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Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, Rijksmuseum, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos) y Wikidata (6 museos). Las imágenes pertenecen a sus titulares de derechos.

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Washington Allston

Estados Unidos · 1779–1843

Washington Allston

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Obras Vida Mapa

Todas Expuestas · 1 En colecciones Inciertas

Samuel Williams, Washington Allston, c. 1817

Samuel Williams

c. 1817 · Museo de Arte de Cleveland

Ship in a Squall, Seth Wells Cheney and John Cheney after Washington Allston, c. 1840s

Ship in a Squall

c. 1840s · No expuesta · Galería Nacional de Arte

Composition with Four Figures [recto and verso], Attributed to Washington Allston, c. 1805

Composition with Four Figures [recto and verso]

c. 1805 · No expuesta · Galería Nacional de Arte

Portrait of a Man, Washington Allston, c. 1810

Portrait of a Man

c. 1810 · No expuesta · Galería Nacional de Arte

A Landscape after Sunset, Washington Allston, c. 1819

A Landscape after Sunset

c. 1819 · No expuesta · Galería Nacional de Arte

Trial Strokes, Washington Allston, 19th century

Trial Strokes

19th century · No expuesta · Harvard Art Museums

Trial Strokes, Washington Allston, 19th century

Trial Strokes

19th century · No expuesta · Harvard Art Museums

Study for "Ship in a Squall", Washington Allston, 1830s

Study for "Ship in a Squall"

1830s · No expuesta · Harvard Art Museums

The Buck's Progress III: A Midnight Fray with Watchmen, Washington Allston, 1796

The Buck's Progress III: A Midnight Fray with Watchmen

1796 · No expuesta · Harvard Art Museums

Mensuration: Drawing to Illustrate a Geometry Problem (IV), Washington Allston, c. 1796-1800

Mensuration: Drawing to Illustrate a Geometry Problem (IV)

c. 1796-1800 · No expuesta · Harvard Art Museums

The Buck's Progress II: A Beau in his Dressing Room, Washington Allston, 1796

The Buck's Progress II: A Beau in his Dressing Room

1796 · No expuesta · Harvard Art Museums

The Buck's Progress I: The Introduction of a Country Lad to a Club of Town Bucks, Washington Allston, 1796

The Buck's Progress I: The Introduction of a Country Lad to a Club of Town Bucks

1796 · No expuesta · Harvard Art Museums

Head in profile and indecipherable marks

c. 1796-1797 · No expuesta · Harvard Art Museums

Mensuration, Problem VI, Washington Allston, c. 1797-1799

Mensuration, Problem VI

c. 1797-1799 · No expuesta · Harvard Art Museums

Street Fight at Night with Man Holding Candlestick, Washington Allston, 1797 - 1800

Street Fight at Night with Man Holding Candlestick

1797 - 1800 · No expuesta · Harvard Art Museums

Self-Portrait, Washington Allston, c. 1798-1800

Self-Portrait

c. 1798-1800 · No expuesta · Harvard Art Museums

Sketches of Napoleon, President Willard, and Mrs. Timothy Waterhouse, Washington Allston, 1798 - 1799

Sketches of Napoleon, President Willard, and Mrs. Timothy Waterhouse

1798 - 1799 · No expuesta · Harvard Art Museums

Two Riders and Four Men on Foot, Washington Allston, 1798 - 1800

Two Riders and Four Men on Foot

1798 - 1800 · No expuesta · Harvard Art Museums

Hero: Male Figure in Costume, illustration for the poem "Modern Sublimity", Washington Allston, 1799

Hero: Male Figure in Costume, illustration for the poem "Modern Sublimity"

1799 · No expuesta · Harvard Art Museums

Old Man Resting against a Rock, Washington Allston, c. 1799-1800

Old Man Resting against a Rock

c. 1799-1800 · No expuesta · Harvard Art Museums

Oval Landscape: Trees and Bridge, Washington Allston, c. 1800

Oval Landscape: Trees and Bridge

c. 1800 · No expuesta · Harvard Art Museums

Oval Landscape: Hunter with Rifle before a House and Fence, Washington Allston, c. 1800

Oval Landscape: Hunter with Rifle before a House and Fence

c. 1800 · No expuesta · Harvard Art Museums

Skeleton; Three Male Heads; verso: Profile Head; Perspective Exercise

c. 1801-1803 · No expuesta · Harvard Art Museums

Figures around a Table, for "Falstaff Enlisting..."; Group of Frightened Figures, Washington Allston, 1801 - 1811

Figures around a Table, for "Falstaff Enlisting..."; Group of Frightened Figures

1801 - 1811 · No expuesta · Harvard Art Museums

Deathbed Scene: Seven Figures Placed Around a Dead Woman (recto and verso), Washington Allston, 1801 - 1803

Deathbed Scene: Seven Figures Placed Around a Dead Woman (recto and verso)

1801 - 1803 · No expuesta · Harvard Art Museums

Study from the Antique Sculpture of "Laocoön", Washington Allston, c. 1801

Study from the Antique Sculpture of "Laocoön"

c. 1801 · No expuesta · Harvard Art Museums

Elevation of a façade with double columns (half drawing), Washington Allston, 1803 - 1805?

Elevation of a façade with double columns (half drawing)

1803 - 1805? · No expuesta · Harvard Art Museums

Mill on a Rocky Hill with Waterfall and Pool, Washington Allston, c. 1804-1806

Mill on a Rocky Hill with Waterfall and Pool

c. 1804-1806 · No expuesta · Harvard Art Museums

Nude Boy Seated on a Block, for "Italian Shepherd Boy", Washington Allston, c. 1804-1808

Nude Boy Seated on a Block, for "Italian Shepherd Boy"

c. 1804-1808 · No expuesta · Harvard Art Museums

Tree Beside a Path, Washington Allston, c. 1804

Tree Beside a Path

c. 1804 · No expuesta · Harvard Art Museums

Tree and Grass, Washington Allston, 1804 - 1805

Tree and Grass

1804 - 1805 · No expuesta · Harvard Art Museums

Fern, Blackberry and Smartweed; verso: Ceiling, for "Belshazzar's Feast", Washington Allston, c. 1804

Fern, Blackberry and Smartweed; verso: Ceiling, for "Belshazzar's Feast"

c. 1804 · No expuesta · Harvard Art Museums

Tree with Rocks and Plants in Foreground, Washington Allston, c. 1804

Tree with Rocks and Plants in Foreground

c. 1804 · No expuesta · Harvard Art Museums

Landscape with Trees; verso: Woman Seated at the Base of a Tree, for "Una", Washington Allston, 1804 - 1808

Landscape with Trees; verso: Woman Seated at the Base of a Tree, for "Una"

1804 - 1808 · No expuesta · Harvard Art Museums

Mount Burgos, Washington Allston, c. 1804

Mount Burgos

c. 1804 · No expuesta · Harvard Art Museums

Standing Female Nude with Block, Washington Allston, c. 1804-1808

Standing Female Nude with Block

c. 1804-1808 · No expuesta · Harvard Art Museums

Standing Full-Length Female Nude, Washington Allston, c. 1804-1806

Standing Full-Length Female Nude

c. 1804-1806 · No expuesta · Harvard Art Museums

Mount Pilat, Switzerland; verso: Mont Blanc, Washington Allston, c. 1804

Mount Pilat, Switzerland; verso: Mont Blanc

c. 1804 · No expuesta · Harvard Art Museums

Rocky Cliff with Two Trees, Washington Allston, c. 1804

Rocky Cliff with Two Trees

c. 1804 · No expuesta · Harvard Art Museums

Female Nude Leaning on a Block, Washington Allston, c. 1804-1806

Female Nude Leaning on a Block

c. 1804-1806 · No expuesta · Harvard Art Museums

Mountain, Washington Allston, 1804

Mountain

1804 · No expuesta · Harvard Art Museums

Rear View of a Standing Male Nude Leaning on a Block, Washington Allston, 1805 - 1806

Rear View of a Standing Male Nude Leaning on a Block

1805 - 1806 · No expuesta · Harvard Art Museums

Barking Dog; verso: Walking Male Figure Carrying a Flag over his Shoulder, Washington Allston, c. 1805-1808

Barking Dog; verso: Walking Male Figure Carrying a Flag over his Shoulder

c. 1805-1808 · No expuesta · Harvard Art Museums

Study of a Seated Female Nude, Washington Allston, 1805 - 1806

Study of a Seated Female Nude

1805 - 1806 · No expuesta · Harvard Art Museums

Profile View of a Nude Youth Seated on a Block

1805 - 1806 · No expuesta · Harvard Art Museums

Diana on a Chase, Washington Allston, 1805

Diana on a Chase

1805 · No expuesta · Harvard Art Museums

Left Arm Study, Washington Allston, 1805 - 1806

Left Arm Study

1805 - 1806 · No expuesta · Harvard Art Museums

Samuel Taylor Coleridge (1772 - 1834), Washington Allston, 1805 - 1806

Samuel Taylor Coleridge (1772 - 1834)

1805 - 1806 · No expuesta · Harvard Art Museums

Rear View of Half-Length Male Nude, Washington Allston, 1806 - 1807

Rear View of Half-Length Male Nude

1806 - 1807 · No expuesta · Harvard Art Museums

Figures in Profile; Male Nude; Two Heads; verso: Flying Figures

1806 - 1807 · No expuesta · Harvard Art Museums

Nude Youth Seated on a Block, for "Italian Shepherd Boy;" verso: Male Nude, Washington Allston, c. 1806

Nude Youth Seated on a Block, for "Italian Shepherd Boy;" verso: Male Nude

c. 1806 · No expuesta · Harvard Art Museums

Front View of a Standing Male Nude, Washington Allston, 1806 - 1807

Front View of a Standing Male Nude

1806 - 1807 · No expuesta · Harvard Art Museums

Samuel Taylor Coleridge (1772-1834), Washington Allston, 1806

Samuel Taylor Coleridge (1772-1834)

1806 · No expuesta · Harvard Art Museums

Chandelier in Plan, Elevation, and Perspective, Washington Allston, c. 1806

Chandelier in Plan, Elevation, and Perspective

c. 1806 · No expuesta · Harvard Art Museums

Barking Dog in Profile, study for "Falstaff Enlisting his Ragged Regiment..."

c. 1806 · No expuesta · Harvard Art Museums

Studies of Two Male Nudes, Washington Allston, c. 1806

Studies of Two Male Nudes

c. 1806 · No expuesta · Harvard Art Museums

Rear View of a Standing Nude Male with Sword and Staff, Washington Allston, 1806 - 1807

Rear View of a Standing Nude Male with Sword and Staff

1806 - 1807 · No expuesta · Harvard Art Museums

Studies of Three Women and Two Children, for "Jason Returning...", Washington Allston, c. 1807

Studies of Three Women and Two Children, for "Jason Returning..."

c. 1807 · No expuesta · Harvard Art Museums

Study for "Jason Returning to Demand His Father's Kingdom", Washington Allston, c. 1807-1808

Study for "Jason Returning to Demand His Father's Kingdom"

c. 1807-1808 · No expuesta · Harvard Art Museums

Bearded Man with a Stick, for "Jason Returning to Demand his Father's Kingdom", Washington Allston, c. 1807

Bearded Man with a Stick, for "Jason Returning to Demand his Father's Kingdom"

c. 1807 · No expuesta · Harvard Art Museums

Study of a Man with a Cape, for "Casket Scene;" verso: Pigeon Studies, Washington Allston, c. 1807

Study of a Man with a Cape, for "Casket Scene;" verso: Pigeon Studies

c. 1807 · No expuesta · Harvard Art Museums

Three Men Talking, for "Jason Returning...", Washington Allston, c. 1807-1808

Three Men Talking, for "Jason Returning..."

c. 1807-1808 · No expuesta · Harvard Art Museums

Seated Woman in Classical Pose, Study for "Jason Returning to Demand His father's Kingdom", Washington Allston, c. 1807

Seated Woman in Classical Pose, Study for "Jason Returning to Demand His father's Kingdom"

c. 1807 · No expuesta · Harvard Art Museums

Interior with Columns, Archway and Steps, for "Dido and Anna", Washington Allston, c. 1808

Interior with Columns, Archway and Steps, for "Dido and Anna"

c. 1808 · No expuesta · Harvard Art Museums

Two Half-Length Studies of Women; Head in Profile, for "Dido and Anna"

1808 - 1813 · No expuesta · Harvard Art Museums

Figures for "Dido and Anna;" verso: Sketches for the Queen in "Belshazzar...", Washington Allston, 1808 - 1813

Figures for "Dido and Anna;" verso: Sketches for the Queen in "Belshazzar..."

1808 - 1813 · No expuesta · Harvard Art Museums

Head of Dido, for "Dido and Anna", Washington Allston, 1808

Head of Dido, for "Dido and Anna"

1808 · No expuesta · Harvard Art Museums

Head of a Woman, for "The Valentine", Washington Allston, 1809 - 1811

Head of a Woman, for "The Valentine"

1809 - 1811 · No expuesta · Harvard Art Museums

Two Studies of a Hand Holding a Letter, for "The Valentine", Washington Allston, 1809 - 1811

Two Studies of a Hand Holding a Letter, for "The Valentine"

1809 - 1811 · No expuesta · Harvard Art Museums

Ann Channing Allston, for "The Valentine", Washington Allston, 1809 - 1811

Ann Channing Allston, for "The Valentine"

1809 - 1811 · No expuesta · Harvard Art Museums

Five Hand Studies, for "Dead Man Revived..."; verso: Striding Male Figure, Washington Allston, 1811 - 1813

Five Hand Studies, for "Dead Man Revived..."; verso: Striding Male Figure

1811 - 1813 · No expuesta · Harvard Art Museums

Male Head in Profile; Arm, for "Dead Man Revived..."; verso: Three Heads and Arm

1811 - 1813 · No expuesta · Harvard Art Museums

Head of an Old Man, for "Dead Man Revived..."; verso: Drapery Study, Washington Allston, 1811 - 1813

Head of an Old Man, for "Dead Man Revived..."; verso: Drapery Study

1811 - 1813 · No expuesta · Harvard Art Museums

Partial Drapery Study, Washington Allston, 1811 - 1820

Partial Drapery Study

1811 - 1820 · No expuesta · Harvard Art Museums

Bent Right Leg, for "Dead Man Revived...", Washington Allston, 1811 - 1813

Bent Right Leg, for "Dead Man Revived..."

1811 - 1813 · No expuesta · Harvard Art Museums

Study of a Right Leg; verso: Shoulders, Arm and Hand for "Dead Man Revived", Washington Allston, 1811 - 1813

Study of a Right Leg; verso: Shoulders, Arm and Hand for "Dead Man Revived"

1811 - 1813 · No expuesta · Harvard Art Museums

Figures Looking over a Ledge; Heads; Figure Study; verso: Hands, Legs, Figure, Washington Allston, 1811 - 1813

Figures Looking over a Ledge; Heads; Figure Study; verso: Hands, Legs, Figure

1811 - 1813 · No expuesta · Harvard Art Museums

Hand of Baruch for "Jeremiah Dictating...;" verso: Knee and Calf, Washington Allston, 1811 - 1812

Hand of Baruch for "Jeremiah Dictating...;" verso: Knee and Calf

1811 - 1812 · No expuesta · Harvard Art Museums

Left Foot in Profile; verso: Head of a Statue

1811 - 1813 · No expuesta · Harvard Art Museums

Drapery Studies, for "Dead Man Revived...", Washington Allston, c. 1811-1813

Drapery Studies, for "Dead Man Revived..."

c. 1811-1813 · No expuesta · Harvard Art Museums

Male Torso, for "Dead Man Revived...", Washington Allston, c. 1811-1813

Male Torso, for "Dead Man Revived..."

c. 1811-1813 · No expuesta · Harvard Art Museums

Foot, study for "Dead Man Revived..."; verso: Foot, Washington Allston, 1811 - 1813

Foot, study for "Dead Man Revived..."; verso: Foot

1811 - 1813 · No expuesta · Harvard Art Museums

The Prodigal Son, Washington Allston, c. 1812

The Prodigal Son

c. 1812 · No expuesta · Harvard Art Museums

Angel and Figures, for "Christ Healing the Sick", Washington Allston, 1812 - 1813

Angel and Figures, for "Christ Healing the Sick"

1812 - 1813 · No expuesta · Harvard Art Museums

Male Head in Profile; verso: Two Male Heads in Profile and Reclining Male Figure

1812 - 1813 · No expuesta · Harvard Art Museums

Plaster Right Hand with Thumb and Forefinger Showing, Washington Allston, c. 1812

Plaster Right Hand with Thumb and Forefinger Showing

c. 1812 · No expuesta · Harvard Art Museums

Sleeping Soldier, study for "The Angel Releasing Saint Peter...", Washington Allston, 1812

Sleeping Soldier, study for "The Angel Releasing Saint Peter..."

1812 · No expuesta · Harvard Art Museums

Group of Heads, for "Christ Healing the Sick", Washington Allston, 1812 - 1813

Group of Heads, for "Christ Healing the Sick"

1812 - 1813 · No expuesta · Harvard Art Museums

Groups of Figures, for "Christ Healing the Sick", Washington Allston, 1812 - 1813

Groups of Figures, for "Christ Healing the Sick"

1812 - 1813 · No expuesta · Harvard Art Museums

Profile of a Male Head, study for "Christ Healing the Sick"

1812 - 1813 · No expuesta · Harvard Art Museums

Female Head in Profile: Study of Ann Channing Allston, for "The Valentine"

c. 1812-1815 · No expuesta · Harvard Art Museums

Figures; Heads; Kneeling Woman, for "Christ Healing..."; verso: Figures, Washington Allston, 1812 - 1813

Figures; Heads; Kneeling Woman, for "Christ Healing..."; verso: Figures

1812 - 1813 · No expuesta · Harvard Art Museums

Four Standing Men, for "Christ Healing the Sick", Washington Allston, 1812 - 1813

Four Standing Men, for "Christ Healing the Sick"

1812 - 1813 · No expuesta · Harvard Art Museums

Two Sketches of a Kneeling Man, for "The Angel Releasing Saint Peter...", Washington Allston, 1812

Two Sketches of a Kneeling Man, for "The Angel Releasing Saint Peter..."

1812 · No expuesta · Harvard Art Museums

Four Male Figures for "The Angel Releasing Saint Peter;" verso: Rocks and Tree, Washington Allston, c. 1812

Four Male Figures for "The Angel Releasing Saint Peter;" verso: Rocks and Tree

c. 1812 · No expuesta · Harvard Art Museums

Plaster Right Hand; verso: Male Torso, for "Dead Man Revived...", Washington Allston, c. 1812

Plaster Right Hand; verso: Male Torso, for "Dead Man Revived..."

c. 1812 · No expuesta · Harvard Art Museums

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Washington Allston · ART WIKI