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  3. Various Small Fires and Milk
Various Small Fires and Milk, Edward Ruscha, 1964, printed 1970
Edward Ruscha, portraitEdward RuschaAmerican, 1937

Various Small Fires and Milk

1964, printed 1970 · Illustrated Book

May one see it?

Not receiving at present

The Museum of Modern Art

New York, United States

It belongs to the collection, but is not on display at present.

Checked
8 days ago
Source
The museum's own collection data
On the mapMuseum page

Particulars

1964, printed 1970
1937now
Accession number
707.2011

In the catalog

PrintsPhotomechanical printPost-war art20th century

Sources

  • The Museum of Modern Art: the museum's own open data · fetched 15 days ago
  • Image: The Museum of Modern Art — © the artist or rights holder

Meanwhile, in the life of Edward Ruscha

The whole life
  1. 1962

    “New Painting of Common Objects” in Pasadena

    Ruscha takes part, with Roy Lichtenstein, Andy Warhol, Robert Dowd, Phillip Hefferton, Joe Goode, Jim Dine and Wayne Thiebaud, in “New Painting of Common Objects” at the Pasadena Art Museum, curated by Walter Hopps. It is regarded as one of the first Pop Art exhibitions in America.

  2. 1963

    “Twentysix Gasoline Stations” is published

    The first of sixteen small artist's books produced between 1962 and 1978; the photographic books present precisely what their titles describe.

  3. 1963

    First solo exhibition at Ferus Gallery

    His first solo exhibition takes place at the Ferus Gallery in Los Angeles, around which a group of artists has gathered, among them Robert Irwin, John Altoon, John McCracken, Larry Bell, Ken Price and Edward Kienholz.

  4. 1966

    “Every Building on the Sunset Strip” is published

    A book of continuous photographs of a two-and-a-half-mile stretch of the 24-mile Sunset Boulevard.

  5. 1966

    “Los Angeles Now” in London — his first European exhibition

    Ruscha is included in “Los Angeles Now” at the Robert Fraser Gallery in London, his first European exhibition.

  6. 1970

    The “Chocolate Room” at the Venice Biennale

    Ruscha represents the United States at the Venice Biennale as part of a survey of American printmaking with an on-site workshop, and constructs “Chocolate Room”: 360 sheets of paper permeated with chocolate hang like shingles on the gallery walls, and the pavilion smells like a chocolate factory. In 2003 the Museum of Contemporary Art in Los Angeles acquires the installation (then worth about $1.5 million).

More by Edward Ruscha

All works
Large Trademark with Eight Spotlights, Edward Ruscha, 1962

Large Trademark with Eight Spotlights

1962 · Whitney Museum of American Art

Vicksburg, Edward Ruscha, 1960

Vicksburg

1960 · Not on view · The Museum of Modern Art

Dorothy Ruscha, Edward Ruscha, 1960

Dorothy Ruscha

1960 · Not on view · The Museum of Modern Art

Zone, Edward Ruscha, 1961

Zone

1961 · Not on view · The Museum of Modern Art

Study for “OOF", Ed Ruscha, 1962

Study for “OOF"

1962 · Not on view · National Gallery of Art

3327 Division ('39 Ford), Ed Ruscha, 1962

3327 Division ('39 Ford)

1962 · Not on view · National Gallery of Art

New Painting of Common Objects, Edward Ruscha, 1962

New Painting of Common Objects

1962 · Not on view · The Museum of Modern Art

Gas, Edward Ruscha, 1962

Gas

1962 · Not on view · The Museum of Modern Art

Neighbors at The Museum of Modern Art

Museum page
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

The Starry Night, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950