Heavenly Scene, Albrecht Dürer, c. 1490s
Albrecht Dürer, portraitAlbrecht DürerGerman, 1471–1528

Heavenly Scene

c. 1490s · Painting · 23.1 × 17.4 cm

Can I see it?

Unknown

Where is “Heavenly Scene” now? Collection: The National Gallery, London. Unknown.

The National Gallery

London, United Kingdom

The owner is known; whether it is on view today is not.

In this state since
Source
The museum

Details

Accession number
NG6563

In the catalog

Sources

  • Wikidata
  • Image: The National Gallery — Albrecht Dürer · Public domain · Wikimedia Commons

In the life of Albrecht Dürer

The whole life
  1. 1490

    Sets out on his Wanderjahre

    Having completed his apprenticeship, Dürer followed German custom and set out on his Wanderjahre to learn from masters elsewhere, spending about four years away. He probably went to Frankfurt and the Netherlands.

  2. 1492

    Colmar: Schongauer had died before he arrived

    Dürer had hoped to meet Martin Schongauer, the celebrated copper engraver, but he had died on 2 February 1491. The master's brothers received the young man with honour and let him work in the workshop; probably with Ludwig Schongauer's help he learned engraving with the burin on copper.

  3. July 1494

    Marries Agnes Frey

    Soon after returning to Nuremberg the 23-year-old Dürer married Agnes Frey, daughter of a prominent brass worker and amateur harpist; the match had been arranged in his absence, and marriage was required to open a workshop of his own. They had no children, and his letters suggest the marriage was not a happy one.

  4. 7 July 1494

    Married: Agnes Dürer

  5. 1494–1495

    First journey to Italy

    Within three months of the wedding Dürer left alone for Italy, perhaps fleeing an outbreak of plague in Nuremberg. Crossing the Alps he made watercolour landscapes; in Venice he studied its art and judged Giovanni Bellini the best of its painters; Mantegna and Pollaiuolo left their mark on him.

  6. 1495

    Opens his own workshop

    Dürer opened his own workshop in Nuremberg, where over the next ten years he created much of his printmaking. His godfather, the publisher Anton Koberger, helped issue the first series; the city's crafts were governed by the Council rather than guilds, leaving him free to try new techniques and sell his own impressions.

All works

From the collection of The National Gallery

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