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  3. Une Matinée
Une Matinée, Gustave Marissiaux, 1905

Une Matinée

1905 · Photograph

Particulars

1905 · aged 33
18721929
Accession number
2025.15.25

More by Gustave Marissiaux

All works

Neighbors at National Gallery of Art

Museum page

On the same theme · Venice

All works on the theme
Gustave Marissiaux, portraitGustave MarissiauxBelgian, 1872–1929

May one see it?

Not receiving at present

National Gallery of Art

Washington, D.C., United States

It belongs to the collection, but is not on display at present.

Checked
3 days ago
In this state since
Aug 19, 2026
Source
The museum
On the mapMuseum page

What it shows

VeniceWaterBoatArchitectureFiguresCityscape

In the catalog

PhotographsModernism20th centuryBelgian

Sources

  • National Gallery of Art
  • Image: National Gallery of Art — Museum open access
Boer op het land met een zeis, Gustave Marissiaux, c. 1893 - in or before 1898

Boer op het land met een zeis

c. 1893 - in or before 1898 · Rijksmuseum

Landschap met een onbekende vrouw die water haalt, Gustave Marissiaux, c. 1893 - in or before 1898

Landschap met een onbekende vrouw die water haalt

c. 1893 - in or before 1898 · Rijksmuseum

Landschap met bomen, Gustave Marissiaux, c. 1894 - in or before 1899-12

Landschap met bomen

c. 1894 - in or before 1899-12 · Rijksmuseum

Vrouw maakt een bloemstuk, Gustave Marissiaux, c. 1895 - in or before 1900

Vrouw maakt een bloemstuk

c. 1895 - in or before 1900 · Rijksmuseum

Landschap met bomen, Gustave Marissiaux, c. 1895 - in or before 1900-01

Landschap met bomen

c. 1895 - in or before 1900-01 · Rijksmuseum

Landschap met bomen, Gustave Marissiaux, c. 1895 - in or before 1900-01

Landschap met bomen

c. 1895 - in or before 1900-01 · Rijksmuseum

Onbekende vrouw bij een raam, Gustave Marissiaux, c. 1897 - in or before 1902

Onbekende vrouw bij een raam

c. 1897 - in or before 1902 · Rijksmuseum

Vrouw bij het raam, Gustave Marissiaux, c. 1900 - in or before 1905

Vrouw bij het raam

c. 1900 - in or before 1905 · Rijksmuseum

Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Ginevra de' Benci [obverse], c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Palazzo da Mula, Venice, Claude Monet, 1908

Claude Monet

Palazzo da Mula, Venice, 1908

National Gallery of Art

Piazza San Marco, Canaletto, late 1720s

Canaletto

Piazza San Marco, late 1720s

The Metropolitan Museum of Art

Venetiaanse pantoffelparade, Giovanni Battista Tiepolo, 1740 - 1760

Giovanni Battista Tiepolo

Venetiaanse pantoffelparade, 1740 - 1760

Rijksmuseum

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., Allen Ginsberg, 1957, printed 1995

Allen Ginsberg

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., 1957, printed 1995

Not on view · National Gallery of Art

Venice: The Dogana and San Giorgio Maggiore, Joseph Mallord William Turner, 1834

Joseph Mallord William Turner

Venice: The Dogana and San Giorgio Maggiore, 1834

National Gallery of Art

The Dogana and Santa Maria della Salute, Venice, Joseph Mallord William Turner, 1843

Joseph Mallord William Turner

The Dogana and Santa Maria della Salute, Venice, 1843

Not on view · National Gallery of Art

Approach to Venice, Joseph Mallord William Turner, 1844

Joseph Mallord William Turner

Approach to Venice, 1844

National Gallery of Art

Venice, from the Porch of Madonna della Salute, Joseph Mallord William Turner, ca. 1835

Joseph Mallord William Turner

Venice, from the Porch of Madonna della Salute, ca. 1835

The Metropolitan Museum of Art