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  3. Untitled #15
Untitled #15, Catherine Opie, 1997
Catherine Opie, portraitCatherine OpieAmerican, 1961

Untitled #15

1997 · Photograph · 40.6 × 104.1 cm

May one see it?

Not receiving at present

JPG
J. Paul Getty Museum

Los Angeles, United States

It belongs to the collection, but is not on display at present.

Checked
21 hours ago
In this state since
Oct 7, 2026
Source
The museum
On the mapMuseum page

About the work

This mini-mall, located in the west Los Angeles community of Venice, suggests less about the city's cultural diversity and more about the generic nature of American franchises that include Pizza Hut and Subway. This is one of seventeen images that make up the series Mini-malls. The large format of both the film negative and the resulting digital print (made from scanning the negative) increases the legibility of details. Signs in a variety of languages underscore the ethnic diversity of Los Angeles's inhabitants and the challenges of immigrant assimilation. Inspired by the quality of expansiveness that permeates late-nineteenth-century landscape photographs, Catherine Opie began documenting contemporary urban landscapes with a 7 x 17-inch panoramic format camera.

Read on

Her 1997-98 series of Los Angeles mini-malls focuses on the decidedly unspectacular architecture of strip malls that originated in response to automobile culture and convenience shopping. Photographed at dawn or predawn on weekends with the camera placed parallel to the buildings' facades, the images are devoid of people and cars. Rendered as black-and-white inkjet prints on watercolor paper, they blend elements of nostalgia and romanticism with a deadpan documentary style. These low-slung structures offer the convenience of one-stop shopping, in which beauty salons, video stores, travel agencies, and medical clinics are interspersed with family-owned restaurants and fast-food franchises.

JPGJ. Paul Getty Museum

Particulars

1997 · aged 36
1961now
Accession number
2009.23.5

In the catalog

PhotographsInkjet printContemporary art20th centuryAmerican

Sources

  • J. Paul Getty Museum
  • Image: J. Paul Getty Museum — ; In Copyright

More by Catherine Opie

All works
Being and Having, Catherine Opie, 1991

Being and Having

1991 · Not on view · The Museum of Modern Art

Mike and Sky, Catherine Opie, 1992

Mike and Sky

1992 · Not on view · Whitney Museum of American Art

Dyke, Catherine Opie, 1992, printed 1993

Dyke

1992, printed 1993 · Not on view · Whitney Museum of American Art

Self-Portrait/Cutting, Catherine Opie, 1993

Self-Portrait/Cutting

1993 · Not on view · Whitney Museum of American Art

Angela Scheirl, Catherine Opie, 1993

Angela Scheirl

1993 · Not on view · The Museum of Modern Art

Dyke, Catherine Opie, 1993

Dyke

1993 · Not on view · The Museum of Modern Art

Mike and Sky, Catherine Opie, 1993

Mike and Sky

1993 · Not on view · The Museum of Modern Art

Untitled #4, Catherine Opie, 1993

Untitled #4

1993 · Not on view · J. Paul Getty Museum

Neighbors at J. Paul Getty Museum

Museum page
Irises, Vincent van Gogh, 1889

Vincent van Gogh

Irises, 1889

The Portal of Rouen Cathedral in Morning Light, Claude Monet, 1894

Claude Monet

The Portal of Rouen Cathedral in Morning Light, 1894

Wheatstacks, Snow Effect, Morning (Meules, Effet de Neige, Le Matin), Claude Monet, 1891

Claude Monet

Wheatstacks, Snow Effect, Morning (Meules, Effet de Neige, Le Matin), 1891

Sunrise (Marine), Claude Monet, 1872 or 1873

Claude Monet

Sunrise (Marine), 1872 or 1873

Still Life with Flowers and Fruit, Claude Monet, 1869

Claude Monet

Still Life with Flowers and Fruit, 1869

Saint Bartholomew, Rembrandt Harmensz. van Rijn, 1661

Rembrandt van Rijn

Saint Bartholomew, 1661

Daniel and Cyrus Before the Idol Bel, Rembrandt Harmensz. van Rijn, 1633

Rembrandt van Rijn

Daniel and Cyrus Before the Idol Bel, 1633

The Abduction of Europa, Rembrandt Harmensz. van Rijn, 1632

Rembrandt van Rijn

The Abduction of Europa, 1632