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Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, Rijksmuseum, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos) y Wikidata (6 museos). Las imágenes pertenecen a sus titulares de derechos.

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Artistas
Hosoda Eishi

Japón · 1756–1829

Hosoda Eishi

195en el catálogo
0expuestas ahora
5colecciones
2países

Obras Vida Mapa

Todas Expuestas En colecciones Inciertas

River View in Snow, Hosoda Eishi, late 18th–early 19th century

River View in Snow

late 18th–early 19th century · No expuesta · Instituto de Artes de Mineápolis

Courtesan at a Parade, Hosoda Eishi, early 19th century

Courtesan at a Parade

early 19th century · No expuesta · Instituto de Artes de Mineápolis

A Courtesan and her attendants under a cherry tree, Hosoda Eishi, 1790s

A Courtesan and her attendants under a cherry tree

1790s · No expuesta · Instituto de Artes de Mineápolis

Theehuis aan de Shinagawa baai, Hosoda Eishi, c. 1785 - c. 1790

Theehuis aan de Shinagawa baai

c. 1785 - c. 1790 · Rijksmuseum

Het bezoek, Hosoda Eishi, 1788 - 1792

Het bezoek

1788 - 1792 · Rijksmuseum

Het bezoek, Hosoda Eishi, 1788 - 1792

Het bezoek

1788 - 1792 · Rijksmuseum

Het bezoek, Hosoda Eishi, 1788 - 1792

Het bezoek

1788 - 1792 · Rijksmuseum

Het bezoek, Hosoda Eishi, 1788 - 1792

Het bezoek

1788 - 1792 · Rijksmuseum

Het bezoek, Hosoda Eishi, 1788 - 1792

Het bezoek

1788 - 1792 · Rijksmuseum

Courtisane Seyama uit het Matsubaya huis, Hosoda Eishi, 1790 - 1795

Courtisane Seyama uit het Matsubaya huis

1790 - 1795 · Rijksmuseum

Avondregen en wind in de pijnbomen., Hosoda Eishi, 1793 - 1797

Avondregen en wind in de pijnbomen.

1793 - 1797 · Rijksmuseum

Vrouwen in een openlucht kamer, Hosoda Eishi, 1793 - 1797

Vrouwen in een openlucht kamer

1793 - 1797 · Rijksmuseum

Drie vrouwen wandelend bij meer, Hosoda Eishi, 1793 - 1797

Drie vrouwen wandelend bij meer

1793 - 1797 · Rijksmuseum

Vrouwen in een openlucht kamer, Hosoda Eishi, 1793 - 1797

Vrouwen in een openlucht kamer

1793 - 1797 · Rijksmuseum

Dichteres Ono no Komachi, Hosoda Eishi, 1793 - 1797

Dichteres Ono no Komachi

1793 - 1797 · Rijksmuseum

Vrouwen in een openlucht kamer, Hosoda Eishi, 1793 - 1797

Vrouwen in een openlucht kamer

1793 - 1797 · Rijksmuseum

Courtisane Morokoshi uit het Echizenya huis, Hosoda Eishi, 1793 - 1797

Courtisane Morokoshi uit het Echizenya huis

1793 - 1797 · Rijksmuseum

Courtesan Standing Beneath a Cherry Tree, Hosoda Eishi, c. 1796

Courtesan Standing Beneath a Cherry Tree

c. 1796 · No expuesta · Instituto de Artes de Mineápolis

Moonlight [left of the pair Beauties in Spring], Hosoda Eishi, c. 1798

Moonlight [left of the pair Beauties in Spring]

c. 1798 · No expuesta · Instituto de Artes de Mineápolis

Rain [right of the pair Beauties in Spring], Hosoda Eishi, c. 1798

Rain [right of the pair Beauties in Spring]

c. 1798 · No expuesta · Instituto de Artes de Mineápolis

Women in a Pleasure Boat on the Sumida River, Chōbunsai Eishi, early 1790s

Women in a Pleasure Boat on the Sumida River

early 1790s · No expuesta · Museo de Arte de Cleveland

Women in a Pleasure Boat on the Sumida River, Chōbunsai Eishi, early 1790s

Women in a Pleasure Boat on the Sumida River

early 1790s · No expuesta · Museo de Arte de Cleveland

In a Pleasure House in Shinagawa (Shinagawa no rojo), Chôbunsai Eishi, n.d.

In a Pleasure House in Shinagawa (Shinagawa no rojo)

n.d. · No expuesta · Instituto de Arte de Chicago

The Courtesan Shizuka of the Shizutamaya, Chôbunsai Eishi, 1790s

The Courtesan Shizuka of the Shizutamaya

1790s · No expuesta · Instituto de Arte de Chicago

Women in a Pleasure Boat on the Sumida River, Chōbunsai Eishi, early 1790s

Women in a Pleasure Boat on the Sumida River

early 1790s · No expuesta · Museo de Arte de Cleveland

Three Women Strolling in the Countryside, Chōbunsai Eishi, mid 1780s

Three Women Strolling in the Countryside

mid 1780s · No expuesta · Museo de Arte de Cleveland

Ono no Komachi Washing the Copybook, from the series The Fashionable Seven Komachi (Furyu nana Komachi), Chôbunsai Eishi, Edo period (1615–1868), about 1788

Ono no Komachi Washing the Copybook, from the series The Fashionable Seven Komachi (Furyu nana Komachi)

Edo period (1615–1868), about 1788 · No expuesta · Instituto de Arte de Chicago

Women Viewing Scroll Paintings of the Gods of Good Fortune, Chôbunsai Eishi, late 18th–early 19th century

Women Viewing Scroll Paintings of the Gods of Good Fortune

late 18th–early 19th century · No expuesta · Instituto de Arte de Chicago

Ukiyo Genji hakkei : Suzumushi no bansho, Chôbunsai Eishi, n.d.

Ukiyo Genji hakkei : Suzumushi no bansho

n.d. · No expuesta · Instituto de Arte de Chicago

Parrot Komachi, from the series The Fashionable Seven Komachi (Furyu nana Komachi), Chôbunsai Eishi, Edo period (1615–1868), about 1788

Parrot Komachi, from the series The Fashionable Seven Komachi (Furyu nana Komachi)

Edo period (1615–1868), about 1788 · No expuesta · Instituto de Arte de Chicago

Young Woman Kneeling by a Stand with a Ceremonial Cap (from the series The Six Immortal Poets in Elegant Modern Dress), Chōbunsai Eishi, mid 1790s

Young Woman Kneeling by a Stand with a Ceremonial Cap (from the series The Six Immortal Poets in Elegant Modern Dress)

mid 1790s · No expuesta · Museo de Arte de Cleveland

Takashima, from the series "A Collection of Flower-like Faces of Beauties (Bijin kagan shu)", Chôbunsai Eishi, late 18th/early 19th century

Takashima, from the series "A Collection of Flower-like Faces of Beauties (Bijin kagan shu)"

late 18th/early 19th century · No expuesta · Instituto de Arte de Chicago

A Parody of Yuranosuke in the Pleasure Quarters (Mitate Yuranosuke yukyo), Chôbunsai Eishi, n.d.

A Parody of Yuranosuke in the Pleasure Quarters (Mitate Yuranosuke yukyo)

n.d. · No expuesta · Instituto de Arte de Chicago

Strolling near Mihashi in Ueno, Chôbunsai Eishi, late 18th–early 19th century

Strolling near Mihashi in Ueno

late 18th–early 19th century · No expuesta · Instituto de Arte de Chicago

Portrait of a Courtesan Holding a Pipe (from the series The Six Immortal Poets in Modern Dress), Chōbunsai Eishi, mid 1790s

Portrait of a Courtesan Holding a Pipe (from the series The Six Immortal Poets in Modern Dress)

mid 1790s · No expuesta · Museo de Arte de Cleveland

The Poetess Gishumon-in no Tango, from the series The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen), Chôbunsai Eishi, Edo period (1615–1868), 1801

The Poetess Gishumon-in no Tango, from the series The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen)

Edo period (1615–1868), 1801 · No expuesta · Instituto de Arte de Chicago

The Poetess Shunzei no Musume, from the series The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen), Chôbunsai Eishi, Edo period (1615–1868), 1801

The Poetess Shunzei no Musume, from the series The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen)

Edo period (1615–1868), 1801 · No expuesta · Instituto de Arte de Chicago

Ono no Komachi at Seki Temple, from the series The Fashionable Seven Komachi (Furyu nana Komachi), Chôbunsai Eishi, Edo period (1615–1868), about 1788

Ono no Komachi at Seki Temple, from the series The Fashionable Seven Komachi (Furyu nana Komachi)

Edo period (1615–1868), about 1788 · No expuesta · Instituto de Arte de Chicago

Women in a Pleasure Boat on the Sumida River, Chōbunsai Eishi, early 1790s

Women in a Pleasure Boat on the Sumida River

early 1790s · No expuesta · Museo de Arte de Cleveland

Print from Women Resting in the Votive Picture Hall at Asakusa, Chōbunsai Eishi, early 1790s

Print from Women Resting in the Votive Picture Hall at Asakusa

early 1790s · No expuesta · Museo de Arte de Cleveland

New Clothes for the Festival of New Herbs (Wakana no hatsuisho): Tamagiku of the Kadotamaya with Attendants Kikuno and Kikuji, Chôbunsai Eishi, n.d.

New Clothes for the Festival of New Herbs (Wakana no hatsuisho): Tamagiku of the Kadotamaya with Attendants Kikuno and Kikuji

n.d. · No expuesta · Instituto de Arte de Chicago

Women Chasing Crickets on an Autumn Moor, Chōbunsai Eishi, early 1790s

Women Chasing Crickets on an Autumn Moor

early 1790s · No expuesta · Museo de Arte de Cleveland

The Courtesan Ariwara of the Tsuruya Seated by a Smoking Chest (From the series A Collection of Modern Beauties), Chōbunsai Eishi, mid 1790s

The Courtesan Ariwara of the Tsuruya Seated by a Smoking Chest (From the series A Collection of Modern Beauties)

mid 1790s · No expuesta · Museo de Arte de Cleveland

The Poetess Gishumon-in no Tango, from the series The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen), Chôbunsai Eishi, Edo period (1615–1868), 1801

The Poetess Gishumon-in no Tango, from the series The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen)

Edo period (1615–1868), 1801 · No expuesta · Instituto de Arte de Chicago

The Poetess Ukon, from the series The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen), Chôbunsai Eishi, Edo period (1615–1868), 1801

The Poetess Ukon, from the series The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen)

Edo period (1615–1868), 1801 · No expuesta · Instituto de Arte de Chicago

Woman Holding a Wooden Cup Stand Decorated with Chrysanthemums (from the series Elegant Pictures of the Five Seasonal Festivals), Chōbunsai Eishi, mid 1790s

Woman Holding a Wooden Cup Stand Decorated with Chrysanthemums (from the series Elegant Pictures of the Five Seasonal Festivals)

mid 1790s · No expuesta · Museo de Arte de Cleveland

Ono no Komachi Visiting Kiyomizu Temple, from the series The Fashionable Seven Komachi (Furyu nana Komachi), Chôbunsai Eishi, Edo period (1615–1868), about 1788

Ono no Komachi Visiting Kiyomizu Temple, from the series The Fashionable Seven Komachi (Furyu nana Komachi)

Edo period (1615–1868), about 1788 · No expuesta · Instituto de Arte de Chicago

Watching the Shellfish Gathering during Low Tide at Shinagawa (Shinagawa shiohigari kenbutsu), Chôbunsai Eishi, n.d.

Watching the Shellfish Gathering during Low Tide at Shinagawa (Shinagawa shiohigari kenbutsu)

n.d. · No expuesta · Instituto de Arte de Chicago

Print from Women Resting in the Votive Picture Hall at Asakusa, Chōbunsai Eishi, early 1790s

Print from Women Resting in the Votive Picture Hall at Asakusa

early 1790s · No expuesta · Museo de Arte de Cleveland

The Poetess Michitsuna no Haha, from the series "The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen)", Chôbunsai Eishi, Edo period (1615–1868), 1801

The Poetess Michitsuna no Haha, from the series "The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen)"

Edo period (1615–1868), 1801 · No expuesta · Instituto de Arte de Chicago

Beauties by Veranda, Hosoda Eishi, 1790s

Beauties by Veranda

1790s · No expuesta · Instituto de Artes de Mineápolis

(Courtesan and Wooden Doll), Hosoda Eishi, 18th-19th century

(Courtesan and Wooden Doll)

18th-19th century · No expuesta · Instituto de Artes de Mineápolis

A Dragon and Tiger Made of Pipes and Tobacco Pouches (Ryūko tabako-ire saiku), center sheet of an incomplete triptych, Chōbunsai Eishi 鳥文斎栄之, 18th century

A Dragon and Tiger Made of Pipes and Tobacco Pouches (Ryūko tabako-ire saiku), center sheet of an incomplete triptych

18th century · No expuesta · Harvard Art Museums

Hanaōgiya of the Ōgiya, with kamuro Yoshino and Tatsuta (Ōgiya uchi Hanaōgi, Yoshino, Tatsuta), Chōbunsai Eishi 鳥文斎栄之, Late Edo period, late 18th century-early 19th century

Hanaōgiya of the Ōgiya, with kamuro Yoshino and Tatsuta (Ōgiya uchi Hanaōgi, Yoshino, Tatsuta)

Late Edo period, late 18th century-early 19th century · No expuesta · Harvard Art Museums

"SCENE IN A COURTESAN'S ROOM", Chōbunsai Eishi 鳥文斎栄之

"SCENE IN A COURTESAN'S ROOM"

No expuesta · Harvard Art Museums

Poetess Koshikibu, Chōbunsai Eishi 鳥文斎栄之, Late Edo period, late 18th century-early 19th century

Poetess Koshikibu

Late Edo period, late 18th century-early 19th century · No expuesta · Harvard Art Museums

Courtesans and Kamuro in New Year's Attire, Chōbunsai Eishi 鳥文斎栄之

Courtesans and Kamuro in New Year's Attire

No expuesta · Harvard Art Museums

"HANAOGI, KAMUROS AND MAID", Chōbunsai Eishi 鳥文斎栄之

"HANAOGI, KAMUROS AND MAID"

No expuesta · Harvard Art Museums

Someyama, kamuro Hanano and Momiji, from the series Opening of the New Quarters of the Matsubaya (Matsubaya shintaku mise-biraki), Chōbunsai Eishi 鳥文斎栄之, 20th century

Someyama, kamuro Hanano and Momiji, from the series Opening of the New Quarters of the Matsubaya (Matsubaya shintaku mise-biraki)

20th century · No expuesta · Harvard Art Museums

Courtesans on New Year's Day, Chōbunsai Eishi 鳥文斎栄之

Courtesans on New Year's Day

No expuesta · Harvard Art Museums

THE SIX POETS, "SOJO HENJO", Chōbunsai Eishi 鳥文斎栄之

THE SIX POETS, "SOJO HENJO"

No expuesta · Harvard Art Museums

THE SIX POETS,"NARIHIRA ASON", Chōbunsai Eishi 鳥文斎栄之

THE SIX POETS,"NARIHIRA ASON"

No expuesta · Harvard Art Museums

Hanaōgi of the Ōgiya with kamuro Yoshino and Tatsuta, from the series Contest of Designs in the Pleasure Quarters (Seirō moyō awase), Chōbunsai Eishi 鳥文斎栄之, Late Edo period, late 18th century-early 19th century

Hanaōgi of the Ōgiya with kamuro Yoshino and Tatsuta, from the series Contest of Designs in the Pleasure Quarters (Seirō moyō awase)

Late Edo period, late 18th century-early 19th century · No expuesta · Harvard Art Museums

PATTERNS OF THE GREEN HOUSES,"HANAZUMA OF HYOGOYA UCHI", Chōbunsai Eishi 鳥文斎栄之

PATTERNS OF THE GREEN HOUSES,"HANAZUMA OF HYOGOYA UCHI"

No expuesta · Harvard Art Museums

THE SIX POETS,"ONO NO KOMACHI", Chōbunsai Eishi 鳥文斎栄之

THE SIX POETS,"ONO NO KOMACHI"

No expuesta · Harvard Art Museums

Women Viewing Cherry Blossoms at Kinryūzan Temple in Asakusa, left sheet of an incomplete triptych, Chōbunsai Eishi 鳥文斎栄之

Women Viewing Cherry Blossoms at Kinryūzan Temple in Asakusa, left sheet of an incomplete triptych

No expuesta · Harvard Art Museums

The Courtesan Shinohara of the Tsuruya, from the series New Year Fashions as Fresh as Young Leaves (Wakana hatsu ishō), Chōbunsai Eishi 鳥文斎栄之, 18th century

The Courtesan Shinohara of the Tsuruya, from the series New Year Fashions as Fresh as Young Leaves (Wakana hatsu ishō)

18th century · No expuesta · Harvard Art Museums

BUNYA NO YASUHIDE, ONE OF THE SIX IMMORTAL POETS, Chōbunsai Eishi 鳥文斎栄之

BUNYA NO YASUHIDE, ONE OF THE SIX IMMORTAL POETS

No expuesta · Harvard Art Museums

FOUR LADIES AT SHORE, Chōbunsai Eishi 鳥文斎栄之, 19th century

FOUR LADIES AT SHORE

19th century · No expuesta · Harvard Art Museums

COURTESAN WAKOKU AS OTOMONO KURONOSHI AND COURTESAN KASUAGANO AS ARIWARA NO NARIHIRA, FROM A SERIES REPRESENTING THE SIX IMMORTAL POETS, Chōbunsai Eishi 鳥文斎栄之

COURTESAN WAKOKU AS OTOMONO KURONOSHI AND COURTESAN KASUAGANO AS ARIWARA NO NARIHIRA, FROM A SERIES REPRESENTING THE SIX IMMORTAL POETS

No expuesta · Harvard Art Museums

Flower Wrestling in March (Seirō Manzai Niwaka), Chōbunsai Eishi 鳥文斎栄之

Flower Wrestling in March (Seirō Manzai Niwaka)

No expuesta · Harvard Art Museums

PASSING VIEW OF THE 12 MONTHS THE END OF SPRING., Chōbunsai Eishi 鳥文斎栄之

PASSING VIEW OF THE 12 MONTHS THE END OF SPRING.

No expuesta · Harvard Art Museums

Courtesan Kisegawa of the Matsubaya, kamuro Takeno and Sasano, Chōbunsai Eishi 鳥文斎栄之, 18th century

Courtesan Kisegawa of the Matsubaya, kamuro Takeno and Sasano

18th century · No expuesta · Harvard Art Museums

Hinazuru of the Chōjiya and Attendants, from the series Edo Purple in the Pleasure Quarters (Seirō Edo Murasaki), Chōbunsai Eishi 鳥文斎栄之, 18th century

Hinazuru of the Chōjiya and Attendants, from the series Edo Purple in the Pleasure Quarters (Seirō Edo Murasaki)

18th century · No expuesta · Harvard Art Museums

The Leaning Plum at Ueno Park, Chōbunsai Eishi 鳥文斎栄之

The Leaning Plum at Ueno Park

No expuesta · Harvard Art Museums

Tanabata, from the series Fashionable Five Festivals (Fūryū gosekku), Chōbunsai Eishi 鳥文斎栄之, late 18th to early 19th century

Tanabata, from the series Fashionable Five Festivals (Fūryū gosekku)

late 18th to early 19th century · No expuesta · Harvard Art Museums

"USHIWAKA & HINAZURU", Chōbunsai Eishi 鳥文斎栄之

"USHIWAKA & HINAZURU"

No expuesta · Harvard Art Museums

Ladies Imitating a Courtly Insect Hunt, center sheet of a triptych, Chōbunsai Eishi 鳥文斎栄之, 20th century

Ladies Imitating a Courtly Insect Hunt, center sheet of a triptych

20th century · No expuesta · Harvard Art Museums

OTOMO KURONOSHI, ONE OF THE SIX IMMORTAL POETS, Chōbunsai Eishi 鳥文斎栄之

OTOMO KURONOSHI, ONE OF THE SIX IMMORTAL POETS

No expuesta · Harvard Art Museums

THE SIX POETS,"KISEN HOSHI", Chōbunsai Eishi 鳥文斎栄之

THE SIX POETS,"KISEN HOSHI"

No expuesta · Harvard Art Museums

Courtesan and Kamuro Through a Round Window, Chōbunsai Eishi 鳥文斎栄之

Courtesan and Kamuro Through a Round Window

No expuesta · Harvard Art Museums

Sugawara of the Tsuruya with Attendants Mumeno and Takeno, Chôbunsai Eishi, c. 1787

Sugawara of the Tsuruya with Attendants Mumeno and Takeno

c. 1787 · No expuesta · Instituto de Arte de Chicago

Viewing Cherry Blossoms at Goten Hill, Chôbunsai Eishi, c. 1787

Viewing Cherry Blossoms at Goten Hill

c. 1787 · No expuesta · Instituto de Arte de Chicago

Nanamachi of the Yotsumeya with Attendants Sumano and Akashi, Chôbunsai Eishi, c. 1787

Nanamachi of the Yotsumeya with Attendants Sumano and Akashi

c. 1787 · No expuesta · Instituto de Arte de Chicago

Viewing Cherry Blossoms at Goten Hill, Chôbunsai Eishi, c. 1787

Viewing Cherry Blossoms at Goten Hill

c. 1787 · No expuesta · Instituto de Arte de Chicago

Viewing Cherry Blossoms at Goten Hill, Chôbunsai Eishi, c. 1787

Viewing Cherry Blossoms at Goten Hill

c. 1787 · No expuesta · Instituto de Arte de Chicago

Keyblock impression for Five Beauties, Hosoda Eishi, 1787–96

Keyblock impression for Five Beauties

1787–96 · No expuesta · Instituto de Artes de Mineápolis

Three Courtesans of the Tsuataya House, Hosoda Eishi, 1787–98

Three Courtesans of the Tsuataya House

1787–98 · No expuesta · Instituto de Artes de Mineápolis

Gathering at a Teahouse on the Bank of the Sumida River, Chôbunsai Eishi, c. 1788/90

Gathering at a Teahouse on the Bank of the Sumida River

c. 1788/90 · No expuesta · Instituto de Arte de Chicago

Two Girls under an Umbrella, Chôbunsai Eishi, c. 1788/89

Two Girls under an Umbrella

c. 1788/89 · No expuesta · Instituto de Arte de Chicago

The Eighth Month (Nanryo), from the series a Calendar of Elegance (Furyu junikagetsu), Chôbunsai Eishi, c. 1788

The Eighth Month (Nanryo), from the series a Calendar of Elegance (Furyu junikagetsu)

c. 1788 · No expuesta · Instituto de Arte de Chicago

View of the Sumida River from the Temporary Quarters of the Ōgiya in Nakasu, Chōbunsai Eishi 鳥文斎栄之, c. 1788 (Tenmei 8)

View of the Sumida River from the Temporary Quarters of the Ōgiya in Nakasu

c. 1788 (Tenmei 8) · No expuesta · Harvard Art Museums

Narihira, from the series "Six Immortal Poets (Rokkasen)", Chôbunsai Eishi, c. 1789/90

Narihira, from the series "Six Immortal Poets (Rokkasen)"

c. 1789/90 · No expuesta · Instituto de Arte de Chicago

Viewing Cherry Blossoms from a Teahouse on Asuka Hill, Chôbunsai Eishi, c. 1789/90

Viewing Cherry Blossoms from a Teahouse on Asuka Hill

c. 1789/90 · No expuesta · Instituto de Arte de Chicago

A Parody of the Tales of Ise, Chôbunsai Eishi, c. 1789/95

A Parody of the Tales of Ise

c. 1789/95 · No expuesta · Instituto de Arte de Chicago

Fuji no uraba, from the series "A Fashionable Parody of the Tale of Genji (Furyu yatsushi Genji)", Chôbunsai Eishi, c. 1789/94

Fuji no uraba, from the series "A Fashionable Parody of the Tale of Genji (Furyu yatsushi Genji)"

c. 1789/94 · No expuesta · Instituto de Arte de Chicago

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Hosoda Eishi: cuadros y dónde verlos · ART WIKI