Berenice AbbottAmerican, 1898–1991Trinity Churchyard
May one see it?
Not receiving at present
The Museum of Modern Art
New York, United States
It belongs to the collection, but is not on display at present.
- Checked
- Source
- The museum
Particulars
- Accession number
- 13.1971
In the catalog
Sources
- The Museum of Modern Art
- Image: The Museum of Modern Art — © the artist or rights holder
Meanwhile, in the life of Berenice Abbott
The whole life1930
The book “Atget, photographe de Paris” is published
An early tangible result of her efforts is the 1930 book “Atget, photographe de Paris”, in which she is described as photo editor.
1930s
The idea behind “Changing New York”
Her project is primarily a sociological study embedded within modernist aesthetic practices, meant to show the interaction between the city’s diverse people, the places where they live, work and play, and their daily activities. Lewis Mumford’s historical writings of the early 1930s strongly influence her, and buildings of the “paleotechnic era” often look downright menacing in her photographs.
1933
Begins teaching at the New School for Social Research
From 1933 she supports herself with commercial work and teaching gigs at the New School for Social Research; for six years she works on her New York project independently, unable to get financial support from organizations such as the Museum of the City of New York, foundations such as the Guggenheim Foundation, or individuals.
1934
Museum exhibition brings patrons and a co-author
An exhibition she prepares at the Museum of the City of New York in 1934 helps her find serious patrons (the Federal Art Project begins to fund the project) and a co-author, the art critic Elizabeth McCausland, who becomes a close friend.
