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  3. Saint Ambrose
Saint Ambrose, Claude Vignon, 1623 or 1625

Saint Ambrose

1623 or 1625 · Painting · 186.06 × 125.73 cm

About the painting

Saint Ambrose, who lived in the fourth century, was an important Christian scholar and bishop. Here he is depicted among his books in a forceful pose emphasized by his massive hands. On the table’s edge, a scourge, or whip—the knotted rope attached to a wooden rod—symbolizes Ambrose’s fight against heresy. The three knots refer to the doctrine of the Trinity, the concept of one god in three persons: Father, Son (Jesus), and Holy Spirit. Claude Vignon made this painting upon returning to Paris after spending over a decade in Italy. The saint’s sumptuous clothing and luminous gold miter (headdress) display a delight in color typical of Vignon’s work from this period.

Minneapolis Institute of Art

Particulars

1623 or 1625
15931670
Accession number
68.43

Meanwhile, in the life of Claude Vignon

The whole life
  1. 1616–1627 · Workplace

    Rome

  2. 1623

    Married: Charlotte de Leu

  3. 1623 · Workplace

    Paris

More by Claude Vignon

All works

In the same room · G330, Minneapolis Institute of Art

Museum page
CClaude VignonFrench, 1593–1670

May one see it?

Yes, receiving visitors

Minneapolis Institute of Art

Minneapolis, United States

RoomG330

On public display.

Checked
3 days ago
In this state since
Sep 25, 2026
Source
The museum
On the mapMuseum page

In the catalog

PaintingsOilFrench paintingBaroque17th centuryFrance

Sources

  • Minneapolis Institute of Art
  • Image: Minneapolis Institute of Art — public domain
La Mort de saint Antoine, Vignon, Claude, 1e quart du XVIIe siècle (vers 1618 - 1620)

La Mort de saint Antoine

first quarter of the 17th century (c. 1618–1620) · Musée du Louvre

Le Jeune Chanteur, Vignon, Claude, 1e quart du XVIIe siècle (vers 1622 - 1623)

Le Jeune Chanteur

first quarter of the 17th century (c. 1622–1623) · Musée du Louvre

Sainte Catherine refusant de sacrifier aux idoles, Vignon, Claude, 1e quart du XVIIe siècle (vers 1623 - 1625)

Sainte Catherine refusant de sacrifier aux idoles

first quarter of the 17th century (c. 1623–1625) · Musée du Louvre

Salomon et la reine de Saba, Vignon, Claude, 1e quart du XVIIe siècle (1624)

Salomon et la reine de Saba

first quarter of the 17th century (1624) · Musée du Louvre

Lot med sine døtre, Claude Vignon, 1625

Lot med sine døtre

1625 · SMK

The Martyrdom of Saint Lawrence, Claude Vignon, 1593-1670

The Martyrdom of Saint Lawrence

1593-1670 · Not on view · National Gallery of Art

The Martyrdom of Saint Lawrence, Claude Vignon

The Martyrdom of Saint Lawrence

Not on view · National Gallery of Art

Christus und die zwölf Apostel: Jacobus Minor oder Judas Thaddäus, Claude Vignon

Christus und die zwölf Apostel: Jacobus Minor oder Judas Thaddäus

Albertina

The Raising of Lazarus, Studio of Jacopo Tintoretto, late 1570 or 1580s

Jacopo Tintoretto

The Raising of Lazarus, late 1570 or 1580s

Diana the Huntress, Giovanni Battista Gaulli, c. 1690

Giovanni Battista Gaulli, called Baciccio

Diana the Huntress, c. 1690

The Immaculate Conception with Saints Francis of Assisi and Anthony of Padua, Giovanni Benedetto Castiglione, 1649–50

Giovanni Benedetto Castiglione

The Immaculate Conception with Saints Francis of Assisi and Anthony of Padua, 1649–50

Erminia and the Shepherds, Guercino, 1648–49

Giovanni Francesco Barbieri, called Guercino

Erminia and the Shepherds, 1648–49

Venus and Adonis, Nicolas Mignard, c. 1650

Nicolas Mignard

Venus and Adonis, c. 1650

Saint Augustine and Saint Monica, Gioacchino Assereto, c. 1645–48

Attributed to Gioacchino Assereto

Saint Augustine and Saint Monica, c. 1645–48

Nymphs at the Bath, Scarsellino, c. 1600

Scarsellino

Nymphs at the Bath, c. 1600

Monsignor Zondadari's Departure from Madrid and Blessing of the People, Placido Costanzi, 1728

Placido Costanzi

Monsignor Zondadari's Departure from Madrid and Blessing of the People, 1728