Claes OldenburgAmerican, 1929–2022Untitled (Tar Pits)
May one see it?
Not receiving at present
New York, United States
It belongs to the collection, but is not on display at present.
- Checked
- Source
- The museum
Particulars
- Accession number
- 70.33.12
In the catalog
Sources
- Whitney Museum of American Art
- Image: Whitney Museum of American Art — © the artist or rights holder
Meanwhile, in the life of Claes Oldenburg
The whole life1960s
Happenings of the “Ray Gun Theater”
In the 1960s Oldenburg, now associated with Pop art, staged happenings he called the “Ray Gun Theater”, with Lucas Samaras, Tom Wesselmann, Carolee Schneemann and others; his first wife Patty Mucha, who sewed many of his early soft sculptures — “Floor Hamburger”, “Floor Cone”, “Floor Cake” — was a constant performer.
1966
Solo show at the Moderna Museet
In 1966 Pontus Hultén organised a solo exhibition of Oldenburg's work at the Moderna Museet.
1969
Solo show at MoMA
In 1969 the Museum of Modern Art in New York held a solo exhibition of Oldenburg's work; the same year he contributed a drawing to the Moon Museum.
1970
Exhibition at the Tate Gallery
In 1970 London's Tate Gallery showed a solo exhibition of Oldenburg's work, chronicled in James Scott's twin-projection documentary “The Great Ice Cream Robbery”.
1970
Meets Coosje van Bruggen
In 1970, when his first major retrospective travelled to the Stedelijk Museum in Amsterdam, Oldenburg met Coosje van Bruggen, a curator there — his future wife and collaborator.
early 1970s
Turning to public commissions: “Three-Way Plug”
From the early 1970s Oldenburg concentrated almost exclusively on public commissions; his first public work, “Three-Way Plug”, was commissioned by Oberlin College with a grant from the National Endowment for the Arts.
