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  1. Collection/
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  3. Two Heads
Two Heads, Jean (Hans) Arp, 1929
Jean Arp, portraitJean ArpFrench, 1887–1966

Two Heads

1929 · Sculpture

May one see it?

Not receiving at present

The Museum of Modern Art

New York, United States

It belongs to the collection, but is not on display at present.

Checked
9 days ago
Source
The museum
On the mapMuseum page

Particulars

1929 · aged 42
18871966
Accession number
82.1936

In the catalog

SculptureWoodModernism20th century

Sources

  • The Museum of Modern Art
  • Image: The Museum of Modern Art — © the artist or rights holder

Meanwhile, in the life of Jean Arp

The whole life
  1. 1929

    Writes the script for Hans Richter’s film “Day as Day”

    In 1929 Arp wrote the screenplay for Hans Richter’s film (“Den’ kak den’”, “Day as Day”, in the Russian source); Sergei Eisenstein appeared in one of the roles.

  2. 1930s

    From collage and relief to bronze and stone

    From the 1930s Arp, who had worked in collage, assemblage and bas-relief, expanded his work to include bronze and stone sculpture; he also made small works of multiple elements that the viewer could pick up, separate and rearrange into new configurations.

  3. 1930s

    A house in Clamart designed by Sophie Taeuber

    In the 1930s Arp and Sophie Taeuber bought a plot of land in Clamart and built a house at the edge of a forest; Taeuber designed it, influenced by the Bauhaus, Le Corbusier and Charlotte Perriand.

  4. 1931

    Breaks with the Surrealists: Abstraction-Création

    In 1931 Arp broke with the Surrealist movement to found Abstraction-Création, working with the Paris-based group of that name and the periodical Transition.

More by Jean Arp

All works
The Forest, Jean (Hans) Arp, 1916

The Forest

1916 · National Gallery of Art

Shirt Front and Fork, Jean (Hans) Arp, 1922

Shirt Front and Fork

1922 · National Gallery of Art

Leaves and Navels, Jean (Hans) Arp, 1929

Leaves and Navels

1929 · The Museum of Modern Art

Bell and Navels, Jean (Hans) Arp, 1931

Bell and Navels

1931 · The Museum of Modern Art

Fish from Arp: Hairy Hearts 1923-26, Kings before the Deluge 1952-53 (Arp: Behaarte Herzen 1923-26, Könige vor der Sintflut 1952-53), Jean (Hans) Arp, c. 1948–53, published 1953

Fish from Arp: Hairy Hearts 1923-26, Kings before the Deluge 1952-53 (Arp: Behaarte Herzen 1923-26, Könige vor der Sintflut 1952-53)

c. 1948–53, published 1953 · The Museum of Modern Art

Mussel's Face from Arp: Hairy Hearts 1923-26, Kings before the Deluge 1952-53 (Arp: Behaarte Herzen 1923-26, Könige vor der Sintflut 1952-53), Jean (Hans) Arp, c. 1948–53, published 1953

Mussel's Face from Arp: Hairy Hearts 1923-26, Kings before the Deluge 1952-53 (Arp: Behaarte Herzen 1923-26, Könige vor der Sintflut 1952-53)

c. 1948–53, published 1953 · The Museum of Modern Art

Forest, Jean Arp, 1916

Forest

1916 · The Cleveland Museum of Art

Growth, Jean (Hans) Arp, 1938/60

Growth

1938/60 · Art Institute of Chicago

Neighbors at The Museum of Modern Art

Museum page
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

The Starry Night, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950