

No expuesta · Galería Nacional de Arte

Mermaid, Roy Lichtenstein, 1978

James Rosenquist

Mermaid, 1978

No expuesta · Galería Nacional de Arte

A Miscellaneous Collection of Original Designs, made, and for the most part executed, during an extensive Practice of many years in the first line of his Profession, by John Linnell, Upholsterer Carver & Cabinet Maker. Selected from his Portfolio's at his Decease, by C. H. Tatham Architect. AD 1800., John Linnell, c. 1770

John Linnell

A Miscellaneous Collection of Original Designs, made, and for the most part executed, during an extensive Practice of many years in the first line of his Profession, by John Linnell, Upholsterer Carver & Cabinet Maker. Selected from his Portfolio's at his Decease, by C. H. Tatham Architect. AD 1800., c. 1770

No expuesta · Museo de Victoria y Alberto

A Miscellaneous Collection of Original Designs, made, and for the most part executed, during an extensive Practice of many years in the first line of his Profession, by John Linnell, Upholsterer Carver & Cabinet Maker. Selected from his Portfolio's at his Decease, by C. H. Tatham Architect. AD 1800., John Linnell, c. 1762

John Linnell

A Miscellaneous Collection of Original Designs, made, and for the most part executed, during an extensive Practice of many years in the first line of his Profession, by John Linnell, Upholsterer Carver & Cabinet Maker. Selected from his Portfolio's at his Decease, by C. H. Tatham Architect. AD 1800., c. 1762

No expuesta · Museo de Victoria y Alberto

A Miscellaneous Collection of Original Designs, made, and for the most part executed, during an extensive Practice of many years in the first line of his Profession, by John Linnell, Upholsterer Carver & Cabinet Maker. Selected from his Portfolio's at his Decease, by C. H. Tatham Architect. AD 1800., John Linnell, late 18th century

John Linnell

A Miscellaneous Collection of Original Designs, made, and for the most part executed, during an extensive Practice of many years in the first line of his Profession, by John Linnell, Upholsterer Carver & Cabinet Maker. Selected from his Portfolio's at his Decease, by C. H. Tatham Architect. AD 1800., late 18th century

No expuesta · Museo de Victoria y Alberto

Drawing, W. R. Lethaby, late 19th-early 20th century

W. R. Lethaby

Drawing, late 19th-early 20th century

No expuesta · Museo de Victoria y Alberto

Design for a neoclassical pier-glass from; A Miscellaneous Collection of Original Designs, made, and for the most part executed, during an extensive Practice of many years in the first line of his Profession, by John Linnell, Upholsterer Carver & Cabinet Maker. Selected from his Portfolios at his Decease, by C. H. Tatham Architect. AD 1800., John Linnell, late 18th century

John Linnell

Design for a neoclassical pier-glass from; A Miscellaneous Collection of Original Designs, made, and for the most part executed, during an extensive Practice of many years in the first line of his Profession, by John Linnell, Upholsterer Carver & Cabinet Maker. Selected from his Portfolios at his Decease, by C. H. Tatham Architect. AD 1800., late 18th century

No expuesta · Museo de Victoria y Alberto