Estados Unidos · 1961–

R. H. Quaytman

R. H. Quaytman is an American contemporary artist, best known for paintings on wood panels, using abstract and photographic elements in site-specific "Chapters", now numbering 35.

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The Sun: Chapter 1, R. H. Quaytman, 2001

The Sun: Chapter 1

2001 · MoMA

iamb: Chapter 12, Excerpts and Exceptions, with Painting Rack, R. H. Quaytman, 2001-09

iamb: Chapter 12, Excerpts and Exceptions, with Painting Rack

2001-09 · MoMA

Optima: Chapter 3, R. H. Quaytman, 2004

Optima: Chapter 3

2004 · MoMA

iamb (blind smile): Chapter 12, R. H. Quaytman, 2008

iamb (blind smile): Chapter 12

2008 · MoMA

iamb (lateral inhibitions in the perceptual field): Chapter 12, R. H. Quaytman, 2008

iamb (lateral inhibitions in the perceptual field): Chapter 12

2008 · MoMA

iamb (The Limbo of Vanity): Chapter 12, R. H. Quaytman, 2008

iamb (The Limbo of Vanity): Chapter 12

2008 · MoMA

iamb (lateral inhibitions in the perceptual field): Chapter 12, R. H. Quaytman, 2009

iamb (lateral inhibitions in the perceptual field): Chapter 12

2009 · MoMA

Passing Through the Opposite of What It Approaches, Chapter 25 (Portrait of Anne Rorimer), R. H.  Quaytman, 2012

Passing Through the Opposite of What It Approaches, Chapter 25 (Portrait of Anne Rorimer)

2012 · Instituto de Arte de Chicago

Orchard Spreadsheet, R. H. Quaytman, 2009

Orchard Spreadsheet

2009 · No expuesta · MoMA

Proclitic (for Parkett no. 90), R. H. Quaytman, 2012

Proclitic (for Parkett no. 90)

2012 · No expuesta · MoMA

A Sketch of the Whole Complicated Subject of Universal History from Tom Tit Tot, R. H. Quaytman, 2014

A Sketch of the Whole Complicated Subject of Universal History from Tom Tit Tot

2014 · No expuesta · MoMA

Tom Tit Tot, R. H. Quaytman, 2014

Tom Tit Tot

2014 · No expuesta · MoMA

Distracting Distance, Chapter 16, R. H. Quaytman, 2009–2010

Distracting Distance, Chapter 16

2009–2010 · No expuesta · Museo Whitney de Arte Estadounidense

Distracting Distance, Chapter 16, R. H. Quaytman, 2010

Distracting Distance, Chapter 16

2010 · No expuesta · Museo Whitney de Arte Estadounidense

Distracting Distance, Chapter 16, R. H. Quaytman, 2010

Distracting Distance, Chapter 16

2010 · No expuesta · Museo Whitney de Arte Estadounidense

Distracting Distance, Chapter 16, R. H. Quaytman, 2010

Distracting Distance, Chapter 16

2010 · No expuesta · Museo Whitney de Arte Estadounidense

Distracting Distance, Chapter 16, R. H. Quaytman, 2010

Distracting Distance, Chapter 16

2010 · No expuesta · Museo Whitney de Arte Estadounidense

Distracting Distance, Chapter 16, R. H. Quaytman, 2010

Distracting Distance, Chapter 16

2010 · No expuesta · Museo Whitney de Arte Estadounidense

Distracting Distance, Chapter 16, R. H. Quaytman, 2010

Distracting Distance, Chapter 16

2010 · No expuesta · Museo Whitney de Arte Estadounidense

Passing Through the Opposite of What It Approaches, Chapter 25, R. H.  Quaytman, 2012

Passing Through the Opposite of What It Approaches, Chapter 25

2012 · No expuesta · Instituto de Arte de Chicago

Morning, Chapter 30 [German Audience], R. H.  Quaytman, 2016

Morning, Chapter 30 [German Audience]

2016 · No expuesta · Instituto de Arte de Chicago

Morning, Chapter 30, R. H.  Quaytman, 2016

Morning, Chapter 30

2016 · No expuesta · Instituto de Arte de Chicago

Orchard Spreadsheet, R. H.  Quaytman, 2016

Orchard Spreadsheet

2016 · No expuesta · Instituto de Arte de Chicago