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  3. Various Small Fires from Book Covers
Various Small Fires from Book Covers, Edward Ruscha, 1970
Edward Ruscha, portraitEdward RuschaAmerican, 1937

Various Small Fires from Book Covers

1970 · Print

May one see it?

Not receiving at present

The Museum of Modern Art

New York, United States

It belongs to the collection, but is not on display at present.

Checked
8 days ago
Source
The museum
On the mapMuseum page

Particulars

1970 · aged 33
1937now
Accession number
297.2004.3

In the catalog

PrintsLithographPost-war art20th century

Sources

  • The Museum of Modern Art
  • Image: The Museum of Modern Art — © the artist or rights holder

Meanwhile, in the life of Edward Ruscha

The whole life
  1. 1967–1970

    Self-imposed exile from painting: gunpowder and graphite drawings

    During a period of self-imposed exile from painting (1967–1970) he makes gunpowder and graphite drawings: single words in a trompe l'oeil technique, as if formed from ribbons of curling paper.

  2. 1968

    First solo show in Europe, in Cologne

    His first European solo show takes place in Cologne, at Galerie Rudolf Zwirner.

  3. 1970

    The “Chocolate Room” at the Venice Biennale

    Ruscha represents the United States at the Venice Biennale as part of a survey of American printmaking with an on-site workshop, and constructs “Chocolate Room”: 360 sheets of paper permeated with chocolate hang like shingles on the gallery walls, and the pavilion smells like a chocolate factory. In 2003 the Museum of Contemporary Art in Los Angeles acquires the installation (then worth about $1.5 million).

  4. 1970

    Joins the Leo Castelli Gallery

    He joins the Leo Castelli Gallery; his first solo exhibition there will come only in 1973.

  5. 30 June 1972 – 8 October 1972

    Exhibition: Documenta 5

  6. 1972–1978

    Separation and divorce from Danna

    In 1972 Ruscha and Danna separate, in 1976 they file for divorce and in 1978 they divorce; during the time they are apart he dates the actresses Candy Clark, Samantha Eggar, Diane Keaton, Lauren Hutton and Michelle Phillips.

More by Edward Ruscha

All works
Large Trademark with Eight Spotlights, Edward Ruscha, 1962

Large Trademark with Eight Spotlights

1962 · Whitney Museum of American Art

Vicksburg, Edward Ruscha, 1960

Vicksburg

1960 · Not on view · The Museum of Modern Art

Dorothy Ruscha, Edward Ruscha, 1960

Dorothy Ruscha

1960 · Not on view · The Museum of Modern Art

Zone, Edward Ruscha, 1961

Zone

1961 · Not on view · The Museum of Modern Art

Study for “OOF", Ed Ruscha, 1962

Study for “OOF"

1962 · Not on view · National Gallery of Art

3327 Division ('39 Ford), Ed Ruscha, 1962

3327 Division ('39 Ford)

1962 · Not on view · National Gallery of Art

New Painting of Common Objects, Edward Ruscha, 1962

New Painting of Common Objects

1962 · Not on view · The Museum of Modern Art

Gas, Edward Ruscha, 1962

Gas

1962 · Not on view · The Museum of Modern Art

Neighbors at The Museum of Modern Art

Museum page
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

The Starry Night, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950