ART WIKI37,713 on view
MapCollectionArtistsMuseumsExhibitionsJournal
Sign in

ART WIKI

Where to see art and when to visit.

Collections: Art Institute of Chicago, Cooper Hewitt, Smithsonian Design Museum, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Minneapolis Institute of Art, Musée du Louvre, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pushkin State Museum of Fine Arts, Rijksmuseum, Smithsonian American Art Museum, SMK — National Gallery of Denmark, State Hermitage Museum, State Russian Museum, The Cleveland Museum of Art, The Metropolitan Museum of Art, The Museum of Modern Art, Tretyakov Gallery, Victoria and Albert Museum, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, State Catalogue of the Museum Fund of Russia (274 museums), Europeana (19 museums), Wikidata (44 museums), Paris Musées (12 museums), Joconde, the French Ministry of Culture's museum database (495 museums), and the Catalogo generale dei Beni Culturali of Italy's Ministry of Culture (25 museums). Images belong to their rights holders.

Sections

  • Map
  • Search
  • Collection
  • Masterpieces
  • Stolen and lost
  • Embed artwork status
  • On view now
  • Artists

More

  • Museums & galleries
  • Exhibitions
  • Journal
  • Where the data comes from
  • Privacy & cookies
  • About
  • Terms of use
HomeMapBrowse

Browse

Post-war art, 1945–1975

223,220 works from 458 museums1,980 on view nowClear

/
ELC 2-A from Embossed Linear Constructions (ELC), Josef Albers, 1969Josef AlbersELC 2-A from Embossed Linear Constructions (ELC)1969The Museum of Modern Art
White Line Square III from the portfolio White Line Squares, Series I WLS III from White Line Squares (Series I), Josef Albers, 1966Josef AlbersWhite Line Square III from the portfolio White Line Squares, Series I WLS III from White Line Squares (Series I)1966The Museum of Modern Art
Portfolio 1, Folder 10 from Formulation: Articulation, Josef Albers, 1972Josef AlbersPortfolio 1, Folder 10 from Formulation: Articulation1972The Museum of Modern Art
Portfolio 1, Folder 1 from Formulation: Articulation, Josef Albers, 1972Josef AlbersPortfolio 1, Folder 1 from Formulation: Articulation1972The Museum of Modern Art
Gray Instrumentation If from Gray Instrumentation I, Josef Albers, 1974Josef AlbersGray Instrumentation If from Gray Instrumentation I1974The Museum of Modern Art
WEG VI from White Embossings on Gray (WEG), Josef Albers, 1971Josef AlbersWEG VI from White Embossings on Gray (WEG)1971The Museum of Modern Art
Portfolio 2, Folder 5 from Formulation: Articulation, Josef Albers, 1972Josef AlbersPortfolio 2, Folder 5 from Formulation: Articulation1972The Museum of Modern Art
Portfolio 1, Folder 24 from Formulation: Articulation, Josef Albers, 1972Josef AlbersPortfolio 1, Folder 24 from Formulation: Articulation1972The Museum of Modern Art
Equivocal from Homage to the Square: Ten Works by Josef Albers, Josef Albers, 1962Josef AlbersEquivocal from Homage to the Square: Ten Works by Josef Albers1962The Museum of Modern Art
WLS VII from White Line Squares (Series I), Josef Albers, 1966Josef AlbersWLS VII from White Line Squares (Series I)1966The Museum of Modern Art
Portfolio 2, Folder 28 from Formulation: Articulation, Portfolio 2, Folder 28 \from\ Formulation: Articulation, Josef Albers, 1972Josef AlbersPortfolio 2, Folder 28 from Formulation: Articulation, Portfolio 2, Folder 28 \from\ Formulation: Articulation1972The Museum of Modern Art
Gray Instrumentation Ie from Gray Instrumentation I, Josef Albers, 1974Josef AlbersGray Instrumentation Ie from Gray Instrumentation I1974The Museum of Modern Art
Homage to the Square: Two Whites Between Two Yellows, Josef Albers, 1958Josef AlbersHomage to the Square: Two Whites Between Two Yellows1958The Museum of Modern Art
Day and Night: Homage to the Square, Josef Albers, 1963Josef AlbersDay and Night: Homage to the Square1963The Museum of Modern Art
WEG VIII from White Embossings on Gray (WEG), Josef Albers, 1971Josef AlbersWEG VIII from White Embossings on Gray (WEG)1971The Museum of Modern Art
Study for Homage to the Square: Night Shades, Josef Albers, 1956Josef AlbersStudy for Homage to the Square: Night Shades1956The Museum of Modern Art
P. Green, Josef Albers, 1971Josef AlbersP. Green1971The Museum of Modern Art
WLS XVI from White Line Squares (Series II), Josef Albers, 1966Josef AlbersWLS XVI from White Line Squares (Series II)1966The Museum of Modern Art
Day + Night IV from Day and Night: Homage to the Square, Josef Albers, 1963Josef AlbersDay + Night IV from Day and Night: Homage to the Square1963The Museum of Modern Art
Portfolio 1, Folder 7 from Formulation: Articulation, Josef Albers, 1972Josef AlbersPortfolio 1, Folder 7 from Formulation: Articulation1972The Museum of Modern Art
WLS VIII from White Line Squares (Series I), Josef Albers, 1966Josef AlbersWLS VIII from White Line Squares (Series I)1966The Museum of Modern Art
WLS XII from White Line Squares (Series II), Josef Albers, 1966Josef AlbersWLS XII from White Line Squares (Series II)1966The Museum of Modern Art
Portfolio 2, Folder 25 from Formulation: Articulation, Josef Albers, 1972Josef AlbersPortfolio 2, Folder 25 from Formulation: Articulation1972The Museum of Modern Art
Gray Instrumentation Ik from Gray Instrumentation I, Josef Albers, 1974Josef AlbersGray Instrumentation Ik from Gray Instrumentation I1974The Museum of Modern Art
Day + Night VII from Day and Night: Homage to the Square, Josef Albers, 1963Josef AlbersDay + Night VII from Day and Night: Homage to the Square1963The Museum of Modern Art
WEG II from White Embossings on Gray (WEG), Josef Albers, 1971Josef AlbersWEG II from White Embossings on Gray (WEG)1971The Museum of Modern Art
Midnight + Noon II from Midnight and Noon, Josef Albers, 1964Josef AlbersMidnight + Noon II from Midnight and Noon1964The Museum of Modern Art
Portfolio 2, Folder 18 from Formulation: Articulation, Josef Albers, 1972Josef AlbersPortfolio 2, Folder 18 from Formulation: Articulation1972The Museum of Modern Art
Portfolio 2, Folder 15 from Formulation: Articulation, Josef Albers, 1972Josef AlbersPortfolio 2, Folder 15 from Formulation: Articulation1972The Museum of Modern Art
Duo B, Josef Albers, 1958Josef AlbersDuo B1958The Museum of Modern Art
Interlinear N 32 gr, Josef Albers, 1962Josef AlbersInterlinear N 32 gr1962The Museum of Modern Art
Gray Instrumentation Ih from Gray Instrumentation I, Josef Albers, 1974Josef AlbersGray Instrumentation Ih from Gray Instrumentation I1974The Museum of Modern Art
Portfolio 2, Folder 6 from Formulation: Articulation, Josef Albers, 1972Josef AlbersPortfolio 2, Folder 6 from Formulation: Articulation1972The Museum of Modern Art
Portfolio 1, Folder 23 from Formulation: Articulation, Josef Albers, 1972Josef AlbersPortfolio 1, Folder 23 from Formulation: Articulation1972The Museum of Modern Art
WLS V from White Line Squares (Series I), Josef Albers, 1966Josef AlbersWLS V from White Line Squares (Series I)1966The Museum of Modern Art
Portfolio 1, Folder 22 from Formulation: Articulation, Josef Albers, 1972Josef AlbersPortfolio 1, Folder 22 from Formulation: Articulation1972The Museum of Modern Art
Portfolio 1, Folder 30 from Formulation: Articulation, Josef Albers, 1972Josef AlbersPortfolio 1, Folder 30 from Formulation: Articulation1972The Museum of Modern Art
Portfolio 1, Folder 29 from Formulation: Articulation, Josef Albers, 1972Josef AlbersPortfolio 1, Folder 29 from Formulation: Articulation1972The Museum of Modern Art
Interlinear K 50, Josef Albers, 1962Josef AlbersInterlinear K 501962The Museum of Modern Art
ELC 2-C from Embossed Linear Constructions (ELC), Josef Albers, 1969Josef AlbersELC 2-C from Embossed Linear Constructions (ELC)1969The Museum of Modern Art
Portfolio 1, Folder 16 from Formulation: Articulation, Josef Albers, 1972Josef AlbersPortfolio 1, Folder 16 from Formulation: Articulation1972The Museum of Modern Art
Portfolio 1, Folder 9 from Formulation: Articulation, Josef Albers, 1972Josef AlbersPortfolio 1, Folder 9 from Formulation: Articulation1972The Museum of Modern Art
Portfolio 1, Folder 13 from Formulation: Articulation, Josef Albers, 1972Josef AlbersPortfolio 1, Folder 13 from Formulation: Articulation1972The Museum of Modern Art
WEG IX from White Embossings on Gray (WEG), Josef Albers, 1971Josef AlbersWEG IX from White Embossings on Gray (WEG)1971The Museum of Modern Art
Interlinear N 65, Josef Albers, 1962Josef AlbersInterlinear N 651962The Museum of Modern Art
Homage to the Square: White Monument, Josef Albers, 1951Josef AlbersHomage to the Square: White Monument1951The Museum of Modern Art
Day + Night VIII from Day and Night: Homage to the Square, Josef Albers, 1963Josef AlbersDay + Night VIII from Day and Night: Homage to the Square1963The Museum of Modern Art
Portfolio 2, Folder 13 from Formulation: Articulation, Josef Albers, 1972Josef AlbersPortfolio 2, Folder 13 from Formulation: Articulation1972The Museum of Modern Art
192