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  1. Collection/
  2. Minneapolis Institute of Art/
  3. Untitled
Untitled, Donald Judd, 1973
DDonald JuddAmerican, 1928–1994

Untitled

1973 · Print · 22.7 × 30.32 cm

May one see it?

Not receiving at present

Minneapolis Institute of Art

Minneapolis, United States

It belongs to the collection, but is not on display at present.

Checked
3 days ago
In this state since
Sep 25, 2026
Source
The museum
On the mapMuseum page

Particulars

1973 · aged 45
19281994
Accession number
P.79.146.11

In the catalog

PrintsLithographPost-war art20th centuryUnited States

Sources

  • Minneapolis Institute of Art
  • Image: Minneapolis Institute of Art — © Judd Foundation / Artists Rights Society (ARS), New York

Meanwhile, in the life of Donald Judd

The whole life
  1. early 1970s

    Annual trips to Baja California

    In the early 1970s Judd begins to make annual trips to Baja California with his family. The clean, empty desert affects him deeply, and his strong attachment to the land stays with him for the rest of his life.

  2. early 1970s

    Switches to unpainted plywood

    In the early 1970s Judd starts using unpainted plywood, which he embraces for its durable structural qualities: it lets him enlarge his works without bending or buckling. Plywood had been a staple of his art before, but never unpainted.

  3. 1971

    Rents a house in Marfa, Texas

    In 1971 Judd rents a house in Marfa, Texas; he will later buy numerous buildings there and acquire more than 32,000 acres (130 km²) of ranch land, together known as Ayala de Chinati.

  4. 1972

    Peter Ballantine becomes his main plywood fabricator

    In 1972 Judd appoints Peter Ballantine, a former student of the Whitney Independent Study Program, as the primary fabricator of his plywood works.

  5. 1975

    First collection of his writings: 1959–1975

    In 1975 “Donald Judd: Complete Writings 1959–1975” appears (Halifax, Nova Scotia / New York); during his lifetime it is followed by the volume for 1975–1986 (1987), “Architektur” (Münster, 1989) and “Écrits 1963–1990” (Paris, 1991) — texts in which he rigorously promotes the cause of minimalism.

More by Donald Judd

All works
Untitled, Donald Judd, 1968

Untitled

1968 · The Museum of Modern Art

Untitled, Donald Judd, 1960, printed 1977

Untitled

1960, printed 1977 · Not on view · The Museum of Modern Art

Untitled, Donald Judd, 1960–78

Untitled

1960–78 · Not on view · The Museum of Modern Art

Untitled, Donald Judd, 1961, printed 1979

Untitled

1961, printed 1979 · Not on view · The Museum of Modern Art

Untitled, Donald Judd, 1961, printed 1979

Untitled

1961, printed 1979 · Not on view · The Museum of Modern Art

Untitled (7-L), Donald Judd, 1961–69

Untitled (7-L)

1961–69 · Not on view · The Museum of Modern Art

Untitled (11-L), Donald Judd, 1961–69

Untitled (11-L)

1961–69 · Not on view · The Museum of Modern Art

Untitled, Donald Judd, 1961

Untitled

1961 · Not on view · The Museum of Modern Art

Neighbors at Minneapolis Institute of Art

Museum page
Olive Trees, Vincent van Gogh, 1889

Vincent van Gogh

Olive Trees, 1889

Grainstack, Sun in the Mist, Claude Monet, 1891

Claude Monet

Grainstack, Sun in the Mist, 1891

Lucretia, Rembrandt van Rijn, 1666

Rembrandt van Rijn

Lucretia, 1666

Self-Portrait with Dr. Arrieta, Francisco José de Goya y Lucientes, 1820

Francisco de Goya

Self-Portrait with Dr. Arrieta, 1820

Study for Improvisation V, Vassily Kandinsky, 1910

Vasily Kandinsky

Study for Improvisation V, 1910

Tahitian Landscape, Paul Gauguin, 1891

Paul Gauguin

Tahitian Landscape, 1891

Chestnut Trees at Jas de Bouffan, Paul Cézanne, c. 1885–86

Paul Cézanne

Chestnut Trees at Jas de Bouffan, c. 1885–86

The Union of England and Scotland (Charles I as the Prince of Wales), Peter Paul Rubens, 1633–34

Peter Paul Rubens

The Union of England and Scotland (Charles I as the Prince of Wales), 1633–34