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  3. Apollo Belvedere
Apollo Belvedere, Hendrick Goltzius, 1592
Hendrick Goltzius, portraitHendrick GoltziusDutch, 1558–1617

Apollo Belvedere

1592 · Print

About the work

Hendrick Goltzius was one of many late Renaissance artists who felt compelled to travel to Italy as part of his artistic training. He went with one purpose—to study antique sculpture. Goltzius made drawings on-site and then made engravings after his designs once he returned to Haarlem in 1591. He portrayed the Apollo Belvedere from a low viewpoint to capture the awesome experience of first encountering the famous monument. A seated, sketching artist emphasizes the experience of visiting, seeing, and drawing the sculpture in situ. The engraving shows to excellent advantage the virtuosic technique that Goltzius developed, in which the swelling and tapering line exaggerates the heroic musculature of the figure.

The Cleveland Museum of Art

Particulars

1592 · aged 34
15581617
Accession number
2022.139

Meanwhile, in the life of Hendrick Goltzius

The whole life
  1. 1590

    Departure for Italy

    He fled from his wife and, despite his illnesses, set out for Italy — via Hamburg and Munich to Venice, Bologna and Florence. Part of the way he traveled on foot, passing himself off as a commoner, "partly out of a love of mystification."

  2. January 1591

    Eight months in Rome

    He arrived in Rome in January 1591 and stayed eight months (with a brief sojourn in Naples). He discovered Raphael, was especially impressed by Michelangelo and Giambologna, and studied art from classical sculpture to the masters of the Renaissance.

  3. August 1591

    Return to Haarlem with a collection of drawings

    He returned to Haarlem, bringing from Italy a large collection of drawings that he used for the rest of his life; from the Roman material three engravings of classical statues are known, including the Farnese Hercules.

More by Hendrick Goltzius

All works

In the same room · 101A Prints & Drawings, The Cleveland Museum of Art

Museum page

May one see it?

Yes, receiving visitors

The Cleveland Museum of Art

Cleveland, United States

Room101A Prints & Drawings

On public display.

Checked
3 days ago
In this state since
Aug 19, 2026
Source
The museum
On the mapMuseum page

In the catalog

PrintsEngravingRenaissance16th centuryNetherlands, 16th century

Sources

  • The Cleveland Museum of Art
  • Image: The Cleveland Museum of Art — Museum open access
Lot and his Daughters, Hendrick Goltzius, 1616

Lot and his Daughters

1616 · Rijksmuseum

Fall of Man, Hendrick Goltzius, 1608

Fall of Man

1608 · State Hermitage Museum

Baptism, Hendrick Goltzius, 1608

Baptism

1608 · State Hermitage Museum

Dying Adonis, Hendrick Goltzius, 1609

Dying Adonis

1609 · Rijksmuseum

Vertumnus and Pomona, Hendrick Goltzius, 1613

Vertumnus and Pomona

1613 · Rijksmuseum

The Fall of Man, Hendrick Goltzius, 1616

The Fall of Man

1616 · National Gallery of Art

Apollo, Hendrick Goltzius, 1588

Apollo

1588 · The Cleveland Museum of Art

Hercules and Telephos, Hendrick Goltzius, 1592

Hercules and Telephos

1592 · The Cleveland Museum of Art

Mars, Venus, and Eros, Marcantonio Raimondi possibly after Andrea Mantegna, 1508

Andrea Mantegna

Mars, Venus, and Eros, 1508

Christ Carried to the Tomb, Claude Mellan, 1678

Mellan, Claude

Christ Carried to the Tomb, 1678

Louis XIV, Robert Nanteuil, 1664

Robert Nanteuil

Louis XIV, 1664

St. Francis, Claude Mellan, 1638

Mellan, Claude

St. Francis, 1638

The Witch (Night Piece), Jan van de Velde II, 1626

Jan van de Velde II

The Witch (Night Piece), 1626

Lot and His Family Leaving Sodom, Lucas Emil Vorsterman, 1620

Lucas Vorsterman

Lot and His Family Leaving Sodom, 1620

The Mocking of Ceres, Hendrik Goudt, 1610

Hendrick Goudt

The Mocking of Ceres, 1610

Elisha Cursing the Children of Bethel Who Are Being Devoured by the Bears, Nicolaes de Bruyn, 1602

Nicolaes de Bruyn

Elisha Cursing the Children of Bethel Who Are Being Devoured by the Bears, 1602