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Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, Rijksmuseum, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos) y Wikidata (6 museos). Las imágenes pertenecen a sus titulares de derechos.

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Eishosai Choki

Japón · 1725–1795

Eishosai Choki

26en el catálogo
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4colecciones
2países

Obras Vida Mapa

Todas Expuestas En colecciones Inciertas

Asahina no Saburo in gevecht met Soga no Goro, Eishôsai Chôki, in or after 1791 - in or before c. 1810

Asahina no Saburo in gevecht met Soga no Goro

in or after 1791 - in or before c. 1810 · Rijksmuseum

Courtisane met rookgerei, Eishôsai Chôki, c. 1795

Courtisane met rookgerei

c. 1795 · Rijksmuseum

Catching Fireflies, Eishosai Choki, c.1790s

Catching Fireflies

c.1790s · No expuesta · Instituto de Arte de Chicago

Binzasara, A Dance with Clappers (From the series Entertainments at the Height of the Niwaka Festival in the Pleasure Quarters), Eishōsai Chōki, early 1790s

Binzasara, A Dance with Clappers (From the series Entertainments at the Height of the Niwaka Festival in the Pleasure Quarters)

early 1790s · No expuesta · Museo de Arte de Cleveland

The Courtesan Hinazuru of the Chojiya and Her Attendants, Eishosai Choki, early 1790s

The Courtesan Hinazuru of the Chojiya and Her Attendants

early 1790s · No expuesta · Instituto de Arte de Chicago

Tōjin, from the series Amusements of the Niwaka Festival in the Yoshiwara (Seirō Niwaka zensei asobi), Eishōsai Chōki 栄松斎長喜, 18th and 19th centuries

Tōjin, from the series Amusements of the Niwaka Festival in the Yoshiwara (Seirō Niwaka zensei asobi)

18th and 19th centuries · No expuesta · Harvard Art Museums

Sheet Four from Enjoying Cool Air on a Pleasure Boat, a Pentaptych (Suzumibune gomai tsuzuki, yon), Eishōsai Chōki 栄松斎長喜

Sheet Four from Enjoying Cool Air on a Pleasure Boat, a Pentaptych (Suzumibune gomai tsuzuki, yon)

No expuesta · Harvard Art Museums

Rival Beauties at a Cockfight, Eishōsai Chōki 栄松斎長喜, Late Edo period, late 18th to early 19th century

Rival Beauties at a Cockfight

Late Edo period, late 18th to early 19th century · No expuesta · Harvard Art Museums

Kintarō Umpiring a Fight Between a Rooster and a Tengu, Eishōsai Chōki 栄松斎長喜

Kintarō Umpiring a Fight Between a Rooster and a Tengu

No expuesta · Harvard Art Museums

Courtesan Somenosuke of the Matsubaya (Matsubaya uchi Somenosuke), from the series "Beauties of the Yoshiwara" (Seirō bijin awase), Eishōsai Chōki 栄松斎長喜, Mid to Late Edo period, circa 1780-1805

Courtesan Somenosuke of the Matsubaya (Matsubaya uchi Somenosuke), from the series "Beauties of the Yoshiwara" (Seirō bijin awase)

Mid to Late Edo period, circa 1780-1805 · No expuesta · Harvard Art Museums

Parody of Act Seven from the series Treasury of Loyal Retainers (Chūshingura: Shichi danme), Eishōsai Chōki 栄松斎長喜, Edo period, circa 1780-1805

Parody of Act Seven from the series Treasury of Loyal Retainers (Chūshingura: Shichi danme)

Edo period, circa 1780-1805 · No expuesta · Harvard Art Museums

The Cock Fight - Ohisa of the Takashimaya and Okita of the Naniwaya, Eishosai Choki, c. 1791

The Cock Fight - Ohisa of the Takashimaya and Okita of the Naniwaya

c. 1791 · No expuesta · Instituto de Arte de Chicago

The Entertainer Tamino and the Serving Girl Nui of the Sumiyoshiya, Eishosai Choki, c. 1792

The Entertainer Tamino and the Serving Girl Nui of the Sumiyoshiya

c. 1792 · No expuesta · Instituto de Arte de Chicago

Hanaogi of the Ogiya, from the series "Beauties of the Pleasure Quarters (Seiro bijin awase)", Eishosai Choki, c. 1793/97

Hanaogi of the Ogiya, from the series "Beauties of the Pleasure Quarters (Seiro bijin awase)"

c. 1793/97 · No expuesta · Instituto de Arte de Chicago

Ebisu and Daikokuten tasting Sake, Eishosai Choki, c. 1794–5

Ebisu and Daikokuten tasting Sake

c. 1794–5 · No expuesta · Instituto de Arte de Chicago

Kan, a waitress of the Izutsuya, and the geisha Fuseya of the Ogiya, Eishosai Choki, c. 1794

Kan, a waitress of the Izutsuya, and the geisha Fuseya of the Ogiya

c. 1794 · No expuesta · Instituto de Arte de Chicago

Sakurahime and Kiyoharu (Sakurahime Kiyoharu), Eishosai Choki, c. 1794–5

Sakurahime and Kiyoharu (Sakurahime Kiyoharu)

c. 1794–5 · No expuesta · Instituto de Arte de Chicago

Kan, a waitress of the Izutsuya, and the geisha Fuseya of the Ogiya, Eishosai Choki, c. 1794

Kan, a waitress of the Izutsuya, and the geisha Fuseya of the Ogiya

c. 1794 · No expuesta · Instituto de Arte de Chicago

Moto, a Waitress of the Yoshidaya, and the Geisha Mizue, Eishosai Choki, c. 1794

Moto, a Waitress of the Yoshidaya, and the Geisha Mizue

c. 1794 · No expuesta · Instituto de Arte de Chicago

Moon viewing, Eishosai Choki, c. 1794

Moon viewing

c. 1794 · No expuesta · Instituto de Arte de Chicago

Good and Evil Influences (Zendama akudama), Eishosai Choki, c. 1795

Good and Evil Influences (Zendama akudama)

c. 1795 · No expuesta · Instituto de Arte de Chicago

Good and Evil Influences (Zendama akudama), Eishosai Choki, c. 1795

Good and Evil Influences (Zendama akudama)

c. 1795 · No expuesta · Instituto de Arte de Chicago

Rain the Morning After in the Pleasure Quarter (Seiro kinuginu no ame), Eishosai Choki, c. 1795

Rain the Morning After in the Pleasure Quarter (Seiro kinuginu no ame)

c. 1795 · No expuesta · Instituto de Arte de Chicago

Osumi, a Tayu of the Tsuchiya in the Shinmachi Quarter in Osaka, Eishosai Choki, c. 1796/97

Osumi, a Tayu of the Tsuchiya in the Shinmachi Quarter in Osaka

c. 1796/97 · No expuesta · Instituto de Arte de Chicago

The Front Room of the Naniwaya (Naniwaya misesaki), Eishosai Choki, c. 1800

The Front Room of the Naniwaya (Naniwaya misesaki)

c. 1800 · No expuesta · Instituto de Arte de Chicago

Man and Woman in a Landscape, Eishōsai Chōki 栄松斎長喜, Late Edo period, circa 1803-1804

Man and Woman in a Landscape

Late Edo period, circa 1803-1804 · No expuesta · Harvard Art Museums

Eishosai Choki · ART WIKI