"They thunder forth from their clouds about gentleness and forbearance, while they sacrifice human victims to the God of love." (Act II, scene 3), from Die Rauber, George Grosz, 1922 (published)
Grosz, George, portraitGrosz, GeorgeGerman, 1893–1959

"They thunder forth from their clouds about gentleness and forbearance, while they sacrifice human victims to the God of love." (Act II, scene 3), from Die Rauber

1922 (published) · Print

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Not on view at present

Where is “"They thunder forth from their clouds about gentleness and forbearance, while they sacrifice human victims to the God of love." (Act II, scene 3), from Die Rauber” now? Collection: Art Institute of Chicago, Chicago. Not on view at present. Checked September 29, 2026.

Art Institute of Chicago

Chicago, United States

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum

Details

Accession number
1963.753.7

In the catalog

Sources

In the life of Grosz, George

The whole life
  1. 1918–1921 · Residence

    Wilmersdorf

  2. 1920

    The First International Dada Fair

    Grosz helps organise the First International Dada Fair and exhibits his work there.

  3. 26 May 1920

    Marriage to Eva Louise Peter

    Grosz marries Eva Louise Peter; the couple will have two sons — Peter Michael, a historian of early German aviation, and Marty, a jazz guitarist.

  4. 1921

    Convicted of insulting the German army

    Grosz is charged with insulting the German army and fined; by the court's verdict his series of satirical drawings Gott mit uns is destroyed.

  5. 1922

    A journey to Russia with Martin Andersen Nexø

    On arrival in Murmansk, Grosz and the Danish writer Martin Andersen Nexø are briefly arrested as spies; after their credentials are approved they are allowed to continue their journey.

  6. 1922

    Meetings with Lenin, Lunacharsky and Tatlin

    In Russia Grosz meets Bolshevik leaders such as Grigory Zinoviev, Karl Radek and Vladimir Lenin, and with Arthur Holitscher goes to see Anatoly Lunacharsky to discuss Proletkult, rejecting the concept of 'proletarian culture'. There he also meets the Constructivist artist Vladimir Tatlin.

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On view at Art Institute of Chicago

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