Trois Paysans en conversation, Albrecht Durer, 1475-1499
Albrecht Dürer, portraitAlbrecht DürerGerman, 1471–1528

Trois Paysans en conversation

1475-1499 · Print

Can I see it?

Unknown

Where is “Trois Paysans en conversation” now? Collection: Musée des Beaux-Arts d'Orléans, Orléans. Unknown.

The owner is known; whether it is on view today is not.

In this state since
Source
The museum
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Details

Accession number
2008.0.127

What it shows

In the catalog

Sources

  • Musée des Beaux-Arts d'Orléans
  • Image: Musée des Beaux-Arts d'Orléans — Orléans, musée des beaux-arts © cliché François LAUGINIE; Ministère de la Culture (France), base Joconde

In the life of Albrecht Dürer

The whole life
  1. 1486

    Apprenticed to Michael Wolgemut

    The fifteen-year-old Dürer, whose precocious gift for drawing was plain, was apprenticed to Michael Wolgemut, Nuremberg's leading artist, whose large workshop produced, among much else, woodcuts for books. There he learned drypoint and how to design woodcuts.

  2. 1490

    Sets out on his Wanderjahre

    Having completed his apprenticeship, Dürer followed German custom and set out on his Wanderjahre to learn from masters elsewhere, spending about four years away. He probably went to Frankfurt and the Netherlands.

  3. July 1494

    Marries Agnes Frey

    Soon after returning to Nuremberg the 23-year-old Dürer married Agnes Frey, daughter of a prominent brass worker and amateur harpist; the match had been arranged in his absence, and marriage was required to open a workshop of his own. They had no children, and his letters suggest the marriage was not a happy one.

  4. 7 July 1494

    Married: Agnes Dürer

  5. 1494–1495

    First journey to Italy

    Within three months of the wedding Dürer left alone for Italy, perhaps fleeing an outbreak of plague in Nuremberg. Crossing the Alps he made watercolour landscapes; in Venice he studied its art and judged Giovanni Bellini the best of its painters; Mantegna and Pollaiuolo left their mark on him.

  6. 1495

    Opens his own workshop

    Dürer opened his own workshop in Nuremberg, where over the next ten years he created much of his printmaking. His godfather, the publisher Anton Koberger, helped issue the first series; the city's crafts were governed by the Council rather than guilds, leaving him free to try new techniques and sell his own impressions.

All works

From the collection of Musée des Beaux-Arts d'Orléans

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