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  3. Venice
Venice, Alfred Stieglitz, 1894, printed 1929/1934
Alfred Stieglitz, portraitAlfred StieglitzAmerican, 1864–1946

Venice

1894, printed 1929/1934 · Photograph

May one see it?

Not receiving at present

National Gallery of Art

Washington, D.C., United States

It belongs to the collection, but is not on display at present.

Checked
3 days ago
In this state since
Aug 19, 2026
Source
The museum
On the mapMuseum page

Particulars

1894, printed 1929/1934
18641946
Accession number
1949.3.127

What it shows

CityscapeVeniceWaterItalyBoatTransportationTravelArchitecture

In the catalog

PhotographsGelatin silver printImpressionism19th centuryAmerican

Sources

  • National Gallery of Art
  • Image: National Gallery of Art — © the artist or rights holder

Meanwhile, in the life of Alfred Stieglitz

The whole life
  1. 1902

    Founds the Photo-Secession

    In December 1901 Charles DeKay of the National Arts Club invited Stieglitz to put together an exhibition with “full power to follow his own inclinations”. Within two months he had assembled prints from a close circle of friends and, in homage to the Munich photographers, called the group the Photo-Secession, a secession not only from the artistic restrictions of the era but from the official oversight of the Camera Club.

  2. 25 November 1905

    The 291 gallery opens on Fifth Avenue

    On November 25, 1905, the Little Galleries of the Photo-Secession opened at 291 Fifth Avenue with one hundred prints by thirty-nine photographers; Edward Steichen had encouraged Stieglitz to lease the three rooms across from his own apartment. The gallery was an instant success, with almost fifteen thousand visitors in its first season and print sales of nearly $2,800, more than half of them Steichen's work.

  3. 1907

    Paris: Gertrude Stein and a turn to painting

    In Paris in 1907 Stieglitz met Gertrude Stein and was captivated by Rodin, Matisse, Toulouse-Lautrec, Cézanne and Rousseau. He decided to turn his photography gallery into a full art gallery to introduce the conservative American public to the newest European art.

  4. January – May 1916

    Meets Georgia O'Keeffe

    In January 1916 the suffragist Anita Pollitzer showed Stieglitz a set of charcoal drawings by Georgia O'Keeffe, and he decided to exhibit them at 291 without meeting her or asking her permission. In late May O'Keeffe heard of it from a friend and came to the gallery to chastise him, which is how they met; by the summer of 1917 they were writing each other their most private thoughts.

  5. June 1918

    O'Keeffe comes to New York; he leaves his family

    In early June 1918 O'Keeffe moved to New York from Texas after Stieglitz promised her a quiet studio. Within a month his wife Emmy came home during one of the first nude photography sessions in the family apartment and told him to stop seeing O'Keeffe or get out; Stieglitz left and immediately found a place in the city where he and O'Keeffe could live together.

  6. 15 December 1929

    Opens An American Place

    On December 15, 1929, Stieglitz opened An American Place, the largest gallery he had ever managed, with the first darkroom of his own in the city. For sixteen years he showed his friends Marin, Demuth, Hartley, Dove and Strand there, and O'Keeffe received at least one major exhibition each year.

More by Alfred Stieglitz

All works
The Hand of Man, Alfred Stieglitz, 1902

The Hand of Man

1902 · The Museum of Modern Art

Snapshot—In the New York Central Yards, Alfred Stieglitz, 1903

Snapshot—In the New York Central Yards

1903 · The Museum of Modern Art

The Steerage, Alfred Stieglitz, 1907

The Steerage

1907 · The Museum of Modern Art

Old and New New York, Alfred Stieglitz, 1910

Old and New New York

1910 · Art Institute of Chicago

Washerwomen at Riva del Garda, Alfred Stieglitz, 1887, printed 1929/1934

Washerwomen at Riva del Garda

1887, printed 1929/1934 · Not on view · National Gallery of Art

The Street Paver, Alfred Stieglitz, 1893, printed 1929/1934

The Street Paver

1893, printed 1929/1934 · Not on view · National Gallery of Art

Weary, Alfred Stieglitz, 1890, printed 1929/1934

Weary

1890, printed 1929/1934 · Not on view · National Gallery of Art

Stones of Venice, Chioggia, Alfred Stieglitz, 1887, printed 1929/1934

Stones of Venice, Chioggia

1887, printed 1929/1934 · Not on view · National Gallery of Art

Neighbors at National Gallery of Art

Museum page
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Ginevra de' Benci [obverse], c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

On the same theme · Cityscape

All works on the theme
View of Diemen, Rembrandt van Rijn, c. 1655

Rembrandt van Rijn

View of Diemen, c. 1655

Not on view · National Gallery of Art

Landscape with a Cottage and a Large Tree, Rembrandt van Rijn, 1641

Rembrandt van Rijn

Landscape with a Cottage and a Large Tree, 1641

Not on view · National Gallery of Art

[Jesus mit seinen Eltern, aus dem Tempel heimkehrend; Christ Returning from the Temple with his Parents; Retour d'Egypte], Rembrandt, 1654

Rembrandt van Rijn

[Jesus mit seinen Eltern, aus dem Tempel heimkehrend; Christ Returning from the Temple with his Parents; Retour d'Egypte], 1654

Herzog Anton Ulrich Museum

Diorama Exhibition Poster, Edvard Munch, 1910

Edvard Munch

Diorama Exhibition Poster, 1910

Not on view · National Gallery of Art

Pokrowa Street, Vitebsk, Marc Chagall, 1922

Marc Chagall

Pokrowa Street, Vitebsk, 1922

Not on view · National Gallery of Art

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Paris Street; Rainy Day, 1877

Art Institute of Chicago

The Little Courier, Albrecht Dürer, c. 1496

Albrecht Dürer

The Little Courier, c. 1496

Not on view · National Gallery of Art

Christ on the Cross, Paulus Pontius, after Sir Peter Paul Rubens, 1631

Peter Paul Rubens

Christ on the Cross, 1631

Not on view · National Gallery of Art