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  3. Untitled from Forms Derived From A Cube
Untitled from Forms Derived From A Cube, Sol LeWitt, 1982
SSol LeWittAmerican, 1928–2007

Untitled from Forms Derived From A Cube

1982 · Print

May one see it?

Not receiving at present

The Museum of Modern Art

New York, United States

It belongs to the collection, but is not on display at present.

Checked
9 days ago
Source
The museum
On the mapMuseum page

Particulars

1982 · aged 54
19282007
Accession number
561.2005.8

In the catalog

PrintsEtchingContemporary art20th century

Sources

  • The Museum of Modern Art
  • Image: The Museum of Modern Art — © the artist or rights holder

Meanwhile, in the life of Sol LeWitt

The whole life
  1. 1980

    Moves from New York to Spoleto

    Leaves New York for Spoleto, Italy; other accounts place the move as early as the late 1970s.

  2. c. 1980

    The frescoes of Giotto and Masaccio change his palette

    LeWitt credited his shift from graphite pencil or crayon to vivid ink washes to his encounter with the frescoes of Giotto, Masaccio and other early Florentine painters.

  3. 1980

    The book “Autobiography” is published

    His book “Autobiography” is published (New York and Boston: Multiple and Lois and Michael K. Torf).

  4. 1981

    A proposal for Fairmount Park

    The Fairmount Park Art Association invites him to propose a public artwork for a site in the park. He chooses the long, rectangular plot known as the Reilly Memorial and submits a drawing with instructions: flower plantings in four colours — white, yellow, red and blue — in rows running in four directions, framed by low evergreen hedges.

  5. 1982

    Married: Carol LeWitt

  6. 19 June 1982 – 28 September 1982

    Exhibition: documenta 7

More by Sol LeWitt

All works
Cubic-Modular Wall Structure, Black, Sol LeWitt, 1966

Cubic-Modular Wall Structure, Black

1966 · The Museum of Modern Art

Four-Sided Pyramid, Sol LeWitt, first installation 1997, fabricated 1999

Four-Sided Pyramid

first installation 1997, fabricated 1999 · National Gallery of Art

Wall Drawing #1144, Broken Bands of Color in Four Directions, Sol LeWitt, 2004

Wall Drawing #1144, Broken Bands of Color in Four Directions

2004 · The Museum of Modern Art

Untitled page from a sketchbook, Sol LeWitt, n.d.

Untitled page from a sketchbook

n.d. · Not on view · The Museum of Modern Art

Untitled page of sketches, Sol LeWitt, n.d.

Untitled page of sketches

n.d. · Not on view · The Museum of Modern Art

Objectivity, Sol LeWitt, 1962

Objectivity

1962 · Not on view · National Gallery of Art

Floor Structure, Sol LeWitt, 1963

Floor Structure

1963 · Not on view · The Museum of Modern Art

Floor Structure Black, Sol LeWitt, 1965

Floor Structure Black

1965 · Not on view · National Gallery of Art

Neighbors at The Museum of Modern Art

Museum page
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

The Starry Night, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950