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  1. Collection/
  2. The Museum of Modern Art/
  3. Interlinear K 50
Interlinear K 50, Josef Albers, 1962
Josef Albers, portraitJosef AlbersAmerican, 1888–1976

Interlinear K 50

1962 · Print

May one see it?

Not receiving at present

The Museum of Modern Art

New York, United States

It belongs to the collection, but is not on display at present.

Checked
9 days ago
Source
The museum
On the mapMuseum page

Particulars

1962 · aged 74
18881976
Accession number
792.1967

In the catalog

PrintsLithographPost-war art20th century

Sources

  • The Museum of Modern Art
  • Image: The Museum of Modern Art — © the artist or rights holder

Meanwhile, in the life of Josef Albers

The whole life
  1. 1954–1973

    Fireplaces and façades with the architect King-lui Wu

    Albers created decorative designs for buildings by the Yale professor and architect King-lui Wu: geometric fireplaces for the Rouse (1954) and DuPont (1959) houses, the façade of the Manuscript Society, a Yale secret senior society (1962), and a design for Mt. Bethel Baptist Church (1973).

  2. 1962

    A Graham Foundation grant

    As a fellow at Yale, Albers received a grant from the Graham Foundation for an exhibition and lecture on his work.

  3. 1963

    Publishes “Interaction of Color”

    The book records an experiential way of studying and teaching colour: Albers held that colour “is almost never seen as it really is” and that “colour deceives continually”. The very rare first edition of 2,000 copies contained 150 silkscreen plates; the book is considered a seminal work of colour theory.

More by Josef Albers

All works
Study for Homage to the Square: Light Rising, Josef Albers, 1950, altered 1959

Study for Homage to the Square: Light Rising

1950, altered 1959 · National Gallery of Art

Study for Homage to the Square: Early Fusion, Josef Albers, 1965

Study for Homage to the Square: Early Fusion

1965 · National Gallery of Art

Self Portrait (right profile), Josef Albers, c. 1916

Self Portrait (right profile)

c. 1916 · Not on view · The Museum of Modern Art

Self-Portrait, Josef Albers, c. 1917

Self-Portrait

c. 1917 · Not on view · The Museum of Modern Art

Oskar Schlemmer; [Schlemmer] in the Master’s Council; [Schlemmer] with Wittwer, Kallai, and Marianne Brandt, Preliminary Course Exhibition; [Schlemmer] ​and ​Tut, Josef Albers, 1928-30/1932

Oskar Schlemmer; [Schlemmer] in the Master’s Council; [Schlemmer] with Wittwer, Kallai, and Marianne Brandt, Preliminary Course Exhibition; [Schlemmer] ​and ​Tut

1928-30/1932 · Not on view · The Museum of Modern Art

Paris, Eiffel Tower, Josef Albers, August 1929/1932

Paris, Eiffel Tower

August 1929/1932 · Not on view · The Museum of Modern Art

Paul Klee, Dessau, Josef Albers, November 1929/1932

Paul Klee, Dessau

November 1929/1932 · Not on view · The Museum of Modern Art

Biarritz, Josef Albers, August 1929/1932

Biarritz

August 1929/1932 · Not on view · The Museum of Modern Art

Neighbors at The Museum of Modern Art

Museum page
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

The Starry Night, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950