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Londres, Reino Unido
SalaMedieval & Renaissance, Room 62, The Foyle Foundation Gallery
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The Virgin's posture and a nail hole suggest that this plaque may originally have come from a Crucifixion scene, possibly on a small portable house altar. It was converted into a pendant about a century after it was originally carved, suggesting the continuing demand for images of the Virgin as well as an appreciation of the precious material.
Museo de Victoria y Alberto