Untitled, Lewis W. Hine, c. 1910s (printed 1930s)
Lewis Wickes Hine, portraitLewis Wickes HineAmerican, 1874–1940

Untitled

c. 1910s (printed 1930s) · Photograph · 36.83 × 48.26 cm

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Not on view at present

Where is “Untitled” now? Collection: Minneapolis Institute of Art, Minneapolis. Not on view at present. Checked September 29, 2026.

Minneapolis Institute of Art

Minneapolis, United States

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum

Details

Accession number
95.82.21

In the catalog

Sources

In the life of Lewis Wickes Hine

The whole life
  1. 1908

    Becomes photographer for the National Child Labor Committee

    Inspired by the success of his photographs of immigrants, Hine leaves teaching to become the staff photographer of the National Child Labor Committee (NCLC), which launched the first campaign in US history against the exploitation of children in industry. Over the next decade he documents child labor, especially in the Carolina Piedmont, to aid the committee's lobbying to end the practice; Hine himself had worked long hours in a factory as a boy.

  2. 1908–1918

    Gains entry to mills and factories under false guises

    To get into the mills, mines and factories where child labor was hidden from the public, Hine posed as a fire inspector, an insurance agent, a postcard or Bible salesman, a preacher, or even an industrial photographer recording factory machinery. Factory police and foremen often threatened him with violence or even death; travelling the country from the Atlantic to the Pacific, he photographed child miners, weavers, dockers, stokers, farmhands and garbage collectors.

  3. 1918–1919

    Travels to Europe with the Red Cross

    In 1918 Hine joins the Red Cross and is sent to France, then to Italy and Greece, photographing the relief work of the American Red Cross in Europe; he returns to New York in 1919.

  4. 1936

    Becomes chief photographer of the WPA research project

    Hine is selected as chief photographer for the National Research Project of the Works Progress Administration, which studied changes in industry and their effect on employment; his work there was not completed.

  5. last years of life

    Loses his patrons and his house

    In the last years of his life Hine lost government and corporate patronage; he hoped to join the Farm Security Administration photography project and wrote repeatedly to Roy Stryker, but Stryker always refused. Few people were interested in his work, and Hine lost his house and applied for welfare.

  6. 3 November 1940

    Died

All works

On view at Minneapolis Institute of Art

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