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  3. Two Peasant Girls
Two Peasant Girls, Paula Modersohn-Becker, c. 1900
Paula Modersohn-Becker, portraitPaula Modersohn-BeckerGerman, 1876–1907

Two Peasant Girls

c. 1900 · Print

May one see it?

Not receiving at present

National Gallery of Art

Washington, D.C., United States

It belongs to the collection, but is not on display at present.

Checked
3 days ago
In this state since
Aug 19, 2026
Source
The museum
On the mapMuseum page

Particulars

c. 1900
18761907
Accession number
2012.92.378

What it shows

Seated figureTreeDressGrassFemale figure

In the catalog

PrintsEtchingImpressionismModernism20th centuryExpressionism

Sources

  • National Gallery of Art
  • Image: National Gallery of Art — Museum open access

Meanwhile, in the life of Paula Modersohn-Becker

The whole life
  1. September 1898

    Moving to Worpswede: a pupil of Mackensen

    With her parents’ consent Paula decides to go to Worpswede: it was meant to be a short holiday trip, two weeks of drawing with Fritz Mackensen — who agreed to teach her thanks to her father’s influence — and then, in the autumn, a post as a governess in Paris. But already in September 1898 Paula settles in Worpswede for a long time.

  2. December 1899

    The first trip to Paris

    On the eve of 1900 Paula leaves for Paris, the centre of European art she had dreamed of since her Berlin studies; Clara Westhoff had gone there at the end of 1899, hoping to study with Auguste Rodin. In Germany salon art still dominated, while Paris was more open to the new.

  3. December 1899

    A savage review at the Bremen Kunsthalle

    In December 1899 two paintings Paula exhibits at the Bremen Kunsthalle are sharply criticised in a “hysterical” attack by the art critic Arthur Fitger and have to be removed during the exhibition; he was later regarded as more outraged by the inclusion of women artists in the show than by anything in the works themselves. Meanwhile her own artistic interests were shifting noticeably toward Paris, and in Worpswede, rooted in romanticised traditions of landscape, she felt increasingly alienated.

  4. 1900

    At Vollard’s: Cézanne, who struck her like a thunderstorm

    Together with Clara Westhoff Paula goes to exhibitions and galleries; Clara later recalled a visit to Ambroise Vollard, where the then unknown Paul Cézanne made an indelible impression on Paula. In a letter to Clara, Paula compared the effect of his painting to a thunderstorm.

  5. 1900

    Rainer Maria Rilke in Worpswede: “a true friend”

    At about this time Paula meets the poet Rainer Maria Rilke: he took Clara Westhoff and Paula for sisters and in his diary called them the fair and the dark artists; Clara he regarded as an artist, but Paula was for him “a true friend”, and he dedicated poems to her that were later published in his “Book of Images”. Other accounts place the start of their friendship in 1898.

  6. 12 September 1900

    Engagement to Otto Modersohn

    While Paula recovers from her Paris life, Otto Modersohn sometimes keeps her company; feelings grow between them, and on 12 September 1900, three months after Helene’s death, they announce their engagement.

More by Paula Modersohn-Becker

All works
Self-Portrait with Two Flowers in Her Raised Left Hand, Paula Modersohn-Becker, 1907

Self-Portrait with Two Flowers in Her Raised Left Hand

1907 · The Museum of Modern Art

Birch Tree in a Landscape, Paula Modersohn-Becker, 1899

Birch Tree in a Landscape

1899 · Harvard Art Museums

Girl in a Red Dress, Paula Modersohn-Becker, c. 1905

Girl in a Red Dress

c. 1905 · Harvard Art Museums

Bulthaupt Home with Reflection, Burgstall (Haus Bulthaupt mit Spiegelung, Burgstall), Paula Modersohn-Becker, c. 1899, printed posthumously c. 1971

Bulthaupt Home with Reflection, Burgstall (Haus Bulthaupt mit Spiegelung, Burgstall)

c. 1899, printed posthumously c. 1971 · Not on view · The Museum of Modern Art

Im Schützenzelt, Paula Modersohn-Becker

Im Schützenzelt

Kunstpalast

Oude vrouw en meisje treuren bij een waterput, Paula Modersohn-Becker, 1886 - 1907

Oude vrouw en meisje treuren bij een waterput

1886 - 1907 · Rijksmuseum

Bosgezicht, Paula Modersohn-Becker, 1886 - 1907

Bosgezicht

1886 - 1907 · Rijksmuseum

Portrait of a Woman, Paula Modersohn-Becker, 1898

Portrait of a Woman

1898 · Not on view · National Gallery of Art

Neighbors at National Gallery of Art

Museum page
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Ginevra de' Benci [obverse], c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888