Margaret Bourke-WhiteAmerican, 1904–1971Untitled
May one see it?
Not receiving at present
The Museum of Modern Art
New York, United States
It belongs to the collection, but is not on display at present.
- Checked
- Source
- The museum
Particulars
- Accession number
- 162.1974
In the catalog
Sources
- The Museum of Modern Art
- Image: The Museum of Modern Art — © the artist or rights holder
Meanwhile, in the life of Margaret Bourke-White
The whole life1927
Becomes Bourke-White
She adds her mother’s surname, Bourke, to her own name, White, and hyphenates the result.
1928
Moves to Cleveland: an industrial photography studio
A year after graduating she moves from Ithaca to Cleveland, where she opens a commercial photography studio and concentrates on architectural and industrial work. Among her clients is the Otis Steel Company (other accounts say she went to work for it straight away as an industrial photographer).
summer 1929
Joins Fortune magazine
She accepts a post as associate editor and staff photographer at the new business magazine Henry Luce is launching in the fall. She holds it until 1935.
1930
First Western photographer admitted to the USSR
She is granted official access to document the industrial sites of the Soviet Union during the first five-year plan, the first Western professional photographer to be admitted. She returns in each of the next two summers, until 1932.
1930–1932
Photographs Stalin, his mother, Radek and Eisenstein
On her trips she photographs Joseph Stalin and, in Georgia, his mother and great-aunt; she also portrays Karl Radek, Sergei Eisenstein and Hugh Cooper. The work in the USSR demanded great patience, and her impressions remained mixed but on the whole positive.
1931
“Eyes on Russia” in Fortune
Her Soviet photographs first appear in Fortune under the title “Eyes on Russia”; a book of the same name follows from Simon and Schuster.
