Venus en Cupido, Hendrick Goltzius, 1588 - 1592
Hendrick Goltzius, portraitHendrick GoltziusDutch, 1558–1617

Venus en Cupido

1588 - 1592 · Print

Can I see it?

Unknown

Where is “Venus en Cupido” now? Collection: Rijksmuseum, Amsterdam. Unknown.

Rijksmuseum

Amsterdam, Netherlands

The owner is known; whether it is on view today is not.

Source
The museum

About the work

Museum text in Dutch

Ronde voorstelling van Venus en Cupido bij een boom. Venus heeft een tros druiven in de hand, Cupido geeft haar een bundel graan aan. Op de achtergrond Ceres temidden van graanoogsters en Bacchus temidden van druivenplukkers. Rond de voorstelling een lege marge, bedoeld voor een randschrift.

Rijksmuseum

Details

Accession number
RP-P-OB-10.207

What it shows

In the catalog

Sources

In the life of Hendrick Goltzius

The whole life
  1. 1579–1587

    Pupil: Jan Saenredam

  2. late 1580s

    Depression and consumption

    From the late 1580s he suffered from depression and consumption; his family life was unhappy.

  3. 1587

    Founding of the Haarlem Academy

    Together with Cornelis van Haarlem and Karel van Mander he founded an academy of art in Haarlem, later known as the Haarlem Mannerist Academy (some sources give 1583 or 1600). There, for the first time in the Netherlands, systematic study of anatomy and drawing from the nude model were introduced.

  4. 1590

    Departure for Italy

    He fled from his wife and, despite his illnesses, set out for Italy — via Hamburg and Munich to Venice, Bologna and Florence. Part of the way he traveled on foot, passing himself off as a commoner, "partly out of a love of mystification."

  5. January 1591

    Eight months in Rome

    He arrived in Rome in January 1591 and stayed eight months (with a brief sojourn in Naples). He discovered Raphael, was especially impressed by Michelangelo and Giambologna, and studied art from classical sculpture to the masters of the Renaissance.

  6. August 1591

    Return to Haarlem with a collection of drawings

    He returned to Haarlem, bringing from Italy a large collection of drawings that he used for the rest of his life; from the Roman material three engravings of classical statues are known, including the Farnese Hercules.

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On view at Rijksmuseum

Museum page

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