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Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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Artistas
Allen Ruppersberg

Estados Unidos · 1944–

Allen Ruppersberg

95en el catálogo
0expuestas ahora
4colecciones
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Obras Vida Mapa

Todas Expuestas En colecciones Inciertas

Al's Grand Hotel, Allen Ruppersberg, 1971

Al's Grand Hotel

1971 · No expuesta · MoMA

Thank You, Mr. Duchamp, Allen Ruppersberg, 1972

Thank You, Mr. Duchamp

1972 · No expuesta · MoMA

Here and Now / Seeing and Believing, Allen Ruppersberg, 1972

Here and Now / Seeing and Believing

1972 · No expuesta · MoMA

From the South Forty to the Bunkhouse, Allen Ruppersberg, 1972

From the South Forty to the Bunkhouse

1972 · No expuesta · MoMA

Art & Project Bulletin #67, Allen Ruppersberg, 1973

Art & Project Bulletin #67

1973 · No expuesta · MoMA

The Picture of Dorian Gray, Allen Ruppersberg, 1974

The Picture of Dorian Gray

1974 · No expuesta · MoMA

A Private Reading, Allen Ruppersberg, 1978

A Private Reading

1978 · No expuesta · MoMA

A Novel that Writes Itself: A Proposal to Friends and Supporters from Allen Ruppersberg, Allen Ruppersberg, 1978

A Novel that Writes Itself: A Proposal to Friends and Supporters from Allen Ruppersberg

1978 · No expuesta · MoMA

Drawn from Life, Allen Ruppersberg, 1981

Drawn from Life

1981 · No expuesta · MoMA

Illustration for the Novel that Writes Itself, Allen Ruppersberg, 1983

Illustration for the Novel that Writes Itself

1983 · No expuesta · MoMA

Who's Afraid of the New Now? from Preview, Allen Ruppersberg, 1988

Who's Afraid of the New Now? from Preview

1988 · No expuesta · MoMA

What Should I Do? from Preview, Allen Ruppersberg, 1988

What Should I Do? from Preview

1988 · No expuesta · MoMA

Are You Crying? from Preview, Allen Ruppersberg, 1988

Are You Crying? from Preview

1988 · No expuesta · MoMA

Adults Only from Preview, Allen Ruppersberg, 1988

Adults Only from Preview

1988 · No expuesta · MoMA

No I've Got Something in My Eye from Preview, Allen Ruppersberg, 1988

No I've Got Something in My Eye from Preview

1988 · No expuesta · MoMA

It's Not Art (That Counts Now) from Preview, Allen Ruppersberg, 1988

It's Not Art (That Counts Now) from Preview

1988 · No expuesta · MoMA

Nostalgia 24 Hours a Day from Preview, Allen Ruppersberg, 1988

Nostalgia 24 Hours a Day from Preview

1988 · No expuesta · MoMA

Nothing - Nobody from Preview, Allen Ruppersberg, 1988

Nothing - Nobody from Preview

1988 · No expuesta · MoMA

Everything is Over from Preview, Allen Ruppersberg, 1988

Everything is Over from Preview

1988 · No expuesta · MoMA

Good Luck from Preview, Allen Ruppersberg, 1988

Good Luck from Preview

1988 · No expuesta · MoMA

Poster Object (Progress Not Adventure/Adventure Not Progress), Allen Ruppersberg, 1988

Poster Object (Progress Not Adventure/Adventure Not Progress)

1988 · No expuesta · MoMA

The Gift and the Inheritance (“Shakespeare’s Works”), Allen Ruppersberg, 1989

The Gift and the Inheritance (“Shakespeare’s Works”)

1989 · No expuesta · Galería Nacional de Arte

Stop Traveler (Siste Viator), Allen Ruppersberg, 1993

Stop Traveler (Siste Viator)

1993 · No expuesta · MoMA

Honey I rearranged the collection to question the cultural truths reflected in patterns of collection, scholarship and display in the priviledged [sic] space of art. Ha!, Allen Ruppersberg, 2000

Honey I rearranged the collection to question the cultural truths reflected in patterns of collection, scholarship and display in the priviledged [sic] space of art. Ha!

2000 · No expuesta · Galería Nacional de Arte

Honey, I rearranged the collection according to two categories: Nice and Not Nice., Allen Ruppersberg, 2000

Honey, I rearranged the collection according to two categories: Nice and Not Nice.

2000 · No expuesta · MoMA

Honey, I rearranged the collection because sometimes artists bug me. One came to the door today completely unannounced., Allen Ruppersberg, 2000

Honey, I rearranged the collection because sometimes artists bug me. One came to the door today completely unannounced.

2000 · No expuesta · MoMA

Honey, I rearranged the collection using only artists with three letters in their last name., Allen Ruppersberg, 2000

Honey, I rearranged the collection using only artists with three letters in their last name.

2000 · No expuesta · MoMA

Honey, I rearranged the collection because I miss NY, Paris, Rome, Berlin, London, Milan and the Cape., Allen Ruppersberg, 2000

Honey, I rearranged the collection because I miss NY, Paris, Rome, Berlin, London, Milan and the Cape.

2000 · No expuesta · MoMA

Honey, I rearranged the collection as an excuse to stay away from CHELSEA. It scares me., Allen Ruppersberg, 2001

Honey, I rearranged the collection as an excuse to stay away from CHELSEA. It scares me.

2001 · No expuesta · MoMA

Honey, I rearranged the collection to see if we got our money's worth., Allen Ruppersberg, 2001

Honey, I rearranged the collection to see if we got our money's worth.

2001 · No expuesta · MoMA

Honey, I rearranged the collection with artists who knew each other, but were different ages; artists who knew each other but worked differently; and artists who were influenced by artists who were soon forgotten., Allen Ruppersberg, 2001

Honey, I rearranged the collection with artists who knew each other, but were different ages; artists who knew each other but worked differently; and artists who were influenced by artists who were soon forgotten.

2001 · No expuesta · MoMA

Honey, I rearranged the collection with artists we only say "hello" to., Allen Ruppersberg, 2001

Honey, I rearranged the collection with artists we only say "hello" to.

2001 · No expuesta · MoMA

Honey, I rearranged the collection using artists whom we know virtually nothing about., Allen Ruppersberg, 2001

Honey, I rearranged the collection using artists whom we know virtually nothing about.

2001 · No expuesta · MoMA

Honey, I rearranged the collection because I think it's fun. Remember the Fun Gallery in the East Village? Fun counts!, Allen Ruppersberg, 2001

Honey, I rearranged the collection because I think it's fun. Remember the Fun Gallery in the East Village? Fun counts!

2001 · No expuesta · MoMA

The Novel That Writes Itself, Allen Ruppersberg, 2014

The Novel That Writes Itself

2014 · No expuesta · MoMA

Al's Grand Hotel (Neon Sign), Allen Rawson Ruppersberg, 1971

Al's Grand Hotel (Neon Sign)

1971 · No expuesta · Instituto de Arte de Chicago

Al's Grand Hotel brochure, Allen Rawson Ruppersberg, 1971

Al's Grand Hotel brochure

1971 · No expuesta · Instituto de Arte de Chicago

Ultra, from the Lobby in Al's Grand Hotel, Allen Rawson Ruppersberg, 1971

Ultra, from the Lobby in Al's Grand Hotel

1971 · No expuesta · Instituto de Arte de Chicago

Ultra (from the "Ultra Room", Al's Grand Hotel), Allen Rawson Ruppersberg, 1971

Ultra (from the "Ultra Room", Al's Grand Hotel)

1971 · No expuesta · Instituto de Arte de Chicago

Al's Grand Hotel "standee", Allen Rawson Ruppersberg, 1971

Al's Grand Hotel "standee"

1971 · No expuesta · Instituto de Arte de Chicago

Al's Grand Hotel announcement letters, Allen Rawson Ruppersberg, 1971

Al's Grand Hotel announcement letters

1971 · No expuesta · Instituto de Arte de Chicago

Live at Al's Grand Hotel, May 7th, 1971/2011, Allen Rawson Ruppersberg, 1971

Live at Al's Grand Hotel, May 7th, 1971/2011

1971 · No expuesta · Instituto de Arte de Chicago

Al's Grand Hotel "standee", Allen Rawson Ruppersberg, 1971

Al's Grand Hotel "standee"

1971 · No expuesta · Instituto de Arte de Chicago

Allen Ruppersberg with “standees” and their fabricator, Allen Rawson Ruppersberg, 1971

Allen Ruppersberg with “standees” and their fabricator

1971 · No expuesta · Instituto de Arte de Chicago

Al's Grand Cafe Figure, Allen Rawson Ruppersberg, 1971

Al's Grand Cafe Figure

1971 · No expuesta · Instituto de Arte de Chicago

Terry Allen, Live at Al's Grand Hotel, Allen Rawson Ruppersberg, 1971

Terry Allen, Live at Al's Grand Hotel

1971 · No expuesta · Instituto de Arte de Chicago

Al's Grand Hotel, Allen Rawson Ruppersberg, 1971

Al's Grand Hotel

1971 · No expuesta · Instituto de Arte de Chicago

Al’s Grand Hotel, Allen Rawson Ruppersberg, 1971

Al’s Grand Hotel

1971 · No expuesta · Instituto de Arte de Chicago

Al's Grand Hotel catalog, Allen Rawson Ruppersberg, 1971

Al's Grand Hotel catalog

1971 · No expuesta · Instituto de Arte de Chicago

Al's Grand Hotel, Allen Rawson Ruppersberg, 1971

Al's Grand Hotel

1971 · No expuesta · Instituto de Arte de Chicago

Ephemera from Al's Grand Hotel, Allen Rawson Ruppersberg, 1971

Ephemera from Al's Grand Hotel

1971 · No expuesta · Instituto de Arte de Chicago

Greetings from California, Allen Ruppersberg, 1972

Greetings from California

1972 · No expuesta · Museo Whitney de Arte Estadounidense

Rona Barrett's Hollywood, Allen Rawson Ruppersberg, 1973

Rona Barrett's Hollywood

1973 · No expuesta · Instituto de Arte de Chicago

Between the Scenes, Allen Rawson Ruppersberg, 1973

Between the Scenes

1973 · No expuesta · Instituto de Arte de Chicago

The Plain Dealer, from Paper Drive (For Claire), Allen Rawson Ruppersberg, 1975

The Plain Dealer, from Paper Drive (For Claire)

1975 · No expuesta · Instituto de Arte de Chicago

The Spirit of Democracy, from Paper Drive (For Claire), Allen Rawson Ruppersberg, 1975

The Spirit of Democracy, from Paper Drive (For Claire)

1975 · No expuesta · Instituto de Arte de Chicago

The Wichita Falls Times, from Paper Drive (For Claire), Allen Rawson Ruppersberg, 1975

The Wichita Falls Times, from Paper Drive (For Claire)

1975 · No expuesta · Instituto de Arte de Chicago

The Houma Daily Courier, from Paper Drive (For Claire), Allen Rawson Ruppersberg, 1975

The Houma Daily Courier, from Paper Drive (For Claire)

1975 · No expuesta · Instituto de Arte de Chicago

Frederick Daily Leader, from Paper Drive (For Claire), Allen Rawson Ruppersberg, 1975

Frederick Daily Leader, from Paper Drive (For Claire)

1975 · No expuesta · Instituto de Arte de Chicago

The Clinton Daily News, from Paper Drive (For Claire), Allen Rawson Ruppersberg, 1975

The Clinton Daily News, from Paper Drive (For Claire)

1975 · No expuesta · Instituto de Arte de Chicago

The Clarion Ledger, from Paper Drive (For Claire), Allen Rawson Ruppersberg, 1975

The Clarion Ledger, from Paper Drive (For Claire)

1975 · No expuesta · Instituto de Arte de Chicago

The Mountain Mail, from Paper Drive (For Claire), Allen Rawson Ruppersberg, 1975

The Mountain Mail, from Paper Drive (For Claire)

1975 · No expuesta · Instituto de Arte de Chicago

The Austin American Statesman, from Paper Drive (For Claire), Allen Rawson Ruppersberg, 1975

The Austin American Statesman, from Paper Drive (For Claire)

1975 · No expuesta · Instituto de Arte de Chicago

Self-Portrait (as Hurd Hatfield as Dorian Gray), Allen Ruppersberg, 1984–1991

Self-Portrait (as Hurd Hatfield as Dorian Gray)

1984–1991 · No expuesta · Museo Whitney de Arte Estadounidense

Who's Afraid of the New Now?, from Preview Suite, Allen Rawson Ruppersberg, 1988

Who's Afraid of the New Now?, from Preview Suite

1988 · No expuesta · Instituto de Arte de Chicago

Everything is Over, from Preview Suite, Allen Rawson Ruppersberg, 1988

Everything is Over, from Preview Suite

1988 · No expuesta · Instituto de Arte de Chicago

Adults Only Please, from Preview Suite, Allen Rawson Ruppersberg, 1988

Adults Only Please, from Preview Suite

1988 · No expuesta · Instituto de Arte de Chicago

Good Luck!, from Preview Suite, Allen Rawson Ruppersberg, 1988

Good Luck!, from Preview Suite

1988 · No expuesta · Instituto de Arte de Chicago

Nostalgia 24 Hours a Day, from Preview Suite, Allen Rawson Ruppersberg, 1988

Nostalgia 24 Hours a Day, from Preview Suite

1988 · No expuesta · Instituto de Arte de Chicago

Are You Crying?, from Preview Suite, Allen Rawson Ruppersberg, 1988

Are You Crying?, from Preview Suite

1988 · No expuesta · Instituto de Arte de Chicago

No, I've Got Something in my Eye, from Preview Suite, Allen Rawson Ruppersberg, 1988

No, I've Got Something in my Eye, from Preview Suite

1988 · No expuesta · Instituto de Arte de Chicago

What Should I Do?, from Preview Suite, Allen Rawson Ruppersberg, 1988

What Should I Do?, from Preview Suite

1988 · No expuesta · Instituto de Arte de Chicago

Nobody Nothing, from Preview Suite, Allen Rawson Ruppersberg, 1988

Nobody Nothing, from Preview Suite

1988 · No expuesta · Instituto de Arte de Chicago

It's Not Art, That Counts Now, from Preview Suite, Allen Rawson Ruppersberg, 1988

It's Not Art, That Counts Now, from Preview Suite

1988 · No expuesta · Instituto de Arte de Chicago

The Gift and the Inheritance [The Courage of the Commonplace], Allen Ruppersberg, 1989–1991

The Gift and the Inheritance [The Courage of the Commonplace]

1989–1991 · No expuesta · Museo Whitney de Arte Estadounidense

The Gift and the Inheritance [Last Exit to Brooklyn], Allen Ruppersberg, 1989–1991

The Gift and the Inheritance [Last Exit to Brooklyn]

1989–1991 · No expuesta · Museo Whitney de Arte Estadounidense

The Gift and the Inheritance [Strive to Succeed], Allen Ruppersberg, 1989–1991

The Gift and the Inheritance [Strive to Succeed]

1989–1991 · No expuesta · Museo Whitney de Arte Estadounidense

The Gift and the Inheritance [The World Within the Word], Allen Ruppersberg, 1989–1991

The Gift and the Inheritance [The World Within the Word]

1989–1991 · No expuesta · Museo Whitney de Arte Estadounidense

Remainders: Novel, Sculpture, Film, Allen Rawson Ruppersberg, 1991

Remainders: Novel, Sculpture, Film

1991 · No expuesta · Instituto de Arte de Chicago

Remainders: Novel, Sculpture, Film, Allen Ruppersberg, 1991

Remainders: Novel, Sculpture, Film

1991 · No expuesta · Museo Whitney de Arte Estadounidense

The Top Ten Historical Similarities (and Differences) Between Prints and Photographs, Allen Ruppersberg, 2012

The Top Ten Historical Similarities (and Differences) Between Prints and Photographs

2012 · No expuesta · Museo Whitney de Arte Estadounidense

Both Require a Close Up View and a Frame, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs, Allen Rawson Ruppersberg, 2012

Both Require a Close Up View and a Frame, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs

2012 · No expuesta · Instituto de Arte de Chicago

Both Picture a Beautiful World but One Is a Photograph and the Other Is Not, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs, Allen Rawson Ruppersberg, 2012

Both Picture a Beautiful World but One Is a Photograph and the Other Is Not, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs

2012 · No expuesta · Instituto de Arte de Chicago

Both are Subject to a Magical Process Before You Can See What Just Happened, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs, Allen Rawson Ruppersberg, 2012

Both are Subject to a Magical Process Before You Can See What Just Happened, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs

2012 · No expuesta · Instituto de Arte de Chicago

Both Record Reality from the Same Distance, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs, Allen Rawson Ruppersberg, 2012

Both Record Reality from the Same Distance, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs

2012 · No expuesta · Instituto de Arte de Chicago

Both Contain and Element of Each Other and Neither can Lie, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs, Allen Rawson Ruppersberg, 2012

Both Contain and Element of Each Other and Neither can Lie, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs

2012 · No expuesta · Instituto de Arte de Chicago

Title Page, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs, Allen Rawson Ruppersberg, 2012

Title Page, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs

2012 · No expuesta · Instituto de Arte de Chicago

I Love Photographs but I Don't Know How to Make a Print, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs, Allen Rawson Ruppersberg, 2012

I Love Photographs but I Don't Know How to Make a Print, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs

2012 · No expuesta · Instituto de Arte de Chicago

Portfolio Cover, for The Top Ten Historical Similarities (and Differences) Between Prints and Photographs, Allen Rawson Ruppersberg, 2012

Portfolio Cover, for The Top Ten Historical Similarities (and Differences) Between Prints and Photographs

2012 · No expuesta · Instituto de Arte de Chicago

Both are Measured in Inches and Reach to Infinity, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs, Allen Rawson Ruppersberg, 2012

Both are Measured in Inches and Reach to Infinity, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs

2012 · No expuesta · Instituto de Arte de Chicago

Both Produce Suggestive Images and Can Be Considered Art, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs, Allen Rawson Ruppersberg, 2012

Both Produce Suggestive Images and Can Be Considered Art, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs

2012 · No expuesta · Instituto de Arte de Chicago

Both are 2D, Flat and Printed, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs, Allen Rawson Ruppersberg, 2012

Both are 2D, Flat and Printed, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs

2012 · No expuesta · Instituto de Arte de Chicago

Both are Interpretations Created by Artists and Amateurs Alike, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs, Allen Rawson Ruppersberg, 2012

Both are Interpretations Created by Artists and Amateurs Alike, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs

2012 · No expuesta · Instituto de Arte de Chicago

Colophon, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs, Allen Rawson Ruppersberg, 2012

Colophon, from The Top Ten Historical Similarities (and Differences) Between Prints and Photographs

2012 · No expuesta · Instituto de Arte de Chicago

Great Speckled Bird, Allen Ruppersberg, 2013

Great Speckled Bird

2013 · No expuesta · Museo Whitney de Arte Estadounidense