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  1. Artists/
  2. Grosz, George
Grosz, George — portrait

American, German · 1893–1959

Grosz, George

George Grosz was a German artist known especially for his caricatural drawings and paintings of Berlin life in the 1920s.

  • 347in the catalog
  • 2on view now
  • 8collections
  • 3countries
WorksLifeMap
AllOn view · 2In collectionsUncertain
The Poet Max Herrmann-Neisse, George Grosz, 1927

The Poet Max Herrmann-Neisse

1927 · The Museum of Modern Art

Self-Portrait with a Model, George Grosz, 1928

Self-Portrait with a Model

1928 · The Museum of Modern Art

A Woman Walking to the Left, George Grosz

A Woman Walking to the Left

Not on view · National Gallery of Art

In The Drawing Room [The Art Critics], George Grosz, late 1920s

In The Drawing Room [The Art Critics]

late 1920s · Not on view · National Gallery of Art

Two Men Watching a Couple (Zwei Männer in Betrachtung eines Paares), George Grosz, 1911

Two Men Watching a Couple (Zwei Männer in Betrachtung eines Paares)

1911 · Not on view · The Museum of Modern Art

Studies of a Male Nude, George Grosz, 1912

Studies of a Male Nude

1912 · Not on view · National Gallery of Art

The End of the Road (Out of Fear of Starvation) [Das Ende des Weges (Aus Nahrungssorgen)], George Grosz, 1913

The End of the Road (Out of Fear of Starvation) [Das Ende des Weges (Aus Nahrungssorgen)]

1913 · Not on view · The Museum of Modern Art

The Spider (Die Spinne), George Grosz, 1914

The Spider (Die Spinne)

1914 · Not on view · National Gallery of Art

The Spider (Die Spinne), George Grosz, 1914

The Spider (Die Spinne)

1914 · Not on view · National Gallery of Art

Den of Iniquity (Lasterhöhle), George Grosz, 1914

Den of Iniquity (Lasterhöhle)

1914 · Not on view · The Museum of Modern Art

Spider (Die Spinne), George Grosz, 1914

Spider (Die Spinne)

1914 · Not on view · The Museum of Modern Art

Suburb (Vorstadt), George Grosz, 1915/1916

Suburb (Vorstadt)

1915/1916 · Not on view · National Gallery of Art

Attack (Attentat), George Grosz, 1915

Attack (Attentat)

1915 · Not on view · National Gallery of Art

Moonlight Night (Mondnacht), George Grosz, 1915-1916

Moonlight Night (Mondnacht)

1915-1916 · Not on view · National Gallery of Art

Outskirts (Peripherie) from The First George Grosz Portfolio (Erste George Grosz-Mappe), George Grosz, 1915–16, published 1916–17

Outskirts (Peripherie) from The First George Grosz Portfolio (Erste George Grosz-Mappe)

1915–16, published 1916–17 · Not on view · The Museum of Modern Art

Melancholie (plate, folio 31) from Ecce Homo, George Grosz, 1922–23 (original executed in 1915)

Melancholie (plate, folio 31) from Ecce Homo

1922–23 (original executed in 1915) · Not on view · The Museum of Modern Art

Attack (Attentat), George Grosz, 1915

Attack (Attentat)

1915 · Not on view · The Museum of Modern Art

Suburb (Vorstadt) from The First George Grosz Portfolio (Erste George Grosz-Mappe), George Grosz, 1915–16, published 1916–17

Suburb (Vorstadt) from The First George Grosz Portfolio (Erste George Grosz-Mappe)

1915–16, published 1916–17 · Not on view · The Museum of Modern Art

Eheszene (plate, folio 77) from Ecce Homo, George Grosz, 1922–23 (original executed in 1915)

Eheszene (plate, folio 77) from Ecce Homo

1922–23 (original executed in 1915) · Not on view · The Museum of Modern Art

Moonlit Night (Mondnacht) from The First George Grosz Portfolio (Erste George Grosz-Mappe), George Grosz, 1915–16, published 1916–17

Moonlit Night (Mondnacht) from The First George Grosz Portfolio (Erste George Grosz-Mappe)

1915–16, published 1916–17 · Not on view · The Museum of Modern Art

Interieur (plate, folio 48) from Ecce Homo, George Grosz, 1922–23 (original executed in 1915)

Interieur (plate, folio 48) from Ecce Homo

1922–23 (original executed in 1915) · Not on view · The Museum of Modern Art

Akrobaten (plate, folio 62) from Ecce Homo, George Grosz, 1922–23 (original executed in 1915)

Akrobaten (plate, folio 62) from Ecce Homo

1922–23 (original executed in 1915) · Not on view · The Museum of Modern Art

Air Attack (Fliegerbombe), George Grosz, 1915

Air Attack (Fliegerbombe)

1915 · Not on view · The Museum of Modern Art

Lady with a Veil (Schleierdame), George Grosz, 1915

Lady with a Veil (Schleierdame)

1915 · Not on view · The Museum of Modern Art

Texas Picture for My Friend Chingachgook (Texasbild für meinen Freund Chingachgook) from The First George Grosz Portfolio (Erste George Grosz-Mappe), George Grosz, 1915–16, published 1916–17

Texas Picture for My Friend Chingachgook (Texasbild für meinen Freund Chingachgook) from The First George Grosz Portfolio (Erste George Grosz-Mappe)

1915–16, published 1916–17 · Not on view · The Museum of Modern Art

People in the Street (Menschen in der Strasse) from The First George Grosz Portfolio (Erste George Grosz-Mappe), George Grosz, 1915–16, published 1916–17

People in the Street (Menschen in der Strasse) from The First George Grosz Portfolio (Erste George Grosz-Mappe)

1915–16, published 1916–17 · Not on view · The Museum of Modern Art

Murder (Mord) from the illustrated book Ecce Homo, George Grosz, 1915–16, published 1922–23

Murder (Mord) from the illustrated book Ecce Homo

1915–16, published 1922–23 · Not on view · The Museum of Modern Art

Ecce Homo, George Grosz, 1915–22, published 1922–23

Ecce Homo

1915–22, published 1922–23 · Not on view · The Museum of Modern Art

Street in the City (Strasse in der Stadt) from The First George Grosz Portfolio (Erste George Grosz-Mappe), George Grosz, 1915–16, published 1916–17

Street in the City (Strasse in der Stadt) from The First George Grosz Portfolio (Erste George Grosz-Mappe)

1915–16, published 1916–17 · Not on view · The Museum of Modern Art

Two Men (Zwei Männer), George Grosz, 1915–16, dated 1916

Two Men (Zwei Männer)

1915–16, dated 1916 · Not on view · The Museum of Modern Art

Memory of New York (Erinnerung an New York) from The First George Grosz Portfolio (Erste George Grosz-Mappe), George Grosz, 1915–16, published 1916–17

Memory of New York (Erinnerung an New York) from The First George Grosz Portfolio (Erste George Grosz-Mappe)

1915–16, published 1916–17 · Not on view · The Museum of Modern Art

At the Canal (Am Canal) from The First George Grosz Portfolio (Erste George Grosz-Mappe), George Grosz, 1915–16, published 1916–17

At the Canal (Am Canal) from The First George Grosz Portfolio (Erste George Grosz-Mappe)

1915–16, published 1916–17 · Not on view · The Museum of Modern Art

Murder in the Ackerstrasse (Mord in der Ackerstrasse), George Grosz, 1916/1917

Murder in the Ackerstrasse (Mord in der Ackerstrasse)

1916/1917 · Not on view · National Gallery of Art

Quergebäude vier Treppen (plate, folio 61) from Ecce Homo, George Grosz, 1922–23 (original executed in 1916)

Quergebäude vier Treppen (plate, folio 61) from Ecce Homo

1922–23 (original executed in 1916) · Not on view · The Museum of Modern Art

Ach, knallige Welt, du seliges Abnormitätenkabinett (plate, folio 86) from Ecce Homo, George Grosz, 1922–23 (original executed in 1916)

Ach, knallige Welt, du seliges Abnormitätenkabinett (plate, folio 86) from Ecce Homo

1922–23 (original executed in 1916) · Not on view · The Museum of Modern Art

Familie (plate, folio 4) from Ecce Homo, George Grosz, 1922–23 (original executed in 1916)

Familie (plate, folio 4) from Ecce Homo

1922–23 (original executed in 1916) · Not on view · The Museum of Modern Art

Mord (plate, folio 16) from Ecce Homo, George Grosz, 1922–23 (original executed in 1916)

Mord (plate, folio 16) from Ecce Homo

1922–23 (original executed in 1916) · Not on view · The Museum of Modern Art

Niederkunft (plate, folio 38) from Ecce Homo, George Grosz, 1922–23 (original executed in 1916)

Niederkunft (plate, folio 38) from Ecce Homo

1922–23 (original executed in 1916) · Not on view · The Museum of Modern Art

Lustmord in der Ackerstraße (plate, folio 40) from Ecce Homo, George Grosz, 1922–23 (original executed in 1916)

Lustmord in der Ackerstraße (plate, folio 40) from Ecce Homo

1922–23 (original executed in 1916) · Not on view · The Museum of Modern Art

The First George Grosz Portfolio (Erste George Grosz-Mappe), George Grosz, 1916–17

The First George Grosz Portfolio (Erste George Grosz-Mappe)

1916–17 · Not on view · The Museum of Modern Art

Apachen (plate, folio 71) from Ecce Homo, George Grosz, 1922–23 (original executed in 1916)

Apachen (plate, folio 71) from Ecce Homo

1922–23 (original executed in 1916) · Not on view · The Museum of Modern Art

Joint (Kaschemme) from The First George Grosz Portfolio (Erste George Grosz-Mappe), George Grosz, 1916, published 1916–17

Joint (Kaschemme) from The First George Grosz Portfolio (Erste George Grosz-Mappe)

1916, published 1916–17 · Not on view · The Museum of Modern Art

Family (Familie) from the illustrated book Ecce Homo, George Grosz, 1916, published 1922–23

Family (Familie) from the illustrated book Ecce Homo

1916, published 1922–23 · Not on view · The Museum of Modern Art

Café (plate, folio 51) from Ecce Homo, George Grosz, 1922–23 (original executed in 1916)

Café (plate, folio 51) from Ecce Homo

1922–23 (original executed in 1916) · Not on view · The Museum of Modern Art

Whisky (plate, folio 15) from Ecce Homo, George Grosz, 1922–23 (original executed in 1917)

Whisky (plate, folio 15) from Ecce Homo

1922–23 (original executed in 1917) · Not on view · The Museum of Modern Art

Franz Jung gewidmet (plate, folio 57) from Ecce Homo, George Grosz, 1922–23 (original executed in 1917)

Franz Jung gewidmet (plate, folio 57) from Ecce Homo

1922–23 (original executed in 1917) · Not on view · The Museum of Modern Art

Des Ende (plate, folio 101) from Ecce Homo, George Grosz, 1922–23 (original executed in 1917)

Des Ende (plate, folio 101) from Ecce Homo

1922–23 (original executed in 1917) · Not on view · The Museum of Modern Art

Explosion, George Grosz, 1917

Explosion

1917 · Not on view · The Museum of Modern Art

Vorstadt (plate, folio 89) from Ecce Homo, George Grosz, 1922–23 (original executed in 1917)

Vorstadt (plate, folio 89) from Ecce Homo

1922–23 (original executed in 1917) · Not on view · The Museum of Modern Art

The Christmas Brothers, George Grosz, 1917

The Christmas Brothers

1917 · Not on view · The Museum of Modern Art

Metropolis (Grossstadt), George Grosz, 1917

Metropolis (Grossstadt)

1917 · Not on view · The Museum of Modern Art

Beauty Contest in the Motzstrasse (Schonheitsabend in der Motzstrasse), George Grosz, 1918

Beauty Contest in the Motzstrasse (Schonheitsabend in der Motzstrasse)

1918 · Not on view · National Gallery of Art

Der besessene Forstadjunkt (plate, folio 30) from Ecce Homo, George Grosz, 1922–23 (original executed in 1918)

Der besessene Forstadjunkt (plate, folio 30) from Ecce Homo

1922–23 (original executed in 1918) · Not on view · The Museum of Modern Art

Grimmiger Mann (plate, folio 6) from Ecce Homo, George Grosz, 1922–23 (original executed in 1918)

Grimmiger Mann (plate, folio 6) from Ecce Homo

1922–23 (original executed in 1918) · Not on view · The Museum of Modern Art

Eva (plate, folio 63) from Ecce Homo, George Grosz, 1922–23 (original executed in 1918)

Eva (plate, folio 63) from Ecce Homo

1922–23 (original executed in 1918) · Not on view · The Museum of Modern Art

Dr. Benn's Nachtcafé (plate, folio 96) from Ecce Homo, George Grosz, 1922–23 (original executed in 1918)

Dr. Benn's Nachtcafé (plate, folio 96) from Ecce Homo

1922–23 (original executed in 1918) · Not on view · The Museum of Modern Art

Schönheitsabend in der Motzstraße (plate, folio 10) from Ecce Homo, George Grosz, 1922–23 (original executed in 1918)

Schönheitsabend in der Motzstraße (plate, folio 10) from Ecce Homo

1922–23 (original executed in 1918) · Not on view · The Museum of Modern Art

Johannisnacht (plate, folio 60) from Ecce Homo, George Grosz, 1922–23 (original executed in 1918)

Johannisnacht (plate, folio 60) from Ecce Homo

1922–23 (original executed in 1918) · Not on view · The Museum of Modern Art

Friedrichstraße (plate, folio 3) from Ecce Homo, George Grosz, 1922–23 (original executed in 1918)

Friedrichstraße (plate, folio 3) from Ecce Homo

1922–23 (original executed in 1918) · Not on view · The Museum of Modern Art

Der Mädchenhändler (plate, folio 50) from Ecce Homo, George Grosz, 1922–23 (original executed in 1918)

Der Mädchenhändler (plate, folio 50) from Ecce Homo

1922–23 (original executed in 1918) · Not on view · The Museum of Modern Art

Fit for Active Service (Kriegsverwendungsfähig), George Grosz, 1918

Fit for Active Service (Kriegsverwendungsfähig)

1918 · Not on view · The Museum of Modern Art

German Doctors Fighting the Blockade (Die Gesundbeter) from the portfolio God with Us (Gott mit uns), George Grosz, 1918, published 1920

German Doctors Fighting the Blockade (Die Gesundbeter) from the portfolio God with Us (Gott mit uns)

1918, published 1920 · Not on view · The Museum of Modern Art

Der absolute Monarchist (plate, folio 43) from Ecce Homo, George Grosz, 1922–23 (original executed in 1918)

Der absolute Monarchist (plate, folio 43) from Ecce Homo

1922–23 (original executed in 1918) · Not on view · The Museum of Modern Art

World of the Bourgeoisie (Bürgerliche Welt) from the illustrated book Ecce Homo, George Grosz, 1918, published 1922–23

World of the Bourgeoisie (Bürgerliche Welt) from the illustrated book Ecce Homo

1918, published 1922–23 · Not on view · The Museum of Modern Art

The Neighbor's Daughter or Spring Fever (Nachbars Lenchen oder Frühlings Erwachen), George Grosz, 1919

The Neighbor's Daughter or Spring Fever (Nachbars Lenchen oder Frühlings Erwachen)

1919 · Not on view · National Gallery of Art

The Convict (Der Zuchthäusler), George Grosz, 1919

The Convict (Der Zuchthäusler)

1919 · Not on view · National Gallery of Art

The End of the Day, George Grosz, c. 1919

The End of the Day

c. 1919 · Not on view · The Museum of Modern Art

Marseille (plate, folio 8) from Ecce Homo, George Grosz, 1922–23 (original executed in 1919)

Marseille (plate, folio 8) from Ecce Homo

1922–23 (original executed in 1919) · Not on view · The Museum of Modern Art

Trio (plate, folio 90) from Ecce Homo, George Grosz, 1922–23 (original executed in 1919)

Trio (plate, folio 90) from Ecce Homo

1922–23 (original executed in 1919) · Not on view · The Museum of Modern Art

Made in Germany (Den macht uns keiner nach) from the portfolio God with Us (Gott mit uns), George Grosz, 1919, published 1920

Made in Germany (Den macht uns keiner nach) from the portfolio God with Us (Gott mit uns)

1919, published 1920 · Not on view · The Museum of Modern Art

God with Us (Gott mit uns) from the portfolio God with Us (Gott mit uns), George Grosz, 1919, published 1920

God with Us (Gott mit uns) from the portfolio God with Us (Gott mit uns)

1919, published 1920 · Not on view · The Museum of Modern Art

The World Made Safe for Democracy (Die vollendete Demokratie) from the portfolio God with Us (Gott mit uns), George Grosz, 1919, published 1920

The World Made Safe for Democracy (Die vollendete Demokratie) from the portfolio God with Us (Gott mit uns)

1919, published 1920 · Not on view · The Museum of Modern Art

Louise (plate, folio 25) from Ecce Homo, George Grosz, 1922–23 (original executed in 1919)

Louise (plate, folio 25) from Ecce Homo

1922–23 (original executed in 1919) · Not on view · The Museum of Modern Art

Stammtischstudien (plate, folio 13) from Ecce Homo, George Grosz, 1922–23 (original executed in 1919)

Stammtischstudien (plate, folio 13) from Ecce Homo

1922–23 (original executed in 1919) · Not on view · The Museum of Modern Art

Blood Is the Best Sauce (Die Kommunisten fallen - und die Devisen steigen) from the portfolio God with Us (Gott mit uns), George Grosz, 1919, published 1920

Blood Is the Best Sauce (Die Kommunisten fallen - und die Devisen steigen) from the portfolio God with Us (Gott mit uns)

1919, published 1920 · Not on view · The Museum of Modern Art

The Germans to the Front (Für deutsches Recht und deutsche Sitte) from the portfolio God with Us (Gott mit uns), George Grosz, 1919, published 1920

The Germans to the Front (Für deutsches Recht und deutsche Sitte) from the portfolio God with Us (Gott mit uns)

1919, published 1920 · Not on view · The Museum of Modern Art

Ledebour (plate, folio 67) from Ecce Homo, George Grosz, 1922–23 (original executed in 1919)

Ledebour (plate, folio 67) from Ecce Homo

1922–23 (original executed in 1919) · Not on view · The Museum of Modern Art

Ich dien (Feierabend) from the portfolio God with Us (Gott mit uns), George Grosz, 1919, published 1920

Ich dien (Feierabend) from the portfolio God with Us (Gott mit uns)

1919, published 1920 · Not on view · The Museum of Modern Art

Schwere Zeiten (plate, folio 34) from Ecce Homo, George Grosz, 1922–23 (original executed in 1919)

Schwere Zeiten (plate, folio 34) from Ecce Homo

1922–23 (original executed in 1919) · Not on view · The Museum of Modern Art

Hausherr (plate, folio 36) from Ecce Homo, George Grosz, 1922–23 (original executed in 1919)

Hausherr (plate, folio 36) from Ecce Homo

1922–23 (original executed in 1919) · Not on view · The Museum of Modern Art

Nachts (plate, folio 42) from Ecce Homo, George Grosz, 1922–23 (original executed in 1919)

Nachts (plate, folio 42) from Ecce Homo

1922–23 (original executed in 1919) · Not on view · The Museum of Modern Art

Cover from the portfolio God with Us (Gott mit uns), George Grosz, 1919, published 1920

Cover from the portfolio God with Us (Gott mit uns)

1919, published 1920 · Not on view · The Museum of Modern Art

God with Us (Gott mit uns) from the portfolio God with Us (Gott mit uns), George Grosz, 1919, published 1920

God with Us (Gott mit uns) from the portfolio God with Us (Gott mit uns)

1919, published 1920 · Not on view · The Museum of Modern Art

Out of Work (Arbeitslose), George Grosz, 1920/1921

Out of Work (Arbeitslose)

1920/1921 · Not on view · National Gallery of Art

Er hat Hindenburg verspottet (He Made Fun of Hindenburg) from Deutsche Graphiker der Gegenwart (German Printmakers of Our Time), George Grosz, 1920

Er hat Hindenburg verspottet (He Made Fun of Hindenburg) from Deutsche Graphiker der Gegenwart (German Printmakers of Our Time)

1920 · Not on view · National Gallery of Art

"Under my rule it shall be brought to pass, that potatoes and small-beer shall be con sidered a holiday treat;  and woe to him who meets my eye with the audacious front of health. Haggard want, and crouching fear, are my insignia; and in this livery I will clothe ye."("In meinem Gebiet soll's soweit kommen, das Kartoffeln und Dünnbier ein Traktament für Festtage werden, und wehe dem, der mir mit vollen feurigen Backen unter die Augen tritt! Blässe der Armut und sklavische Furcht sind meine Leibf arbe; in diese Livrei will ich euch kleiden."), George Grosz, 1920/1921

"Under my rule it shall be brought to pass, that potatoes and small-beer shall be con sidered a holiday treat; and woe to him who meets my eye with the audacious front of health. Haggard want, and crouching fear, are my insignia; and in this livery I will clothe ye."("In meinem Gebiet soll's soweit kommen, das Kartoffeln und Dünnbier ein Traktament für Festtage werden, und wehe dem, der mir mit vollen feurigen Backen unter die Augen tritt! Blässe der Armut und sklavische Furcht sind meine Leibf arbe; in diese Livrei will ich euch kleiden.")

1920/1921 · Not on view · National Gallery of Art

Inflation from In the Shadows (Im Schatten), George Grosz, c. 1920, published 1921

Inflation from In the Shadows (Im Schatten)

c. 1920, published 1921 · Not on view · The Museum of Modern Art

Die Verantwortlichen (plate, folio 29) from Ecce Homo, George Grosz, 1922–23 (original executed in 1920)

Die Verantwortlichen (plate, folio 29) from Ecce Homo

1922–23 (original executed in 1920) · Not on view · The Museum of Modern Art

Bürgerliche Welt (plate, folio 23) from Ecce Homo, George Grosz, 1922–23 (original executed in 1920)

Bürgerliche Welt (plate, folio 23) from Ecce Homo

1922–23 (original executed in 1920) · Not on view · The Museum of Modern Art

Title page from In the Shadows (Im Schatten), George Grosz, c. 1920, published 1921

Title page from In the Shadows (Im Schatten)

c. 1920, published 1921 · Not on view · The Museum of Modern Art

Matchseller and Patrol from In the Shadows (Im Schatten), George Grosz, c. 1920, published 1921

Matchseller and Patrol from In the Shadows (Im Schatten)

c. 1920, published 1921 · Not on view · The Museum of Modern Art

War Invalid and Workers from In the Shadows (Im Schatten), George Grosz, c. 1920, published 1921

War Invalid and Workers from In the Shadows (Im Schatten)

c. 1920, published 1921 · Not on view · The Museum of Modern Art

Dr. Huelsenbeck am Ende (plate, folio 49) from Ecce Homo, George Grosz, 1922–23 (original executed in 1920)

Dr. Huelsenbeck am Ende (plate, folio 49) from Ecce Homo

1922–23 (original executed in 1920) · Not on view · The Museum of Modern Art

"The Convict" Monteur John Heartfield After Franz Jung's Attempt to Get Him Up on His Feet ("Der Sträfling" Monteur John Heartfield nach Franz Jungs Versuch ihn auf die Beine zu stellen), George Grosz, 1920

"The Convict" Monteur John Heartfield After Franz Jung's Attempt to Get Him Up on His Feet ("Der Sträfling" Monteur John Heartfield nach Franz Jungs Versuch ihn auf die Beine zu stellen)

1920 · Not on view · The Museum of Modern Art

He Made Fun of Hindenburg (Er hat Hindenburg verspottet) (plate 11) from the illustrated book Deutsche Graphiker der Gegenwart (German Printmakers of Our Time), George Grosz, 1920

He Made Fun of Hindenburg (Er hat Hindenburg verspottet) (plate 11) from the illustrated book Deutsche Graphiker der Gegenwart (German Printmakers of Our Time)

1920 · Not on view · The Museum of Modern Art

Gruß aus Sachsen (plate, folio 7) from Ecce Homo, George Grosz, 1922–23 (original executed in 1920)

Gruß aus Sachsen (plate, folio 7) from Ecce Homo

1922–23 (original executed in 1920) · Not on view · The Museum of Modern Art

1