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  3. Venus and Adonis
Venus and Adonis, Nicolas Mignard, c. 1650

Venus and Adonis

c. 1650 · Painting · 373.38 × 226.06 cm

About the painting

In Greek myth, Venus, the goddess of love and beauty, adored the handsome mortal Adonis. She warned him about the dangers of hunting, but he ignored her and was killed by a wild boar. Here, as he sets out, spear in hand and dogs in tow, she pleads with him to stay. Heartbroken at his death, she transformed his blood into anemones, the fragile flowers visible in the shadows behind her.

This painting is in the classicizing style popular in France during the 1600s—a monumental composition with idealized, half-dressed figures. A gifted colorist, Mignard used bold color combinations and a luminous palette to brilliant effect in Adonis’s drapery and the purple canopy above Cupid.

Minneapolis Institute of Art

Particulars

c. 1650
16061668
Accession number
87.5

More by Nicolas Mignard

All works

In the same room · G330, Minneapolis Institute of Art

Museum page
Nicolas Mignard, portraitNicolas MignardFrench, 1606–1668

May one see it?

Yes, receiving visitors

Minneapolis Institute of Art

Minneapolis, United States

RoomG330

On public display.

Checked
3 days ago
In this state since
Sep 25, 2026
Source
The museum
On the mapMuseum page

In the catalog

PaintingsOilFrench paintingBaroque17th centuryFrance

Sources

  • Minneapolis Institute of Art
  • Image: Minneapolis Institute of Art — public domain
L'Automne, Mignard, Nicolas, XVIIe siècle (1600 - 1700)

L'Automne

17th century (1600–1700) · Musée du Louvre

Apollon et Daphné, Mignard, Nicolas, XVIIe siècle (1600 - 1700)

Apollon et Daphné

17th century (1600–1700) · Musée du Louvre

Portrait de Nicolas Mignard peignant une Annonciation, France, XVIIe siècle (1600 - 1700)

Portrait de Nicolas Mignard peignant une Annonciation

17th century (1600–1700) · Not on view · Musée du Louvre

L'Hiver, Mignard, Nicolas, XVIIe siècle (1600 - 1700)

L'Hiver

17th century (1600–1700) · Musée du Louvre

Portait d'Hortense Mancini, Nicolas Mignard, 17e siècle

Portait d'Hortense Mancini

Musée Granet

Hercules rust na zijn werken, Nicolas Mignard, 1616 - 1668

Hercules rust na zijn werken

1616 - 1668 · Rijksmuseum

Hercules uitrustend van zijn werken, Nicolas Mignard, 1616 - 1647

Hercules uitrustend van zijn werken

1616 - 1647 · Rijksmuseum

Roof van Ganymedes, Nicolas Mignard, 1616 - 1668

Roof van Ganymedes

1616 - 1668 · Rijksmuseum

The Raising of Lazarus, Studio of Jacopo Tintoretto, late 1570 or 1580s

Jacopo Tintoretto

The Raising of Lazarus, late 1570 or 1580s

Diana the Huntress, Giovanni Battista Gaulli, c. 1690

Giovanni Battista Gaulli, called Baciccio

Diana the Huntress, c. 1690

The Immaculate Conception with Saints Francis of Assisi and Anthony of Padua, Giovanni Benedetto Castiglione, 1649–50

Giovanni Benedetto Castiglione

The Immaculate Conception with Saints Francis of Assisi and Anthony of Padua, 1649–50

Erminia and the Shepherds, Guercino, 1648–49

Giovanni Francesco Barbieri, called Guercino

Erminia and the Shepherds, 1648–49

Saint Ambrose, Claude Vignon, 1623 or 1625

Claude Vignon

Saint Ambrose, 1623 or 1625

Saint Augustine and Saint Monica, Gioacchino Assereto, c. 1645–48

Attributed to Gioacchino Assereto

Saint Augustine and Saint Monica, c. 1645–48

Nymphs at the Bath, Scarsellino, c. 1600

Scarsellino

Nymphs at the Bath, c. 1600

Monsignor Zondadari's Departure from Madrid and Blessing of the People, Placido Costanzi, 1728

Placido Costanzi

Monsignor Zondadari's Departure from Madrid and Blessing of the People, 1728