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Where the masterpiece hangs, and when they let you in.

Collections: Art Institute of Chicago, Harvard Art Museums, Minneapolis Institute of Art, Musée du Louvre, National Gallery of Art, Pushkin State Museum of Fine Arts, Rijksmuseum, Smithsonian American Art Museum, SMK — National Gallery of Denmark, State Hermitage Museum, State Russian Museum, The Cleveland Museum of Art, The Metropolitan Museum of Art, The Museum of Modern Art, Tretyakov Gallery, Victoria and Albert Museum, Whitney Museum of American Art, State Catalogue of the Museum Fund of Russia (274 museums), Europeana (19 museums), and Wikidata (6 museums). Images belong to their rights holders.

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The Museum of Modern Art
White Forms

White Forms, Franz Kline, 1955

FFranz KlineAmerican, 1910–1962

White Forms

1955 · Painting

May one see it?

Not receiving at present

The Museum of Modern Art

New York, United States

It belongs to the collection, but is not on display at present.

Checked: 12 days ago
Source: The museum's own collection data

On the map Museum page

Particulars

1955 · aged 45

19101962

Accession number: 413.1977

Sources

The Museum of Modern Art: the museum's own open data · fetched 12 days ago
Image: The Museum of Modern Art — © the artist or rights holder

Meanwhile, in the life of Franz Kline

early 1950s
An affinity with Pierre Soulages
In the early 1950s Kline's work appears very much inspired by the French painter Pierre Soulages, who had exhibited at Betty Parsons' gallery in New York in 1949.
1952–1961
The Whitney Annuals and Biennials
Kline's work is included in the Whitney Museum of American Art's Annuals and Biennials in 1952, 1953, 1955 and 1961.
1956
The Venice Biennale
Kline's work is included in the Venice Biennale, the first of two appearances (the second is in 1960).
1956–1962
Summers in Provincetown
From 1956 to 1962 Kline spends his summers painting in Provincetown, Massachusetts.
1957
The São Paulo Biennial
Kline's work is included in the São Paulo Biennial.

More by Franz Kline

Painting, Franz Kline, 1952

Painting

1952 · Art Institute of Chicago

Chicago, Franz Kline, 1959

Chicago

1959 · Art Institute of Chicago

Untitled, Franz Kline, 1950s

Untitled

1950s · Not on view · National Gallery of Art

Untitled [recto], Franz Kline, 1950s

Untitled [recto]

1950s · Not on view · National Gallery of Art

Untitled [verso], Franz Kline, 1940s-1950s

Untitled [verso]

1940s-1950s · Not on view · National Gallery of Art

Standing Man, Franz Kline, 1940s

Standing Man

1940s · Not on view · National Gallery of Art

Untitled, Franz Kline, 1940s-1950s

Untitled

1940s-1950s · Not on view · National Gallery of Art

Untitled, Franz Kline, 1950s

Untitled

1950s · Not on view · National Gallery of Art

Neighbors at The Museum of Modern Art

Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

The Starry Night, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950

White Forms — Franz Kline · ART WIKI