Work No. 3

1973 · Print

May one see it?

Not receiving at present

The Museum of Modern Art

New York, United States

It belongs to the collection, but is not on display at present.

Checked: 12 days ago
Source: The museum's own collection data

On the map Museum page

Particulars

Accession number: 136.1975

Sources

The Museum of Modern Art: the museum's own open data · fetched 12 days ago
Image: The Museum of Modern Art — © the artist or rights holder

All works

Work No. 4B

1973 · Not on view · The Museum of Modern Art

Work No. 2

1973 · Not on view · The Museum of Modern Art

From Line

1974 · Not on view · The Museum of Modern Art

Dialogue

2011 · Not on view · National Gallery of Art

Desert Ginza (One Hundred Views of Tokyo, Message to the 21st Century 東京百景 21世紀へのメッセジ)

1989-99 · Not on view · Art Institute of Chicago

Neighbors at The Museum of Modern Art

Museum page

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

Vincent van Gogh

The Starry Night, Saint Rémy, June 1889

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

Pablo Picasso

Work No. 3

Not receiving at present

Particulars

Sources

Work No. 4B

Work No. 2

From Line

Dialogue

Desert Ginza (One Hundred Views of Tokyo, Message to the 21st Century 東京百景 21世紀へのメッセジ)

Neighbors at The Museum of Modern Art

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Saint Rémy, June 1889

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950

Work No. 3

Not receiving at present

Particulars

Sources

Work No. 4B

Work No. 2

From Line

Dialogue

Desert Ginza (One Hundred Views of Tokyo, Message to the 21st Century 東京百景 21世紀へのメッセジ)

Neighbors at The Museum of Modern Art

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Saint Rémy, June 1889

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950

Work No. 3

Not receiving at present

Particulars

Sources

More by Lee Ufan

Work No. 4B

Work No. 2

From Line

Dialogue

Desert Ginza (One Hundred Views of Tokyo, Message to the 21st Century 東京百景 21世紀へのメッセジ)

Neighbors at The Museum of Modern Art

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Saint Rémy, June 1889

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950

Work No. 3

Not receiving at present

Particulars

Sources

More by Lee Ufan

Work No. 4B

Work No. 2

From Line

Dialogue

Desert Ginza (One Hundred Views of Tokyo, Message to the 21st Century 東京百景 21世紀へのメッセジ)

Neighbors at The Museum of Modern Art

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Saint Rémy, June 1889

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950