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  3. Untitled
Untitled, Lewis W. Hine, 1909
Lewis Wickes Hine, portraitLewis Wickes HineAmerican, 1874–1940

Untitled

1909 · Photograph · 12.07 × 16.99 cm

May one see it?

Not receiving at present

Minneapolis Institute of Art

Minneapolis, United States

It belongs to the collection, but is not on display at present.

Checked
2 days ago
In this state since
Sep 25, 2026
Source
The museum's own collection data
On the mapMuseum page

About the work

Lewis Hine was a documentary photographer, educator, and social reformer. Trained in sociology, Hine taught at the progressive Ethical Culture School in New York City before turning his attention to photography. As a photographer for the National Child Labor Committee (NCLC), Hine traveled the United States to document children in unsafe working conditions in factories, mines, fields, and city streets. Over ten years, he created an indelible record of the human cost of an exploitative labor market, documenting the tired faces of children at the end of their shifts, or even children mutilated by industrial machinery. These disturbing photographs were used in publications and presentations created by Hine and the NCLC, and ultimately promoted sweeping policy changes designed to protect children.

Minneapolis Institute of Art

Particulars

1909 · aged 35
18741940
Accession number
74.39.19

In the catalog

PhotographsGelatin silver printModernism20th centuryUnited States

Sources

  • Minneapolis Institute of Art: the museum's own open data · fetched 8 days ago
  • Image: Minneapolis Institute of Art — © Minneapolis Institute of Art

Meanwhile, in the life of Lewis Wickes Hine

The whole life
  1. 1907

    Becomes staff photographer of the Russell Sage Foundation

    Hine photographs life in the steel-making districts and the people of Pittsburgh, Pennsylvania, for the influential sociological study The Pittsburgh Survey.

  2. 1908

    Becomes photographer for the National Child Labor Committee

    Inspired by the success of his photographs of immigrants, Hine leaves teaching to become the staff photographer of the National Child Labor Committee (NCLC), which launched the first campaign in US history against the exploitation of children in industry. Over the next decade he documents child labor, especially in the Carolina Piedmont, to aid the committee's lobbying to end the practice; Hine himself had worked long hours in a factory as a boy.

  3. 1908–1918

    Gains entry to mills and factories under false guises

    To get into the mills, mines and factories where child labor was hidden from the public, Hine posed as a fire inspector, an insurance agent, a postcard or Bible salesman, a preacher, or even an industrial photographer recording factory machinery. Factory police and foremen often threatened him with violence or even death; travelling the country from the Atlantic to the Pacific, he photographed child miners, weavers, dockers, stokers, farmhands and garbage collectors.

More by Lewis Wickes Hine

All works
Spinners and doffers, Lancaster Cotton Mills, S.C. Dozens of them in this mill. Location: Lancaster, South Carolina, Lewis W. Hine, 1908

Spinners and doffers, Lancaster Cotton Mills, S.C. Dozens of them in this mill. Location: Lancaster, South Carolina

1908 · Minneapolis Institute of Art

A typical San Antonio newsboy. Nine years old. Youngsters like this abound, here and in many other Texas cities. Some sell early in morning and late at night. Location: San Antonio, Texas, Lewis W. Hine, 1913

A typical San Antonio newsboy. Nine years old. Youngsters like this abound, here and in many other Texas cities. Some sell early in morning and late at night. Location: San Antonio, Texas

1913 · Minneapolis Institute of Art

Child Labor on the Farm, Lewis Wickes Hine, 1930

Child Labor on the Farm

1930 · Art Institute of Chicago

Climbing into America, Lewis Hine, 1905, printed 1930s

Climbing into America

1905, printed 1930s · Not on view · National Gallery of Art

Peace, Ellis Island, New York, Lewis Wickes Hine, 1905

Peace, Ellis Island, New York

1905 · Not on view · The Museum of Modern Art

Italian Family Looking for Lost Baggage, Ellis Island, New York, Lewis Wickes Hine, 1905

Italian Family Looking for Lost Baggage, Ellis Island, New York

1905 · Not on view · The Museum of Modern Art

Portret van een onbekende immigrante op Ellis Island, afkomstig uit Pisticci, Italië, Lewis Wickes Hine, 1905

Portret van een onbekende immigrante op Ellis Island, afkomstig uit Pisticci, Italië

1905 · Rijksmuseum

Albanian Woman, Ellis Island, Lewis Wickes Hine, 1905

Albanian Woman, Ellis Island

1905 · Not on view · The Museum of Modern Art

Neighbors at Minneapolis Institute of Art

Museum page
Olive Trees, Vincent van Gogh, 1889

Vincent van Gogh

Olive Trees, 1889

Grainstack, Sun in the Mist, Claude Monet, 1891

Claude Monet

Grainstack, Sun in the Mist, 1891

Lucretia, Rembrandt van Rijn, 1666

Rembrandt van Rijn

Lucretia, 1666

Self-Portrait with Dr. Arrieta, Francisco José de Goya y Lucientes, 1820

Francisco de Goya

Self-Portrait with Dr. Arrieta, 1820

Study for Improvisation V, Vassily Kandinsky, 1910

Vasily Kandinsky

Study for Improvisation V, 1910

Tahitian Landscape, Paul Gauguin, 1891

Paul Gauguin

Tahitian Landscape, 1891

Chestnut Trees at Jas de Bouffan, Paul Cézanne, c. 1885–86

Paul Cézanne

Chestnut Trees at Jas de Bouffan, c. 1885–86

The Union of England and Scotland (Charles I as the Prince of Wales), Peter Paul Rubens, 1633–34

Peter Paul Rubens

The Union of England and Scotland (Charles I as the Prince of Wales), 1633–34