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Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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Artistas
Donna Ferrato

Estados Unidos · 1949–

Donna Ferrato

43en el catálogo
0expuestas ahora
2colecciones
1país

Obras Vida Mapa

Todas Expuestas En colecciones Inciertas

It's 3:00 a.m. No way to sleep. Imaginary bedbugs chewing at me. The air is oppressive, like being buried alive. The cries of asthmatic children sniffling, screaming, sleep-talking keeps me on edge. In semi-darkness I wander among the beds, seeing mothers wrapped around their babies, like bears in hibernation. In one lower bunk, I find an exhausted mother, Pam, rocking her wailing week-old daughter. Pams face glows with inner peace. She is one of the lucky ones. She escaped an abusive relationship and found shelter here. Olive Branch Mission, Chicago., Donna Ferrato, 1999

It's 3:00 a.m. No way to sleep. Imaginary bedbugs chewing at me. The air is oppressive, like being buried alive. The cries of asthmatic children sniffling, screaming, sleep-talking keeps me on edge. In semi-darkness I wander among the beds, seeing mothers wrapped around their babies, like bears in hibernation. In one lower bunk, I find an exhausted mother, Pam, rocking her wailing week-old daughter. Pams face glows with inner peace. She is one of the lucky ones. She escaped an abusive relationship and found shelter here. Olive Branch Mission, Chicago.

1999 · No expuesta · Galería Nacional de Arte

At 5:45 a.m.Tuesday morning, Margie sprints out of bed to wash and dress herself for her second day of job training at CARA in downtown Chicago. Olive Branch Mission, Chicago., Donna Ferrato, 1999

At 5:45 a.m.Tuesday morning, Margie sprints out of bed to wash and dress herself for her second day of job training at CARA in downtown Chicago. Olive Branch Mission, Chicago.

1999 · No expuesta · Galería Nacional de Arte

7:00 A.M.: Margie rides the train to her job-training class in downtown Chicago. Accompanying her is Cherilyn, a resident at the Olive Branch who recently found a job as a home-care worker., Donna Ferrato, 1999

7:00 A.M.: Margie rides the train to her job-training class in downtown Chicago. Accompanying her is Cherilyn, a resident at the Olive Branch who recently found a job as a home-care worker.

1999 · No expuesta · Galería Nacional de Arte

A young woman holds her baby brother high. Olive Branch Mission, Chicago., Donna Ferrato, 1999

A young woman holds her baby brother high. Olive Branch Mission, Chicago.

1999 · No expuesta · Galería Nacional de Arte

All the other mothers loved Margie, who gave kids free professional haircuts every night. Hopefully, with luck and hard work, her positive attitude will take her far up and away from homelessness. Olive Branch Mission, Chicago., Donna Ferrato, 1999

All the other mothers loved Margie, who gave kids free professional haircuts every night. Hopefully, with luck and hard work, her positive attitude will take her far up and away from homelessness. Olive Branch Mission, Chicago.

1999 · No expuesta · Galería Nacional de Arte

In the CARA job-training program, Margie is hungry for knowledge and eager to participate in her studies. She takes copious notes and never hesitates to ask questions. I can see her sense of self-worth returning. I was lucky to meet Margie at a time when she was ready to take control over her life. I spent time riding with her to CARA, and met many people in the same situation. I realize now that being homeless is nothing like the fantasy sleeping on the street, wearing shabby clothes, begging for money. The homeless people I met looked just like me., Donna Ferrato, 1999

In the CARA job-training program, Margie is hungry for knowledge and eager to participate in her studies. She takes copious notes and never hesitates to ask questions. I can see her sense of self-worth returning. I was lucky to meet Margie at a time when she was ready to take control over her life. I spent time riding with her to CARA, and met many people in the same situation. I realize now that being homeless is nothing like the fantasy sleeping on the street, wearing shabby clothes, begging for money. The homeless people I met looked just like me.

1999 · No expuesta · Galería Nacional de Arte

Margie's son, Jamont, 9, watches from his perch on a bunk bed as his mother chooses a dress for her job-training class. In the United States an alarming number of children are homeless. Olive Branch Mission, Chicago., Donna Ferrato, 1999

Margie's son, Jamont, 9, watches from his perch on a bunk bed as his mother chooses a dress for her job-training class. In the United States an alarming number of children are homeless. Olive Branch Mission, Chicago.

1999 · No expuesta · Galería Nacional de Arte

The Olive Branch is a dark, oppressive space, but it gets the message across to the women who stay there that the solutions to their problems are in their own hands. Ignoring distractions, Margie finishes her homework for job-training class. Olive Branch Mission, Chicago., Donna Ferrato, 1999

The Olive Branch is a dark, oppressive space, but it gets the message across to the women who stay there that the solutions to their problems are in their own hands. Ignoring distractions, Margie finishes her homework for job-training class. Olive Branch Mission, Chicago.

1999 · No expuesta · Galería Nacional de Arte

I rarely saw kids in the shelter play. Shelter life is a serious game. This baby waits anxiously for his mama to take him to bed. Olive Branch Mission, Chicago., Donna Ferrato, 1999

I rarely saw kids in the shelter play. Shelter life is a serious game. This baby waits anxiously for his mama to take him to bed. Olive Branch Mission, Chicago.

1999 · No expuesta · Galería Nacional de Arte

Sunday morning, Margie demonstrates the love and affection she has for her son, Pierre. Olive Branch Mission, Chicago., Donna Ferrato, 1999

Sunday morning, Margie demonstrates the love and affection she has for her son, Pierre. Olive Branch Mission, Chicago.

1999 · No expuesta · Galería Nacional de Arte

The bathroom at the mission is dreary at best, with holes in the walls and floor, peeling lead paint, no toilet paper, showers without handles. Mothers nevertheless keep their children scrupulously clean, singing praise to God. Here, Renee cleans her daughters face with plenty of elbow grease. Olive Branch Mission, Chicago., Donna Ferrato, 1999

The bathroom at the mission is dreary at best, with holes in the walls and floor, peeling lead paint, no toilet paper, showers without handles. Mothers nevertheless keep their children scrupulously clean, singing praise to God. Here, Renee cleans her daughters face with plenty of elbow grease. Olive Branch Mission, Chicago.

1999 · No expuesta · Galería Nacional de Arte

Boys in the shelter hug Pierre Garrett after a tearful confrontation with his mother. Olive Branch Mission, Chicago., Donna Ferrato, 1999

Boys in the shelter hug Pierre Garrett after a tearful confrontation with his mother. Olive Branch Mission, Chicago.

1999 · No expuesta · Galería Nacional de Arte

Standing between their bunk beds, Margie admires her four sons: Johnny, 13, Pierre, 11, Jamont, 9, and Johnnell, 11. She always took care of her kids until she fell in love with a drug addict and became addicted herself. Her children's world fell apart and they became homeless residents at the mission. Olive Branch Mission, Chicago., Donna Ferrato, 1999

Standing between their bunk beds, Margie admires her four sons: Johnny, 13, Pierre, 11, Jamont, 9, and Johnnell, 11. She always took care of her kids until she fell in love with a drug addict and became addicted herself. Her children's world fell apart and they became homeless residents at the mission. Olive Branch Mission, Chicago.

1999 · No expuesta · Galería Nacional de Arte

James, the Bug Whisperer, Donna Ferrato, 2012

James, the Bug Whisperer

2012 · No expuesta · Museo J. Paul Getty

James, the Bug Whisperer, Donna Ferrato, 2012

James, the Bug Whisperer

2012 · No expuesta · Museo J. Paul Getty

Sarah and the Boys under the Bridge, Donna Ferrato, 2012

Sarah and the Boys under the Bridge

2012 · No expuesta · Museo J. Paul Getty

Sarah Augusta, Donna Ferrato, 2012

Sarah Augusta

2012 · No expuesta · Museo J. Paul Getty

Sarah Augusta, 26, Finally Free from Abuse, Donna Ferrato, 2012

Sarah Augusta, 26, Finally Free from Abuse

2012 · No expuesta · Museo J. Paul Getty

Sarah and Taylor, Donna Ferrato, 2013

Sarah and Taylor

2013 · No expuesta · Museo J. Paul Getty

Sarah, Donna Ferrato, 2013

Sarah

2013 · No expuesta · Museo J. Paul Getty

Sarah and Taylor, Donna Ferrato, 2013

Sarah and Taylor

2013 · No expuesta · Museo J. Paul Getty

Sarah Augusta Learning Self Defense, Donna Ferrato, 2013

Sarah Augusta Learning Self Defense

2013 · No expuesta · Museo J. Paul Getty

Sarah With Her Family Attend the “Meet Us at the Bridge” Ceremony, Donna Ferrato, 2013

Sarah With Her Family Attend the “Meet Us at the Bridge” Ceremony

2013 · No expuesta · Museo J. Paul Getty

Taylor and James in the Front Yard, Donna Ferrato, 2013

Taylor and James in the Front Yard

2013 · No expuesta · Museo J. Paul Getty

Taylor, Donna Ferrato, 2013

Taylor

2013 · No expuesta · Museo J. Paul Getty

Sarah, Donna Ferrato, 2013

Sarah

2013 · No expuesta · Museo J. Paul Getty

Sarah and Tommy, Donna Ferrato, 2014

Sarah and Tommy

2014 · No expuesta · Museo J. Paul Getty

Tommy and James, Donna Ferrato, 2014

Tommy and James

2014 · No expuesta · Museo J. Paul Getty

Sarah, Donna Ferrato, 2014

Sarah

2014 · No expuesta · Museo J. Paul Getty

Target Pratice with a Pellet Gun, Donna Ferrato, 2014

Target Pratice with a Pellet Gun

2014 · No expuesta · Museo J. Paul Getty

Sarah after a Court Hearing, Donna Ferrato, 2014

Sarah after a Court Hearing

2014 · No expuesta · Museo J. Paul Getty

Zoe, Donna Ferrato, 2014

Zoe

2014 · No expuesta · Museo J. Paul Getty

Zoe and the Free Range Chicken, Donna Ferrato, 2014

Zoe and the Free Range Chicken

2014 · No expuesta · Museo J. Paul Getty

Tommy and Sarah, Donna Ferrato, 2014

Tommy and Sarah

2014 · No expuesta · Museo J. Paul Getty

Taylor and Zoe, Donna Ferrato, 2014

Taylor and Zoe

2014 · No expuesta · Museo J. Paul Getty

Tommy, James and Taylor, Donna Ferrato, 2014

Tommy, James and Taylor

2014 · No expuesta · Museo J. Paul Getty

James and Taylor, Donna Ferrato, 2014

James and Taylor

2014 · No expuesta · Museo J. Paul Getty

Sarah and Her Mother, Donna Ferrato, 2014

Sarah and Her Mother

2014 · No expuesta · Museo J. Paul Getty

Zoe, Donna Ferrato, 2014

Zoe

2014 · No expuesta · Museo J. Paul Getty

Sarah, James and Taylor, Donna Ferrato, 2014

Sarah, James and Taylor

2014 · No expuesta · Museo J. Paul Getty

Sarah and a member of B.A.C.A. discussing a strategy to protect the boys, Donna Ferrato, 2014

Sarah and a member of B.A.C.A. discussing a strategy to protect the boys

2014 · No expuesta · Museo J. Paul Getty

Tommy and Sarah in the Kitchen, Donna Ferrato, 2014

Tommy and Sarah in the Kitchen

2014 · No expuesta · Museo J. Paul Getty

Sarah and Tommy, Donna Ferrato, 2014

Sarah and Tommy

2014 · No expuesta · Museo J. Paul Getty